Here are 74 books that Summer of the Monkeys fans have personally recommended if you like
Summer of the Monkeys.
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I am on a self-discovery journey, and each day, I discover more of why I am here on earth. The books I mentioned all have themes related to the human condition. I write to express what I understand. I love writing about characters and their journeys. I love all animals, and dogs are a great comfort. I’d like to see animal abuse come to an end in my lifetime. I write about people who have fallen from great heights and how saving animals and others in need saves them. We need to love more.
This book is about defending justice, using a legal system to fight something you know is wrong, and sticking to what is right at all costs. It is about knowing what’s right and what’s wrong.
My main character, too—Miss Pink sticks to what is right at all costs. This touching, powerful story shows the worst of people and the best.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states.
I must be honest: this is perhaps my favorite novel. I love Stockett’s narrative voice, showcased wonderfully in the POVs of three characters: Abilene, Minnie, and Skeeter. Stockett recreates the Jackson, Mississippi, of the early 1960s, and I easily got sucked into the dramas of each character. The only downside to this book is that it’s a one-hit wonder without a sequel. The movie was excellent, too.
The #1 New York Times bestselling novel and basis for the Academy Award-winning film-a timeless and universal story about the lines we abide by, and the ones we don't-nominated as one of America's best-loved novels by PBS's The Great American Read.
Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's…
I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.
“Of all the kids in the seventh grade at Camillo Junior High, there was one kid that Mrs. Baker hated with heat whiter than the sun. Me.”
When I read that first line, I assumed The Wednesday Wars was going to be another shallow story with the typical conflict between a mean teacher and a student victim. But I was wrong. Completely wrong.
The Wednesday Wars will make you smile a real smile, not a teacher smile. It will make you laugh as you learn Shakespearean curses. It will make you cry when a student earns the high praise of “chrysanthemum” from a teacher who is no longer an enemy but a friend. This won’t make sense until you read the book, and it’s definitely worth reading this book.
In this Newbery Honor–winning novel, Gary D. Schmidt tells the witty and compelling story of a teenage boy who feels that fate has it in for him, during the school year 1968-69.
Seventh grader Holling Hoodhood isn't happy. He is sure his new teacher, Mrs. Baker, hates his guts. Holling's domineering father is obsessed with his business image and disregards his family. Throughout the school year, Holling strives to get a handle on the Shakespeare plays Mrs. Baker assigns him to read on his own time, and to figure out the enigmatic Mrs. Baker. As the Vietnam War turns lives…
I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.
Sometimes a book is “more than the sum of its pieces.” It can appear to be a book for middle school students, filled with silly crushes, teenage angst, and family drama.
Yet when those pieces are added together, we find ourselves reading a rich story full of profound lessons on life. One of the most important lessons to be learned is that “most people don't look beneath the surface until it's too late.”
In this novel, the characters flip their perspective, and as a result, they are never the same again. Those who read this book will also be challenged to look beneath the surface and flip their perspective, which means that they may never be the same again as well.
A classic he-said-she-said romantic comedy! This updated anniversary edition offers story-behind-the-story revelations from author Wendelin Van Draanen.
The first time she saw him, she flipped. The first time he saw her, he ran. That was the second grade, but not much has changed by the seventh. Juli says: “My Bryce. Still walking around with my first kiss.” He says: “It’s been six years of strategic avoidance and social discomfort.” But in the eighth grade everything gets turned upside down: just as Bryce is thinking that there’s maybe more to Juli than meets the eye, she’s thinking that he’s not quite…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Here’s another book better known for the excellent film adaption, but the novel actually brings the gritty, sometimes brutal daily life in the rural Ozarks alive in the mind’s eye more vividly than a movie ever could.
Daniel Woodrell’s atmospheric story of a teen daughter’s quest to bring her father back for his court date, dead or alive, is a simple narrative rendered with stark, almost Biblical prose. I particularly appreciated the author’s distinctive language and evocative imagery.
This is a fiercely original tale of love, heartbreak and resilience in the lonely wastes of the American Midwest. The last time Ree saw her father, he didn't bring food or money but promised he'd be back soon with a paper sack of cash and a truckload of delights. Since he left, she's had to look after her mother - sedated and losing her looks - and her two younger brothers. Ree hopes the boys won't turn out like the others in the Ozark mountains - hard and mean before they've learnt to shave. One cold winter's day, Ree discovers…
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
The people in Sweet Mister are broken and derelict, strong and resilient, funny and terrifying. The book opens with overweight thirteen-year-old Shuggie (Sweet Mister) being forced to climb up a drain pipe to break into a building to steal drugs for Red, his mother’s treacherous, drug-addicted boyfriend. We follow through the eyes of Sweet Mister, who doesn’t know who his father is. It’s rumored to be the town’s wealthiest citizen. That rumor, more like fabrication, is told to him in the aftermath of Red’s rage, after he’s torn through the house like a tornado destroying everything in his wake, almost like a fairytale, spinning evermore intricately by Glenda, his adored mother, the most beautiful girl in Missouri. Shug is willing to believe it. Anyone besides Red.
Shug is in love with his mother, and he wants a better life for her. Better than a life of stealing from other people,…
Shug Akins is a lonely, overweight thirteen-year-old boy. His mother, Glenda, is the one person who loves him -- she calls him Sweet Mister and attempts to boost his confidence and give him hope for his future. Shuggie's purported father, Red, is a brutal man with a short fuse who mocks and despises the boy. Into this small-town Ozarks mix comes Jimmy Vin Pearce, with his shiny green T-bird and his smart city clothes. When he and Glenda begin a torrid affair, a series of violent events is inevitably set in motion. The outcome will break your heart.
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
It may be pure fiction, but Harington’s saga of the remote community of Stay More (home, of course, to the Stay Morons) is still the best, most entertaining history of the Ozarks in existence. Beneath the postmodern devices and 1970s-era subversiveness, Harington’s abiding love for the Ozarks and its people shines through. From the backcountry dialect to the intricacies of a century and a half of regional history, it remains – for my money – the best thing ever written about the Ozarks.
Jacob and Noah Ingledew trudge 600 miles from their native Tennessee to found Stay More, a small town nestled in a narrow valley that winds among the Arkansas Ozarks and into the reader's imagination. The Ingledew saga-which follows six generations of 'Stay Morons' through 140 years of abundant living and prodigal loving-is the heart of Harington's jubilant, picaresque novel. Praised as one of the year's ten best novels by the American Library Association when first published, this tale continues to captivate readers with its winning fusion of lyricism and comedy.
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
Henry Rowe Schoolcraft may have been a condescending, greenhorn Easterner when he ventured through the sparsely settled Ozarks more than two centuries ago, but his descriptions of the terrain he traversed and the frontier settlements he saw are an invaluable resource for anyone interested in the history and geography of the region. Cultural geographer Milt Rafferty’s maps and annotations put us in the woods and on the streams with Schoolcraft every step of the way.
In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.
The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the…
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
Woodrell is best known for the ominous, lyrical Winter’s Bone, but I’m such a fan that my favorite Woodrell novel is always the most recent one I’ve re-read. So here’s Give Us a Kiss, his first foray into the wild and rural Ozarks of West Table and Howl County. The novel is also a hard-charging, nuanced look into the life of a mostly unsuccessful writer facing an inner struggle over just how far, if at all, he should get above his raising. It’s a concern for anyone caught between different worlds, and we are fortunate that the autobiographical sinews between author and protagonist were severed before Doyle Redmond spun out of control.
"My imagination is always skulking about in a wrong place." And now Doyle Redmond, thirty-five-year-old nowhere writer, has crossed the line between imagination and real live trouble. On the lam in his soon-to-be ex-wife's Volvo, he's running a family errand back in his boyhood home of West Table, Missouri -- the heart of the red-dirt Ozarks. The law wants his big brother, Smoke, on a felony warrant, and Doyle's supposed to talk him into giving up. But Smoke is hunkered down in the hills with his partner, Big Annie, and her nineteen-year-old daughter, Niagra, making other plans: they're about to…
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
It is doubtful that anyone has been more associated with an American region than Vance Randolph is with the Ozarks. Ornery and darkly romantic, Randolph was always attracted to people on the margins. Few were more marginal than the Ozarkers in the early twentieth century. While we must take a lot of Randolph’s “nonfiction” with a dose of salt, The Ozarks, originally published in 1931, was the first book-length documentary take on the region and its people. It set the stage for generations of Ozarks observations to come.
Vance Randolph was perfectly constituted for his role as the chronicler of Ozark folkways. As a self-described "hack writer," he was as much a figure of the margins as his chosen subjects, even as his essentially romantic identification with the region he first visited as the vacationing child of mainstream parents was encouraged by editors and tempered by his scientific training. In The Ozarks, originally published in 1931, we have Randolph's first book-length portrait of the people he would spend the next half-century studying. The full range of Randolph's interests - in language, in hunting and fishing, in folksongs and…
