Here are 100 books that Wild Game fans have personally recommended if you like
Wild Game.
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I’ve always loved reading memoirs, especially about a hero’s journey—whether it’s a teacher figuring out a tough group of students or a kid figuring out how to change the story they’ve been written into. I love nothing more than the triumphant ending that makes me cheer and cry happy tears. As an English teacher and debut author of my own memoir, I’ve found that honest storytelling opens a door for others to walk through and tell their own stories. I love seeing my students connect with stories like theirs because it shows them they’re not alone in their struggles and that living happily ever after is possible.
I loved this book because it’s a true hero’s journey—from an unimaginable start in life to an awe-inspiring grand finale—Stephanie overcame everything and found light at the end of her dark tunnel. She was abused, abandoned, and on her own from a young age—all things I felt on a visceral level because I know the shame of feeling unloved and unwanted.
The title also struck me because of all we’re promised as citizens in this country, but our most vulnerable are left without the resources to pursue their happiness. This memoir is not only about the strength of the human spirit but a call to action that we must do better for children who are battling the monsters of poverty and foster care.
The sharp and surprising true story of a woman who finally sets out to understand her past, and the mother she had one day hoped to forget. Full of unexpected twists and unbelievable revelations, American Daughter is an immersive memoir that will have you on the edge of your seat to the very last page.
For years, Stephanie Plymale, successful CEO and interior designer, kept her past a fiercely guarded secret. Only her husband knew that her childhood was fraught with every imaginable hardship: neglect, hunger, poverty, homelessness, truancy, foster homes, a harrowing lack of medical care, and worse. Stephanie,…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
There are so many things I loved about Motherland, it’s hard to know where to begin. For starters, Elissa Altman is a brilliant writer and a great storyteller. Her portrayal of her dramatic, narcissistic mother created a flawed, human, larger-than-life character I will never forget. Elissa moves us through time effortlessly, at one moment vividly portraying herself as a child and in the next, seamlessly bringing in the voice of wisdom—her adult voice now—as we watch her struggle to make peace with the past. I deeply resonated with the love and hate, attachment and resentment that ricocheted between this unforgettable mother-daughter pair. I love books that grab me and don’t let me go. Motherland definitely had me hooked all the way from beginning to end. I hated leaving Altman’s world behind. I didn’t want the book to end.
“I’m reading this book right now and loving it!”—Cheryl Strayed, #1 New York Times bestselling author of Wild
How can a mother and daughter who love (but don’t always like) each other coexist without driving each other crazy?
“Vibrating with emotion, this deeply honest account strikes a chord.”—People “A wry and moving meditation on aging and the different kinds of love between women.”—O: The Oprah Magazine
After surviving a traumatic childhood in nineteen-seventies New York and young adulthood living in the shadow of her flamboyant mother, Rita, a makeup-addicted former television singer, Elissa Altman has managed to build a very…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
I loved diving into this novel about mother-daughter artists and the devotion, love, and competition that binds them together. Personally, I have no skill or passion for painting or photography—the gifts granted the characters in this book—but as I immersed myself in Bensley’s world, I began seeing the world as visual artists do. That was an unexpected bonus to an already compelling intergenerational story. As I hungrily turned pages, eager to discover what would happen to the characters next, I loved learning about art, the sexism of the art world, and the compelling need to create regardless of external validation.
Liza Baker, a rising star in the burgeoning Abstract Expressionist era, finds herself sidelined when she gets pregnant, and decides to have the child. Yet, against conventional wisdom, she's convinced she can have a successful career and be a good mother to her daughter, Rouge.
She takes a job teaching at a college and comes up against the harsh realities of the male-dominated art world. Unable to build a successful career, she watches as her former lover, whose work resembles hers, skyrocket to fame. Liza develops a drinking problem and often brings home artist lovers she's met in the city.…
I have been passionate about making, reading, and studying comics for my whole life. When I first encountered autobiographical comics, they were all by women who I looked up to for their ability to tackle their lives with both words and images. This is a small list and biased towards the cartoonists I first encountered in the world of female autobiographical comics. There is so much more out there. I love how the flexibility and history of the comic form have allowed for so much blending of genres and styles.
Fun Home is Alison Bechdel’s most famous work (and it is phenomenal), but this one captured my heart. While the former focuses on her father, here Bechdel turns her focus on her relationship with her mother, weaving in a lot of psychoanalysis and modernist literature.
Bechdel’s characteristic intricacy and attention to detail are on full display, and the frequent inclusion of dreams and their interpretation (a particular interest of mine) make the whole book feel almost surreal yet completely grounded.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
I have always been drawn to the ocean. When I decided to start writing novels, I knew that I wanted to set them in coastal locations. I live in the Boston suburbs and spend time whenever I can at the beach. I have written books centered in Cape Elizabeth, Maine, Portsmouth, New Hampshire, and Cape Cod. I am working on a story set on the north shore of Massachusetts. I am a high school social studies teacher of twenty-four years and a parent of two teenagers. All of my writing includes cooking and the enjoyment of good food as a major focus. I hope my books make you hungry!
I love books set on Cape Cod, especially ones that describe the unique towns that make up one of my favorite vacation spots.
Kristan Higgins does a great job in this book of addressing a character dealing with midlife divorce while injecting tons of humor and hope, as well as some unexpected moments and relationships.
From New York Times bestselling author Kristan Higgins comes a funny and surprising new novel about losing it all—and getting back more than you ever expected.
Lillie Silva knew life as an empty nester would be hard after her only child left for college, but when her husband abruptly dumps her for another woman just as her son leaves, her world comes crashing down. Besides the fact that this announcement is a complete surprise (to say the least), what shocks Lillie most is that she isn’t heartbroken. She’s furious.
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
I savored every sentence of this book about Ruth, a thirty-something who moves back home to help care for her father with Alzheimer’s. Reading it made me feel like I was in the company of someone delightful: there’s humor and unexpected quirkiness on every page.
The book includes snippets of Ruth’s dad’s diary chronicling moments in her childhood, which are both winning and poignant. Khong is great at choosing moments and helping me see the hilarious or odd in the everyday.
'Khong is a magician ... Brilliant' Lauren Groff, author of Fates and Furies
'Khong's first novel sneaks up on you - just like life, illness and heartbreak. And love. A million small, human and often deeply funny details gather force to tell a tale that is ultimately, incredibly poignant' Miranda July, author of The First Bad Man
Ruth is thirty and her life is falling apart: she and her fiance are moving house, but he's moving out to live with another woman; her career is going nowhere; and then she learns…
I’m an award-winning biographer and critic. My essays and reviews appear regularly in the London Review of Books and the Times Literary Supplement, and I teach literature and creative writing at King’s College London. I’ve always loved stories about the lives of great writers – stories that seek to illuminate genius, without ever explaining it away.
This is a magnificent autobiography, a work of intricate self-portraiture that takes in everything from the author’s dental troubles, through his relationship with his father, to his reaction to his cousin’s murder. Amis’s comic energy and stylistic brio are on sizzling display throughout, but so are qualities that aren’t often associated with his fiction: gentleness, generosity, emotional vulnerability…
In this remarkable work of autobiography, the son of the great comic novelist Kingsley Amis explores his relationship with his father and writes about the various crises of Kingsley's life, including the final one of his death. Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed twenty years later from the basement of Frederick West, one of Britain's most prolific serial murderers.
**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**
As a graphic novel creator and art teacher with years of experience, I understand the importance of introducing serious topics for discussion in an accessible way. My art students of all ages are curious about different subjects, wondering what life is like for others and if their own feelings are normal. Graphic novels are a perfect tool for fostering these discussions. Having been interested in comics as a medium for a long time, I'm thrilled to share this with young audiences and encourage exploration of diverse perspectives.
Families come in all shapes and sizes, and it's crucial for children to see a variety of experiences in literature.
Hey, Kiddo portrays the author's upbringing with his grandparents due to his absent father and mother's substance abuse. The book offers child-friendly talking points on the challenging topic of addiction. It captures the complexities of growing up and family life amidst life-changing events.
An important graphic novel memoir that was a US National Book Award Finalist. In kindergarten, Jarrett Krosoczka's teacher asks him to draw his family, with a mommy and a daddy.
But Jarrett's family is much more complicated than that.
His mom is an addict, in and out of rehab, and in and out of Jarrett's life.
His father is a mystery - Jarrett doesn't know where to find him, or even what his name is.
Jarrett lives with his grandparents - two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett…
I “discovered” historical fiction when a teen and have devoured it ever since. When my parents took me to the Cowpens National Battlefield in South Carolina in 9th grade, I realized just how much I enjoyed learning about history in real life. I found that reading historical fiction breathed life into what can be a very dull read, so I wanted to bring history to life with my own words. Visiting historical properties has become a big passion of mine! Every trip I take includes a visit to some historical site or another. I’ve been writing historical fiction/romance/fantasy since the late 1990s.
This story is set in Việt Nam and paints a clear picture of the people who lived there in the 1930-1980 timeframe of the story. The family faced hardships and tragedies, including being separated for several months when they were forced to flee for their lives. One thing I really appreciated was seeing the impact and impressions of the Việt Nam war on the people of that country. My brother fought over there—he was a Ranger in the Army—during that conflict and came home very different. In fact, he’s estranged himself from the family for the past 30+ years. Reading about the conflict from the other side gives me a clearer idea of what he might have seen or done that he never would tell me about.
Years later in Ha Noi, her young granddaughter, Huong, comes of age as her parents and uncles head off down the Ho Chi Minh Trail to fight in a conflict that tore not just her beloved country, but her family apart.
Vivid, gripping, and steeped in the language and traditions of Viet Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope.
The Mountains Sing is celebrated Vietnamese poet Nguyen Phan Que Mai's first novel in English.
In 2017, I lost one of my best friends. He was one of those magical people—charismatic, impossibly talented, hilariously funny. So, in the aftermath of his death, I noticed many people in his life competing for recognition of their bond with him. Unfortunately, he wasn’t there to recognize anyone. Though the stories are completely different, that experience inspired me to write Competitive Grieving, spotlighting the common—but rarely discussed—process of navigating someone’s life and relationships in their absence. For me, humor is the ultimate coping mechanism, as is the promise of brighter days, so the book attacks this serious topic with levity, honesty, and a bit of hope.
Okay. Fine. Maybe I only think this book is about loss because I know that, in later books, the same Glass family suffers losses and this sets the stage. But this isa story about a promise that is never realized and a relationship that is becoming progressively distant—and, in it, there is a sense of being lost if not having experienced a loss, specifically. In it, Buddy Glass takes Army leave to attend his brother’s wedding, but his brother never shows up. Somehow, Buddy winds up stuck in a limo with a group of disgruntled guests from whom he tries to hide his identity. In his sense of isolation, but also his awareness of the situation’s absurdity, we find humor and also sadness.
A Note from the Author: The two long pieces in this book originally came out in The New Yorker - RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR - An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my series about the Glass family. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.
