Here are 100 books that The Silent Female Scream fans have personally recommended if you like
The Silent Female Scream.
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My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.
Mothers are too often blamed for their children’s and adult daughters’ problems. I regard Paula Caplan’s book as the quintessential text on understanding how patriarchy blames mothers and how mother-blaming harms mothers, women, and the mother-daughter relationship. Paula exposes the myths surrounding motherhood – revealing that there is no such thing as a “perfect mother.”
I'm a stage and television actress who, after getting married and having two children, turned to writing in my forties as my “second act”. I started writing about being a mom in Hollywood, and being raised by a mom who was—well, nuts. For years I dined out on crazy stories of my childhood: breakfasting on cold, half-eaten hors d'oeuvres strewn across our Park Avenue room from my crazy mom's all-night cocktail parties, falling asleep on banquets at nightclubs, skipping school to sneak into a swanky hotel in London and meet the Osmonds. The final result was my memoir, Chanel Bonfire. I believe it has the power to inspire and give hope, as well as entertain.
I’m a big believer in self-help books. This was recommended to me by a therapist who basically saved my life, navigating me through a very difficult time in my life in my twenties. The author, Victoria Secunda, breaks down all the different dysfunctional types of mothers, with chapters titled “The Avenger”, “The Doormat”, “The Critic”, in an easy-to-understand way. Reading this book helped me “diagnose” my mother, who never took responsibility for her mental illness, always blaming her behavior on her kids or others. This book helped me to understand her more fully, perhaps even feel compassion for her. I often recommend it to anyone who, like me, has or had a troubled relationship with their mother.
“A book of great value for every daughter and every mother; useful for sons, too.”—Benjamin Spock, M.D.
From the Introduction: The goal of this book is to help readers achieve that separation so that they can either find a way to be friends with their mothers, or at least recognize and accept that their mothers did the best they could—even if it wasn't “good enough”—and to stop blaming them. Among the issues to be covered:
• To understand how a daughter's attachment to her mother—more so than her relationship with her father—colors all her other relationships, and to analyze why…
My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.
Losing your mother is devastating especially when a daughter is young. I’ve found that Hope Edelman’s book is a go-to book for daughters who have lost their mother and for daughters whose mother may be alive but unable to emotionally connect. Loss comes in many forms and this book helps daughters on their healing journey.
Ask any woman whose mother has died, and she will tell you that she is irrevocably altered, as deeply changed by her mother's death as she was by her mother's life. Although a mother's mortality is inevitable, no book had discussed the profound, lasting, and far-reaching effects of this loss- until Motherless Daughters , which became an instant classic. Twenty years later, it is still the book that women of all ages look to for comfort and understanding when their mothers die, and the book that they continue to press into each other's hands.Building on interviews with hundreds of mother-loss…
My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.
I like this book because it is well-researched and reveals the politics of mothering. As Vanessa Olorenshaw notes, “mothers’ rights are the flotsam left behind on the ocean surface of patriarchy.” This is a must-read book for all mothers and daughters because the women’s movement has yet to prioritize the rights of mothers to not be the world’s caregivers.
If it is true that there have been waves of feminism, then mothers’ rights are the flotsam left behind on the ocean surface of patriarchy. For all the talk of women’s liberation, when it is predicated on liberation from motherhood, it is no liberation at all. Under twenty-first century capitalism, the bonds of motherhood are being replaced with binds to the market within wage slavery and ruthless individualism. Mothers are in bondage – and not in a 50 Shades way.
Olorenshaw is clear: When mothering is on our terms, it can be liberating. The time has come for a radical,…
Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
At a moment when I was stuck in the long process of writing my book–newly divorced, overwhelmed by solo parenting young twins, and exhausted by pandemic shutdowns–this book reinvigorated me as a writer and mother. Phillips artfully demonstrates not only that motherhood and creative lives aren’t mutually exclusive, as the common trope would suggest, but that there are infinite paths to combining the two.
What does it mean to create, not in "a room of one's own" but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge.
With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, who had to choose between her motherhood and herself; Ursula K. Le Guin, who found productive stability in family life; Audre Lorde, whose queer, polyamorous union allowed her to raise children on her own terms…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
These essays are the ultimate guide to human intimacy. If you believe, as I do, that the best way to find meaning in life is to establish connections with others, you must read this book.
Rich teaches us that we are all clumsy, needy, fearful communicators, and shows us how what we perceive as failings are actually the secret keys to opening up whole invisible worlds of understanding between each other. She understands the art of gentleness as well as anyone who has ever written.
At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."
I’m a sucker for unlikeable. A charged word that’s sometimes used about protagonists but mostly only about female protagonists. When they don’t fit a template. When they are imperfect. When they push back. When they are too emotional or too distant or too interior or too driven or too obsessed or too mean or too nice or too smart or not smart enough. The protagonists in these novels are flawed—period. But flawed is complex and perfect is simple and simple is boring and no one wants to read a boring novel.
Joan abandons her life and moves across the country on a quest to find a stranger from her past, convinced it will help her find peace.
In a savagely honest style, Animalrecounts Joan’s affairs, family history, a traumatic incident from her youth, and a gaping emptiness within herself that she’s desperate to understand. “If someone asked me to describe myself in a single word, depravedis the one I would use.”
Depraved, sure. Maybe. But it’s impossible to be angry at her because she’s so candid about what she’s doing and why. The prose itself is fresh and stark and haunting.
From Lisa Taddeo, author of the #1 New York Times bestseller and global phenomenon Three Women, comes an “intoxicating” (Entertainment Weekly), “fearless” (Los Angeles Times), and “explosive” (People) novel about “what happens when women are pushed beyond the brink, and what comes after the reckoning” (Esquire).
Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles,…
We are relatable women who have successful careers in a predominately male industry. We have run businesses, built teams based on trust and inclusion, become authors, speakers, and advisors, while simultaneously raising children with our also working husbands. This is not done with ease or without making trade-offs, but we will share our stories and hope to inspire other women. We believe in supporting women in all areas of our lives and we love to lift up the ones who have impacted us.
If you suffer at times from Imposter Syndrome, as many women do, including Shannon, then you should pick up this book!
Valerie provides insights into why we often think we are fooling others with our success. She asks thoughtful questions to help you become more self-aware of your competence type and how that affects your own self-sabotage and self-doubt.
She opened Shannon’s eyes to how women perceive and project their failure and provides incredibly helpful suggestions on how to flip the script on your thought process. Valerie created a safe space to help us all do some reflection, recognize we aren’t the only one’s carrying around this Imposter Syndrome and explains how to overcome it!
Learn to take ownership of your success, overcome self-doubt, and banish the thought patterns that undermine your ability to feel—and act—as bright and capable as others already know you are with this award-winning book by Valerie Young.
It’s only because they like me. I was in the right place at the right time. I just work harder than the others. I don’t deserve this. It’s just a matter of time before I am found out. Someone must have made a terrible mistake.
If you are a working woman, chances are this internal monologue sounds all too familiar. And you’re not…
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I loved this book because it simultaneously gives us a taste of the fierce spirit of the women’s liberation movement but also demonstrates what was wrong with Friedan’s particular flavor of feminism at the time: namely, that it was centered around white and mostly privileged women.
Reading this book is like being transported back to the 1960s and being a fly on the wall in the homes of women who were done with the patriarchy, who wanted to have careers and earn money, but were also grappling with their own roles in society.
It’s a historical document but also, in some ways, the 1960s equivalent of reality TV. It’s a ferocious cri de coeur that is delightful in its assertiveness.
Landmark, groundbreaking, classic-these adjectives barely do justice to the pioneering vision and lasting impact of The Feminine Mystique. Published in 1963, it gave a pitch-perfect description of "the problem that has no name": the insidious beliefs and institutions that undermined women's confidence in their intellectual capabilities and kept them in the home. Writing in a time when the average woman first married in her teens and 60 percent of women students dropped out of college to marry, Betty Friedan captured the frustrations and thwarted ambitions of a generation and showed women how they could reclaim their lives. Part social chronicle,…
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