95 books like Nebraska

This book is Cormac McCarthy’s most accessible novel. It reads like a screenplay and hits all of the high spots with low blows and grit. It is political, involving drug deals gone wrong that involve Mexican cartels while also being absolutely lonely and isolated. This is noir in the bright desert daylight, mixed with some high-tech of modern criminals. Dark, terrible, and entertaining.

Road to Perdition takes place during the Great Depression. Like my book, it concerns a man who betrays his Chicago Irish-American mob boss and is forced to flee for his life (accompanied by his young son in this case), pursued by a relentless killer sent by his former boss. Superficially, what appealed to me was the Depression-era atmosphere that the author of Road to Perdition created. On a deeper level, it appealed to me as a story of a man in a battle for the soul of his son. The man, an enforcer for his gangland boss, considers his own soul to be irredeemably lost because of the crimes he has committed, not only survive but to thrive.

This is the story that inspired my novel. It takes place in a small Nebraska railroad town in the bitterly cold winter of 1898. My novel takes place in the bitterly cold winter of 1947, shortly after WW2, mostly in the same blue hotel in the same snowbound town as in Crane’s story.

Crane’s story “is one of the most well-known of the short stories in the collection The Monsters and Other Stories. Although it appears to be a reasonably simple tale about a man who encounters trouble following a stay at the Palace Hotel, several complex themes underpin the story and define many of the overarching themes in novels like Maggie: A Girl of the Streets and more generally, Crane’s corpus. Stylistically, the story breaks free from the norms of the period, often entering the realms of Expressionism, an unusual style to encounter in American literature.”

I grew up in a small Montana town, so Watson’s novel has a special meaning for me. It is a vivid portrayal of small-town life on the Great Plains and takes place during the same time period as my own book. It tells of the corruption of a trusted official and its effect on his family, his victims, and the town itself. Watson’s novel allowed me to feel and understand the deep emotions, the pain, the anxiety, the love, and the disappointment that his characters were feeling.

Horse stealing was more than theft of valuable and essential property. Matthew Luckett explains that on the Great Plains horse stealing “destabilized communities, institutions, nations, diplomatic relations, and cross-cultural exchange.” Luckett challenges many popular notions about horse thieves (for starters, they were not hung).  There were different kinds of horse theft and horse thieves. Don’t be misled by “Nebraska” in the title—this book shows that horse stealing had regional and national repercussions.   Luckett is an engaging writer, and this book is extremely readable and filled with compelling stories. I particularly recommend the chapter “The Horse Wars” about the role of horses in the war the U.S. Army waged against the Indians. 

Of all twenty-some books (and counting) in Child’s Jack Reacher series, this one stands out. In an interview, Lee once said, "I just wrote this one by the numbers." To me his final solo effort feels like he finally figured out how to say what he always wanted. It’s personal, yet geopolitical. Empathetic, yet very tough. In this tale of two half-cities run by rival gangs, the Armenians and the Ukrainians, he does so simply and brilliantly.

The story’s government is corrupt, as so many are, full of bribe-taking politicians who are unable to protect the citizenry from organized crime. To fill that void, in steps Jack Reacher with some intuitive detecting, a little romance, and a lot of bad-guy killing.

“You ought to write inspirationals.” Every time a reader told me that, I’d shake my head and reply, “They’re too preachy.” But then a dear friend’s death made me reconsider the direction of my writing, and I began to research the inspirational market. One of the first books I read was Secrets on the Wind, the first of Whitson’s Pine Ridge Portraits trilogy. To my delight, she combined meticulous research, sprinkling her story with “telling” details that brought the Nebraska prairie and Fort Robinson to life, and unforgettable characters to create a story that’s lingered in my memory for more than a decade. Best of all, she demonstrated that faith-friendly fiction doesn’t need to be preachy. I’m deeply grateful to her because Secrets on the Wind convinced me that this was the right market for me. 

Dalva (and the sequel The Road Home) is a literary fiction classic.

A story of generations and places with memorable characters. Poetic prose describes the landscape. Philosophy abounds. Make no mistake, Dalva and The Road Home are set in the wide open west – the plains and Sandhills of Nebraska. Harrison’s rebellious characters become one with their environment. The storylines are never lost even though Harrison often muses about the past and mixes his thoughts into the present without skipping a beat. 

Mollie was 18 years old and a new bride in 1860 when she and her husband left eastern Nebraska for the gold diggings of Colorado.

The 7-week journey across the plains tested her strength and endurance, but Mollie battled the hardships and isolation of pioneer life with humor, intelligence, and honesty. She never intended her journal to be published, but it was, and I found it inspirational.

The title says a lot about why this book moved me. Susan La Flesche was a warrior for her people, and what greater reason do any of us have for our existence? La Flesche overcame impossible odds and gave up a great deal to become a doctor. Time and again she risked her life to travel to homes in the dead of night or through snowstorms to reach someone who needed her. That dedication and drive inspire me. Reading the book makes me roll my eyes at my own short list of accomplishments. Also, I was raised close to the famous Indian School in Genoa, Nebraska. I grew up fascinated by the buildings and the haunted feelings in the classrooms. Starita’s lyrical descriptions of the land also transported me back.