100 books like The New Me

Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.

While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice. 

Marie—a young mother with a young child—is trying to make her way in the brutal restaurant industry toward a more settled life but is constantly battling her own self-destructive tendencies.

“I ask my memory, why did I take each next step?” she says near the beginning of the book, but readers feel that each next, disastrous step seems almost pre-ordained. Love Me Back is an unflinching and hyper-interior deep dive into why people are sometimes their own worst enemy.

“The story starts at…the point perhaps at which I became aware of my inability to feel any feelings beyond those set to music by the Walt Disney Company,” Claire, the narrator of I Love You but I’ve Chosen Darkness admits on the novel’s very first page.

And so we’re primed when she does what is probably considered by many to be the most monstrous thing a woman can do: she leaves her child. Interspersed with sections about family history and old letters that shed light on complicated dynamics, the book moves us through Claire’s journey as she pushes back against the expectations of marriage and motherhood in search of her own, individualized definition.

Joan abandons her life and moves across the country on a quest to find a stranger from her past, convinced it will help her find peace.

In a savagely honest style, Animal recounts Joan’s affairs, family history, a traumatic incident from her youth, and a gaping emptiness within herself that she’s desperate to understand. “If someone asked me to describe myself in a single word, depraved is the one I would use.”

Depraved, sure. Maybe. But it’s impossible to be angry at her because she’s so candid about what she’s doing and why. The prose itself is fresh and stark and haunting.

This book was translated from Spanish by Heather Cleary. It’s also not really fantasy. Sorry!

I don’t read enough translated books. The flow of language is different and storytelling isn’t always as straightforward as the Western narrative structure I’m more familiar with.

(I find this to be true with books written by fellow Indigenous authors in America and Canada, as well, but I haven’t read any of their work featuring contemporary witches. Yet.)

This book intertwines the stories of Curandera Feliciana and journalist Zoe, who are brought together by the murder of Feliciana’s cousin Paloma. It’s less about witches as spellcasters, and more about them as healers, knowledge-keepers, and disrupters of the status quo (i.e., the patriarchy).

Not a light read, but an important one.

When it comes to short story collections I definitely have a type, as Upright Beasts is a blend of fantasy, horror, dark humor, and the surreal. And if we’re talking about genre-bending, no one does it quite like Lincoln Michel. His stories are strange and familiar, funny and sad, whimsical and disturbing, twisted and delightful. Sometimes all at the same time. Much like the other authors and collections I’ve listed here, these stories inspired my own writing and made me want to be a better writer. That’s what I want in the fiction I read: to not only be entertained but challenged.

This book is for those who love Paris or even just the dream of Paris. In this collection of fiction and non-fiction tales, a diverse group of writers take the reader to unexpected sides of the City of Lights, with a diverse array of experiences, from a romantic encounter to a heartbreaking mishap. In this enjoyable collection of tales, you can travel to Paris, if only for an evening.

Regent’s of Paris takes place in a struggling small town automobile dealership during the week preceding a Memorial Day sale.

It’s Glengarry Glen Ross without shoving the reader into a tar pit of despair. I like books that don’t make readers need a shower and antidepressants at the end, at the same time addressing uncomfortable truths. This one delivers with a measure of cynicism.

There’s cynicism in my own work too. I view a cynic as a blend of idealism and sentiment: idealistic enough to see the world as it should be and sentimental enough to recall the exact moment of his/her/their disillusionment.

I bought an English version of this French novel about Paris while actually in that city as a starving backpacker, and have forever associated the wacky joyfulness of the book with the pleasures of that trip. Originally written in a high-energy, idiomatic, slangy, bawdy version of French that scandalized many conservative readers, the plot involves a young country girl named Zazie, obsessed with the Parisian subway system called the Metro, though she’s never seen it. Finally allowed to visit her uncle in the city, she is outraged to find the Metro closed, its workers on strike. She runs away, roaming the crowded city streets, her hilarious extended tantrum not only upsetting her befuddled uncle’s safe and settled lifestyle, but also spreading a generalized craziness throughout Paris. 

You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to write The Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.