Here are 100 books that Tacky fans have personally recommended if you like
Tacky.
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I am a fourth-generation Asian New Zealander who always felt ‘other’ growing up. When I was little, I hated being asked ‘where are you from?’ because I wanted to be seen as ‘just’ a New Zealander. This frustration shaped a lot of my race and identity journey, and I started reading books about other people’s personal experiences because it made me feel seen. These books also helped me recognize the richness and humanity behind my family’s story. I hope this beautiful list of books will resonate with your experiences or give you insight into a new corner of the world.
I love this book because Zauner tells her story in a vivid and relatable way. I resonated with Zauner’s identity crisis, her complex relationships with family members, and her single-minded determination to be an artist. Heart-wrenching, honest, and funny at the same time, I could not put this book down.
The New York Times bestseller from the Grammy-nominated indie rockstar Japanese Breakfast, an unflinching, deeply moving memoir about growing up mixed-race, Korean food, losing her Korean mother, and forging her own identity in the wake of her loss.
'As good as everyone says it is and, yes, it will have you in tears. An essential read for anybody who has lost a loved one, as well as those who haven't' - Marie-Claire
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer,…
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I love the rawness of Samantha Irby’s writing—she says it like it is. When I read her essays, I’m peeking in on her uncensored thoughts about the mundane, which are unrefined, real, and hysterical to me. Like many of us, I enjoy reading/hearing someone not trying to “polish a turd.”
While reading her book, my mind equally thinks: "I CANNOT believe she just wrote that” and “Tell me MORE.”
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I love this book because it has a gripping story that keeps you guessing and flipping pages. I also love it because it showcases a strong, female, Native protagonist solving a mystery and acting with agency, power, and knowledge of self. It does a lot to disrupt the victim narratives about Indigenous people we have often seen in literature.
I also love this one because Angeline Boulley is really connected to her own Native community, and it shows up in the work. It gives you a window into Ojibwe culture rather than an imagining of the culture.
A PRINTZ MEDAL WINNER! A MORRIS AWARD WINNER! AN AMERICAN INDIAN YOUTH LITERATURE AWARD YA HONOR BOOK!
A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK
An Instant #1 New York Times Bestseller
Soon to be adapted at Netflix for TV with President Barack Obama and Michelle Obama's production company, Higher Ground.
“One of this year's most buzzed about young adult novels.” ―Good Morning America
A TIME Magazine Best YA Book of All Time Selection Amazon's Best YA Book of 2021 So Far (June 2021) A 2021 Kids' Indie Next List Selection An Entertainment Weekly Most Anticipated Books of…
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
Like the author, I live with mental illness and use humorous writing/reading to process my thoughts and “check out” sometimes. In many instances, her words feel like my words. I can’t help that depression and anxiety affect my daily life, but I do find myself musing about weird happenings—often questioning the reality of situations. And then I laugh.
When I read this book, I didn’t feel so alone in my “weirdness,” I felt validated in giggling at the strange predicaments I’ve found myself in.
In Furiously Happy, a humor memoir tinged with just enough tragedy and pathos to make it worthwhile, Jenny Lawson examines her own experience with severe depression and a host of other conditions, and explains how it has led her to live life to the fullest:
"I've often thought that people with severe depression have developed such a well for experiencing extreme emotion that they might be able to experience extreme joy in a way that ‘normal people' also might never understand. And that's what Furiously Happy is all about."
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I’m instantly hooked by an essay that’s irreverently funny but has a heart. David lives in his head and overanalyzes his life’s experiences. As an overthinker, I relate. I’ve always found humor in my own or others’ neuroses, and some of my best friendships are those in which we compare obsessions and funny/awkward experiences. I feel like I’m with a friend when I read his essays.
David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the…
I am a long-time lover of mysteries. Whether it be books, TV, or movies, I love when there is an unknown element to puzzle out. I remember staying up long past my bedtime as a child, reading because I just had to know what happened. I write across a number of genres for different age groups, but at the heart of every story I take on is a mystery that I want to figure out for myself. I love it when readers and audiences come along for the ride, joining me for the plot twists and turns.
I started this book for the unlikely main character–Sister Holiday, a chain-smoking, tattooed, queer nun–but it was the mystery that kept me reading. I always love it when a writer can make me feel like I am the one on the line, like I am fighting for my life or to prove my innocence. This book did just that.
I found I was holding myself tightly as Sister Holiday investigated but just kept finding more evidence against herself. The snippets of her past life made me feel for her more and more, taking the character from an unlikely hero to someone I cared deeply about. I can’t wait to get my hands on the second in the series.
Sister Holiday, a chain-smoking, heavily tattooed, queer nun, puts her amateur sleuthing skills to the test in this "unique and confident" debut crime novel (Gillian Flynn).
When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.
Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of…
As a female author myself, I always want to uplift and highlight other women-identifying writers who are weaving complicated stories about growing up. The truth is, I think we’re all continuing to change at all ages - it’s never too late to grow from past mistakes and make different choices, especially as we grow older and experience both our first love and first heartbreak. All of these stories are bonded by good women who sometimes do bad things - just like in my novel - and I think it’s important to show that female protagonists, particularly sculpted by female writers, can be just as messy, vulnerable, and complicated as male leads.
To be fair, I read this book on a summer holiday in Cinque Terre, Italy, which perhaps made the experience even more dreamy and lush.
This is a modern love story that celebrates the desire of its female protagonist, and makes no apologies for her ability to take what she wants - in the form of her current romantic partner’s father. The story contains nuance and delicacy, and talks about relationships with honesty and vulnerability.
There is an undercurrent of grief here, as well, which bonds our lovers, and makes the lightness of the romance that much deeper.
THE SUNDAY TIMES BESTSELLER ONE OF THE EVENING STANDARD'S BLOCKBUSTER BOOK TRENDS OF THE YEAR SHORTLISTED FOR FOYLES FICTION BOOK OF THE YEAR NOMINATED FOR THE GOODREADS CHOICE AWARDS FOR ROMANCE A ZOELLA BOOK CLUB PICK
'This book filled me with excitement and possibilities.' Jenny Colgan 'Fabulous, fabulous, fabulous.' @savidgereads 'Say hello to the book of the summer' @bettysbooksuk 'Fantastic . . . I cannot put it down.' @thebibliotucker ____________ Have you fallen for this INTERNATIONAL BESTSELLING novelist's sizzling hot entrance into the world of romance?
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
Chelsea is the cool girl I want to be best friends with, even though she intimidates the bejeezus out of me. I’ve always been a people pleaser, so I get a kick out of living vicariously through her foul mouth and “screw it” attitude toward most things.
She’s whip-smart, witty, and unafraid—a combination that sends me into fits of laughter and wonder. These essays evoke everything from childhood nostalgia to complete discomfort. Plus, I like vodka, too.
When Chelsea Handler needs to get a few things off her chest, she appeals to a higher power,vodka. This mini edition abridgement of her bestselling book, Chelsea mines her past for stories that are outrageous and one of a kind. Whether she is convincing her third-grade class that she's play Goldie Hawn's daughter in an upcoming film or pretending to honeymoon with her father to get an upgrade to first class, Chelsea has a knack for getting herself into outrageous situations.
I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
I was so moved by Hua Hsu’s memoir, an elegy to a college best friend whose shocking murder forever haunts him, because it spoke to a certain kind of young friendship. One of the things that bound Hsu to Ken was the art they did (and didn’t) like but which they always talked about.
I was reminded of the chance encounters of my most important friendships—the Sunday nights spent watching Mad Men in a dorm room or the hours spent swapping Photoshop edits of anime characters—and transported back to those days of limitless dreaming. How big the world seemed then, and how much art we were so desperate to make for, and about, each other.
PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu
“This book is exquisite and excruciating and I will be thinking about it for years and years to come.” —Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars Room
In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose…
I’m a writer and journalist with an eye on South and Southeast Asia. I first worked in Thailand in 1999, researching the Thailand chapter for the first edition of the Rough Guides Southeast Asia Guide. Since 2001, I’ve been a Thailand correspondent for German publisher Reise Know How. For the past decade, I have worked as Thailand Destination Expert for The Daily Telegraph. I co-wrote the bestselling Sacred Skin – Thailand’s Spirit Tattoos with photographer Aroon Thaewchatturat, and have written countless articles about Thai culture, politics and tourism. It took 20 years to write a novel set in Thailand – The Monsoon Ghost Image – a testament to the complexities of Thai society.
A brilliant reference book on all aspects (and yes, this book is very thorough) of Thai popular culture. Concise chapters on anything from spirit tattoos to meat on a stick illuminate the far corners of contemporary Thai society, illustrated by hundreds of great photographs. This is a standard work for anyone interested in how Thai society ticks. Cornwel-Smith has served up a second title recently – Very Bangkok – which offers a similarly thorough picture of the Thai capital.
This pioneering insight into contemporary Thai folk culture delves beyond the traditional Thai icons to reveal the casual, everyday expressions of Thainess that so delight and puzzle. From floral truck bolts and taxi altars to buffalo cart furniture and drinks in a bag, the same exquisite care, craft and improvisation resounds through home and street, bar and wardrobe. Never colonised, Thai culture retains nuanced ancient meaning in the most mundane things. The days are colour coded, lucky numbers dictate prices, window grilles become guardian angels, tattoos entrance the wearer. Philip Cornwel-Smith scoured each region to show how indigenous wisdom both…
