Here are 100 books that Are You My Mother? A Comic Drama fans have personally recommended if you like
Are You My Mother? A Comic Drama.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
I read Wild Game in a weekend—and that’s unusual for me, but I just couldn’t put the book down. Brodeur brought me into a world of treachery, lies, and mother-daughter entanglement that I found absolutely compelling. The mother in this book, Malabar, is a larger-than-life character whose willingness to sacrifice her daughter’s well-being for her own ends was horrifying and believable. I rooted for the daughter all the way through this beautifully crafted book, but it was the mother I found unforgettable.
A NATIONAL BESTSELLER. A daughter’s tale of living in the thrall of her magnetic, complicated mother, and the chilling consequences of her complicity.
NAMED A BEST FALL BOOK BY People * Refinery29 * Entertainment Weekly * BuzzFeed * NPR’s On Point * Town & Country * Real Simple * New York Post * Palm Beach Post * Toronto Star * Orange Country Register * Bustle * Bookish * BookPage * Kirkus* BBC Culture* Debutiful
On a hot July night on Cape Cod when Adrienne was fourteen, her mother, Malabar, woke her at midnight with five simple words that would set…
Women’s fiction is about relationships and issues that women deal with daily. I wish I could write thrillers or fantasy—those are so much fun to read, but I’m most fascinated by people and the life-changing choices they make. Being the daughter of immigrants has made me obsessed with two things, one is identity and the second is success. My books touch on the discovery of self and how that leads to success. And if we're honest, our relationships with our parents have a massive effect on who we become and our beliefs. I’ve explored parent/child relationships in all my novels, but most intimately in Let Us Begin which is based on my father’s life.
American Daughter caught my interest because of the title. I was writing a novel based on my father’s search for the American Dream, and we had a contentious relationship. I always felt like the American Daughter of an Argentine dad.
American Daughter, however, didn’t really have anything to do with being American aside from showing the realities or another side of the American Dream, the pain, the struggle, and the brokenness of American families.
I ended up relating to this book much more than I expected. The author’s mother was mentally unstable, selfish, and unable to actually mother. My father, and the character of my novel, was also all three of those things.
I felt a connection with the author because I understood how difficult it must have been for her to ultimately forgive her mother and see her as a damaged human being who did the best she could.…
The sharp and surprising true story of a woman who finally sets out to understand her past, and the mother she had one day hoped to forget. Full of unexpected twists and unbelievable revelations, American Daughter is an immersive memoir that will have you on the edge of your seat to the very last page.
For years, Stephanie Plymale, successful CEO and interior designer, kept her past a fiercely guarded secret. Only her husband knew that her childhood was fraught with every imaginable hardship: neglect, hunger, poverty, homelessness, truancy, foster homes, a harrowing lack of medical care, and worse. Stephanie,…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
There are so many things I loved about Motherland, it’s hard to know where to begin. For starters, Elissa Altman is a brilliant writer and a great storyteller. Her portrayal of her dramatic, narcissistic mother created a flawed, human, larger-than-life character I will never forget. Elissa moves us through time effortlessly, at one moment vividly portraying herself as a child and in the next, seamlessly bringing in the voice of wisdom—her adult voice now—as we watch her struggle to make peace with the past. I deeply resonated with the love and hate, attachment and resentment that ricocheted between this unforgettable mother-daughter pair. I love books that grab me and don’t let me go. Motherland definitely had me hooked all the way from beginning to end. I hated leaving Altman’s world behind. I didn’t want the book to end.
“I’m reading this book right now and loving it!”—Cheryl Strayed, #1 New York Times bestselling author of Wild
How can a mother and daughter who love (but don’t always like) each other coexist without driving each other crazy?
“Vibrating with emotion, this deeply honest account strikes a chord.”—People “A wry and moving meditation on aging and the different kinds of love between women.”—O: The Oprah Magazine
After surviving a traumatic childhood in nineteen-seventies New York and young adulthood living in the shadow of her flamboyant mother, Rita, a makeup-addicted former television singer, Elissa Altman has managed to build a very…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
I loved diving into this novel about mother-daughter artists and the devotion, love, and competition that binds them together. Personally, I have no skill or passion for painting or photography—the gifts granted the characters in this book—but as I immersed myself in Bensley’s world, I began seeing the world as visual artists do. That was an unexpected bonus to an already compelling intergenerational story. As I hungrily turned pages, eager to discover what would happen to the characters next, I loved learning about art, the sexism of the art world, and the compelling need to create regardless of external validation.
Liza Baker, a rising star in the burgeoning Abstract Expressionist era, finds herself sidelined when she gets pregnant, and decides to have the child. Yet, against conventional wisdom, she's convinced she can have a successful career and be a good mother to her daughter, Rouge.
She takes a job teaching at a college and comes up against the harsh realities of the male-dominated art world. Unable to build a successful career, she watches as her former lover, whose work resembles hers, skyrocket to fame. Liza develops a drinking problem and often brings home artist lovers she's met in the city.…
I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.
If you vividly remember the Columbine High School shooting or any of the horrific moments of spectacle violence in the subsequent two decades (Virginia Tech, Sandy Hook, Parkland, etc.), this book answers questions you might have been afraid to ask, such as, how do parents of these “monsters next door”– in particular their mothers – survive in the wake of such horror, and where do they find grace? As a mother to three boys and two girls, in a 21st-century America that continues to be plagued by gun violence, I read (and re-read) Sue Klebold’s honest story, aware on every page, that the reverberating effects of Columbine, complete with active-shooter training in our kids’ schools, still permeate our everyday lives.
On April 20, 1999, Eric Harris and Dylan Klebold walked into Columbine High School in Littleton, Colorado. Over the course of minutes, they would kill twelve students and a teacher and wound twenty-four others before taking their own lives.
For the last sixteen years, Sue Klebold, Dylan's mother, has lived with the indescribable grief and shame of that day. How could her child, the promising young man she had loved and raised, be responsible for such horror? And how, as his mother, had she not known something was wrong? Were there subtle signs she had missed? What, if anything, could…
Although I was raised without a religion, for more than half my life I’ve been involved in meditation and yogic communities. I have seen the good, the bad, and the ugly
If you are a Gen Xer like me and you wax nostalgia about the freedom of the mothers of your childhood vs. the shackles of parenting in the early twenty-first century as I have, Kim Brooks’ book is for you. Kim made the most grievous error a parent can make today: she left her four-year-old in her minivan in the parking lot of a rural Target so she could quickly grab an item. Though her child was fine, someone called the police. This event sent Kim down a rabbit hole to find out: is the American childhood as dangerous as people think? Her remarkable, thought-provoking book argues that childhood is remarkably safe, children should be exploring their environs, and some form of free-range parenting for many parents and kids should be the norm rather than the exception. This has been my philosophy since having children, and I was happy to…
One cool spring morning, Kim Brooks made a split-second decision to leave her four-year-old son in the car while she ran into a store. What happened would consume the next several years of her life and ultimately motivated her to begin writing about the broader subject of parenthood and fear. In Small Animals, Brooks asks, Of all the emotions inherent in parenting, is there any more universal or profound than fear? To be a parent is to be afraid. And yet, the objects and intensity of our fear vary based on culture, temperament, and the historical moment in which we…
I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.
As a mother and a Women’s and Gender Studies educator, I was enthralled by Ayelet Waldman’s Modern Love scandal of 2005 in which she confessed to loving her husband, Pulitzer Prize-winning author Michael Chabon, more than their four children, after which she landed a spot on the Oprah Winfrey stage to defend her position. Bad Mother picks up where that controversy left off, exploring the double standard for mothers, who are expected to see and treat children as the centers of their universe. This book is irreverent and refreshing. Perfect mothers – so-called “good moms” – are for Mother’s Day portraits only. This is a book to read on any other day of the year.
'I want to be in the company of her frank intelligence forever' Nigella Lawson In our mothers' day there were good mothers, indifferent mothers, and occasionally, great mothers. Today we have only Bad Mothers: If you work, you're neglectful; if you stay home, you're smothering. If you discipline, you're buying them a spot on the shrink's couch; if you let them run wild, they will be into drugs by seventh grade. Is it any wonder so many women refer to themselves at one time or another as a "bad mother"? Writing with remarkable candor, and dispensing much hilarious and helpful…
I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.
So much of this book is filled with folklore and magic, but the provocative and devastating ending, which raises important questions about motherhood and the fine line between animal and human consciousness, guts the reader as any honest book should. I’ve always been fascinated by the wide range of strong opinions people feel in response to a simple question: Are pets equal to children in the hierarchy of living things? I was fully transported into this surprising exploration of violence and motherhood.
*Finalist for the US National Book Award for Translated Literature 2020*
In Colombia's brutal jungle, childless Damaris develops an intense and ultimately doomed relationship with an orphaned puppy.
Colombia's Pacific coast, where everyday life entails warding off the brutal forces of nature. In this constant struggle, nothing is taken for granted.
Damaris lives with her fisherman husband in a shack on a bluff overlooking the sea. Childless and at that age 'when women dry up,' as her uncle puts it, she is eager to adopt an orphaned puppy. But this act may bring more than just affection into her home.…
I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.
I’m kicking off with a novel that isn’t a conventional crime story, in that there’s no detective, but there are several heinous crimes, all of which are resolved by the end.
It’s not an exaggeration to say I envy anyone who hasn’t yet read Fingersmith. Unashamedly drawing on the sensation fiction of Wilkie Collins, it has a twist that saw me actually yelping out loud in surprise. But the book is so much more than that.
Starting in London, 1862, we are introduced to Sue Trinder, a young woman entrenched in the criminal underworld. When she agrees to join forces with the sinister Gentleman to hoodwink a young heiress, Sue has no idea exactly what she’s involving herself in.
This book has it all. It’s beautifully written, with phenomenal pace and intrigue, but also with a wonderful love story at its core. If you haven’t read it, what on…
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views. The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling. A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.
In this slender, fictionalized account of the “hidden in plain sight” romance between sharp-eyed, sharp-tongued reporter Lorena Hickok and larger-than-life First Lady Eleanor Roosevelt, we get a gloriously slanted insiders’ view of a pivotal period in American history. This is emphatically a “lesbian love story”—explicit in its depictions of both the pleasures of female sensuality and the tolls of enforced secrecy. It is also—bluntly and forthrightly—a “middle-aged love story,” with all the attendant sea changes, accommodations, and regrets. Most of all, it’s the story of the two wittiest, savviest, best-positioned women anyone could ever encounter. “As Churchill said (to me),” the fictional Lorena begins one of her marvelous anecdotes. And the thing is, he probably did.
For readers of The Paris Wife and The Swans of Fifth Avenue comes a “sensuous, captivating account of a forbidden affair between two women” (People)—Eleanor Roosevelt and “first friend” Lorena Hickok.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Financial Times • San Francisco Chronicle • New York Public Library • Refinery29 • Real Simple
Lorena Hickok meets Eleanor Roosevelt in 1932 while reporting on Franklin Roosevelt’s first presidential campaign. Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, “Hick,” as she’s known to her friends and…
Interested in
comics,
cartoonists,
and
psychoanalysis?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
comics,
cartoonists,
and
psychoanalysis.
