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I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states.
I must be honest: this is perhaps my favorite novel. I love Stockett’s narrative voice, showcased wonderfully in the POVs of three characters: Abilene, Minnie, and Skeeter. Stockett recreates the Jackson, Mississippi, of the early 1960s, and I easily got sucked into the dramas of each character. The only downside to this book is that it’s a one-hit wonder without a sequel. The movie was excellent, too.
The #1 New York Times bestselling novel and basis for the Academy Award-winning film-a timeless and universal story about the lines we abide by, and the ones we don't-nominated as one of America's best-loved novels by PBS's The Great American Read.
Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's…
I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.
“Of all the kids in the seventh grade at Camillo Junior High, there was one kid that Mrs. Baker hated with heat whiter than the sun. Me.”
When I read that first line, I assumed The Wednesday Wars was going to be another shallow story with the typical conflict between a mean teacher and a student victim. But I was wrong. Completely wrong.
The Wednesday Wars will make you smile a real smile, not a teacher smile. It will make you laugh as you learn Shakespearean curses. It will make you cry when a student earns the high praise of “chrysanthemum” from a teacher who is no longer an enemy but a friend. This won’t make sense until you read the book, and it’s definitely worth reading this book.
In this Newbery Honor–winning novel, Gary D. Schmidt tells the witty and compelling story of a teenage boy who feels that fate has it in for him, during the school year 1968-69.
Seventh grader Holling Hoodhood isn't happy. He is sure his new teacher, Mrs. Baker, hates his guts. Holling's domineering father is obsessed with his business image and disregards his family. Throughout the school year, Holling strives to get a handle on the Shakespeare plays Mrs. Baker assigns him to read on his own time, and to figure out the enigmatic Mrs. Baker. As the Vietnam War turns lives…
I have been a voracious reader all my life. As a child, my happy place was the public library. I realized quickly that not all novels had the same effect. Most stories were enjoyable, but there were some books that told a story to make a point. These were stories with characters that I couldn’t forget, and I was challenged, encouraged, and inspired by what I read. These novels changed me for the better. I am grateful for authors who wrote stories with purpose. Now I have an opportunity to tell a story that will have an impact and make a difference in the lives of those who read it.
Some truths are caught and not taught. Jay is on a quest to catch escaped monkeys, but along the way, he catches something far more valuable.
With the help of his grandfather and crippled sister, Jay catches truths about perseverance, courage and sacrifice. In the process, his priorities change. As we follow Jay on his humorous and frustrating chase of a group of wily monkeys, we’ll have the chance to catch these truths as well, and have our priorities changed for the better.
From the author of the beloved classic Where the Red Fern Grows comes a timeless adventure about a boy who discovers a tree full of monkeys.
The last thing fourteen-year-old Jay Berry Lee expects to find while trekking through the Ozark Mountains of Oklahoma is a tree full of monkeys. But then Jay learns from his grandpa that the monkeys have escaped from a traveling circus, and there’s a big reward for the person who finds and returns them. His family could really use the money, so Jay sets off, determined to catch them. But by the end of the…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
Peter Orner creates a startling intimacy with his characters. In these short, pithy vignettes, we see estranged siblings, dying spouses, missing fathers, and a marriage that is ending. Orner’s gift is to drop us right into the conflict and emotional action of his characters. Every protagonist feels like someone we know and maybe even loved. His writing is breathtaking. Spanning America of the 80s, his stories take place across the country from California to Chicago to the East Coast.
In this powerful and virtuosic collection of interlocking stories, each one "a marvel of concision and compassion" (Washington Post), a National Book Critics Circle Award finalist and "master of his form" (New York Times) takes the short story to new heights.
Through forty-four compressed gems, Peter Orner, a writer who "doesn't simply bring his characters to life, he gives them souls" (NYT Book Review), chronicles people whose lives are at inflection points, gripping us with a series of defining moments.
Whether it's a first date that turns into a late-night road trip to a séance in an abandoned airplane hangar,…
I grew up on Chicago’s home front during WW2. President Roosevelt wanted everyone—adults and children—to do their part for the war effort. So we neighborhood kids formed a Victory club, where we marched around singing, “Let’s Remember Pearl Harbor,” and other patriotic songs. And though we had fun, we understood the meaning of the gold stars in the windows, and knew that terrible things were happening on the other side of the world. There are so many wonderful books set during this time period, and I can never read enough of them. These books, along with my memories, are what inspire me to write historical fiction of my own.
Even though I lived across the country from San Diego where this story takes place, and even though I was several years younger than Millie McGonigle, the picture of home front USA during WW2 is familiar in many ways. Soldiers and sailors filled the streets of Chicago, and kids scanned the sky for “enemy planes.” There was the fear of polio, the struggles with rationing, and the shortage of bubble gum.
This story is filled with humor and memorable characters. But most memorable of all is Millie, who tries to deal with the death of a grandmother and her worries about the war getting closer to home. And even though she’s obsessed with drawing in her Book of Dead Things, she comes to understand what her grandmother had told her when she said, “Whatever is lost stays alive if you remember it.”
The Newbery Award-winning author of Catherine, Called Birdy and The Midwife's Apprentice tells a heartfelt and humorous story of WWII on the homefront.
Millie McGonigle lives in sunny California, where her days are filled with beach and surf. It should be perfect--but times are tough. Hitler is attacking Europe and it looks like the United States may be going to war. Food is rationed and money is tight. And Millie's sickly little sister gets all the attention and couldn't be more of a pain if she tried. It's all Millie can do to stay calm and feel in control.
My novels range from coming-of-age to suspense. I was an award-winning crime and investigative reporter for the Columbus Dispatchfor 11 years. That background helps me with the investigative aspects of my books. I enjoy exploring the moral dilemmas often presented in real life. My characters all have morals, but I like putting them in compromising situations. It’s easy to sit back and judge others, but how far would you go to keep your own son out of jail? Would the love of your son get in the way of your morals? It’s never black or white. Most of life is spent dancing in and out of the vast gray area in the middle.
Yeah, I know, naming Jack Reacher as one of the badasses of crime fiction is the equivalent of a six-inch putt. A gimme. Child has taken a totally implausible premise—a six-foot-five former Army MP wandering around the United States and finding trouble with nothing but an ATM card in his pocket—and created one of the best characters in suspense literature. When Reacher is on the hunt, the results are never in doubt, which is why we love him. He’s the fullback coming through the line, time and time again, and no one can stop him. One reviewer of Child’s books said that Reacher is never the underdog. That’s a perfect description.
He is as close to untraceable as a person can get. A loner comfortable in his anonymity and solitude. So when a member of his old Army unit finds a way to contact him, he knows this has to be serious.
You do not mess with the Special Investigators.
In the past the elite team always watched each other's backs. Now one of them has shown up dead in the California desert and six more are missing.
Reacher's old buddies are in big trouble, and he can't let that go.
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
This is the first book I ever read by a Latina author. I was nineteen years old and a student at a small private liberal arts college in Connecticut. My professor assigned it to my American Literature class. I thought she’d made a mistake because some of the words in the book were in Spanish. I didn’t know you could do that—write in English but have some words in Spanish peppered throughout the dialogue and text. I was stunned.
I remember reading about Esperanza and her experiences in her Mexican neighborhood in Chicago, meeting characters on Mango Street, and falling in love with both the story and Cisneros’ playful, vulnerable, poetic writing style. After reading this book, I knew I also wanted to be a writer.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I love writing historical fiction. I enjoy the research and creating long-lost worlds filled with little-known historical accuracies that intrigue my readers. It is no surprise then that I enjoy reading about the future - the other side of the coin. I always find it interesting to see how writers create a post-apocalyptic society. What was the catastrophic event? (TCE) What caused it and how do the different characters react to adversity when their old world is taken away from them? Inevitably they have to survive in the new system but will they have learned their lesson or will they return to their old ways?
TCE here is a virus that leaves just one woman alive. I found this quite irritating at first because the law of averages would say there HAD to be at least a handful of other survivors. The story features a woman who would take to her bed for the day if she broke a fingernail. I enjoyed seeing a female character in this role although she has a tendency to be a bit wet. She spends the first few weeks post-TCE breaking into nightclubs, drug dens, and museums and getting smashed. Set in London, it’s a great travelogue for this brilliant city. I started to warm towards her when she finally pulls herself together and we watch as she learns the skills needed to survive.
It's December 2023 and the world as we know it has ended.
The human race has been wiped out by a virus called 6DM ('Six Days Maximum' - the longest you've got before your body destroys itself).
But somehow, in London, one woman is still alive. A woman who has spent her whole life compromising what she wants, hiding how she feels and desperately trying to fit in. A woman who is entirely unprepared to face a future on her own.
Now, with only an abandoned golden retriever for company,…
