Here are 100 books that Not Now, Not Ever fans have personally recommended if you like
Not Now, Not Ever.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment.
Another journalist whom I have met in real life the award-winning British journalist and broadcaster who writes for The Guardian, Sam Bourne is the literary pseudonym of Jonathan Freedland.To Kill A Man is a classic thriller with a climactic twist, a gripping tour de force through American feminism up against violent misogyny, ambition and struggle, politics, and crime. He writes with both simplicity and complexity, insight, and pacy readability.
A cat-and-mouse thriller of rare intelligence, To Kill a Man is the latest from number-one bestseller Sam Bourne -- a twisting, timely story of power, justice and revenge.
A woman is brutally assaulted in her own home by an intruder. She defends herself -- leaving her attacker dead.
But this is no ordinary woman. She's Natasha Winthrop, tipped as a future president of the United States.
When inconsistencies emerge in Winthrop's story, political troubleshooter Maggie Costello is drafted in to save Natasha's career. At first, Winthrop is hailed as a #MeToo heroine: the woman who fought back. But Maggie is…
I’ve lived a life of emotions and suspense; things are either life and death or they’re just an inconvenience. I’ve been writing fiction and non-fiction books (over 50 and counting) for quite a while. I’m an eclectic reader, enjoying all genres and creating my own works in most of them: young adult, adult, suspense, dystopian, time travel, sci-fi, fantasy, coming of age, romance, you name it. Two things I want in everything I read and write are emotional engagement (make me feel something strongly) and suspense (give me a page-turner!).
This novel is partly fictional, but also based on the author’s life and traumatic first marriage. There’s suspense for sure and a range of feelings. I cried hard in some parts, smiled in others, and felt sorry, relieved, and even joyful in other sections. I had no idea what would happen next. The story played out like a movie in my head, full of my two favorite things: emotional engagement and nervous fear for the main character. This is a thriller that follows a woman on a daunting personal journey that will pluck at your heartstrings.
SHE THOUGHT SHE WAS MARRYING THE PERFECT GUY, BUT THAT WAS A PERFECT LIE.
Alyssa Burdick spends her days teaching middle-school and her nights battling the psychological oppression of a misogynist husband. He was her knight in shining armor from the day she met him up until the end of their wedding reception. Now all he does is humiliate her and turn her into a doormat. At least at school she can be herself.
And after school, behind her closed classroom door ... well, she's humbled, confused, hopeful even, as her department head, Connor, mentors her. Slowly, very slowly, she…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
The title says it all. I choose Patai’s withering account of Orwell’s irredeemable misogyny not because I think she is right but because I think she onto something in him and in his life and times. After Koestler, another dark corner.
One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.
I’m a communication professor at Fairleigh Dickinson University, a social media user, and a mom. After Donald Trump won the 2016 presidential election, I wrote an op-ed for CNN arguing that he’d won the election on social media, and I just never stopped writing. A few hundred op-eds and a book later, I’m still interested in what social media is doing to us all and the issues women are up against in our society. My book allowed me to explore how social media is impacting every single aspect of the lives of women and girls and exactly what we can do about it. I wrote it as a call to arms.
Kate Manne offers the best definitions of sexism (men thinking they’re better than women) and misogyny (men punishing women for displeasing them) that I’ve ever read. And she brings receipts, showing examples of how these two things play out in everything from novels to politics to crimes to classrooms.
Once I read her book, it was impossible for me not to spot more examples pretty much everywhere I went in the world.
Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics, by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women…
I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability.
"This book is about what happens when women are the storytellers too – when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it is to be human."
I reference this wonderful, non-fiction book in my novel several times. Once when Odessa the main character sees it on her bookshelf.
Another time when Odessa talks about the shocking myth of Cassandra, who was given the gift of prophecy by Apollo but when she wouldn’t sleep with him he cursed her that no one would believe her.
And the third reference is at the end of my novel, Odessa’s dog bears Casandra as her mighty name. As an embodiment of all that will be listened to and believed. Cassandra Speaks had a profound impact on me as a woman, a mother, a sister, a human, and as a…
What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers?
Elizabeth Lesser believes that if women's voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories-stories that value caretaking, champion compassion, and elevate communication over vengeance and violence.
Cassandra Speaks is about the stories we tell and how those stories become the culture. It's…
Because I was brought up in a cult, I'm determined to serve as a voice for children. I'm an advocate for assisting children born into cults or taken into them in finding their true identities outside of the indoctrination they received. It's important to me that there is a network of support available to those who want to learn how to lead a balanced life. As a post-cult adult, I went on to study creative writing and art at the University of Tennessee. I have a deep appreciation for poetry as a form of expression, and I recommend using it as a method to work through the complex range of feelings.
The very first time I got my hands on this book, I read it in its entirety. It was the visuals that drew me in. It was almost as though the novel that inspired the Hulu series and the pages of the graphic novel were one and the same thing. It is one of the items in my book collection that I cherish the most.
When my teenaged granddaughter picked up this book, she also read it in a single sitting. While I was milling about the house, I looked in the living room and saw that she was completely absorbed in its pages. This graphic novel tells an engrossing story, and whether you are a collector of all things GN or enjoy reading graphic novels, adding this book to your collection is an absolute necessity.
The stunning graphic novel adaptation • A must-read and collector’s item for fans of “the patron saint of feminist dystopian fiction” (New York Times).
Look for The Testaments, the sequel to The Handmaid’s Tale
In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her…
I first visited ancient Greece as an undergraduate. Homer and Plato seemed to speak directly to me, addressing my deepest questions. How do you live a good life? What should you admire? What should you avoid? Frustrated by English translations (each offers a different interpretation), I learned to read ancient Greek and then Latin. In college and then graduate school, I came to know Homer, Plato, Aeschylus, Cicero, Ovid, and many others in their own words. The ancient Greeks and Romans faced the same existential struggles and anxieties as we do. By precept, example, and counter-example, they remind me of humanity’s best tools: discernment, deliberation, empathy, generosity.
As a Classics professor, I rejoiced at Zuckerberg’s ability to insert rationality and fact into the often bad-faith debate swirling in universities and online regarding the value today of ancient Greek and Roman languages and literature.
Concentrating primarily on Roman sources, Zuckerberg critiques on-line distortions and misappropriation of Classical texts intended to promote misogyny and white supremacy.
A disturbing expose of how today's alt-right men's groups use ancient sources to promote a new brand of toxic masculinity online.
A virulent strain of antifeminism is thriving online that treats women's empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims-arguing that they articulate a model of masculinity that sustained generations but is now under siege.
Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim…
Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
It came as no surprise to me, having spent so much time in the country, that Korea has long been and still is a sexist society, and this book illustrates that sexism brutally. When I lived there, my good friend, a woman, was a professor of biochemistry, and she struggled in her career the way men didn’t have to. Also, while people thought nothing of my going out to a pub with my male friends, it was somewhat scandalous when I did the same with this woman. In this novel, set in more recent times, a young woman has similar troubles trying to find her way. For many readers, it has served as a wake-up call for Korean society.
One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial "everywoman" Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor-from her birth to parents who expected a son to…
Increasingly, the fiction I’m most drawn to occupies the space between literary and speculative. This space fascinates me both as a reader and a writer. I love stories set in worlds shifted ever-so-slightly from the familiar, where characters are forced to navigate new ways of existing or find ways to escape. Perhaps that’s why so many of my favorite stories—and my first two novels!—tend to feature women in cults or other cloistered communities, caught between their desire for belonging and the potential annihilation of the self. Where do you excavate for happiness in a hostile world? My characters spend their lives trying to answer this question.
There is subtle genius in the way Miriam Toews pays such close attention to the humanity of her often heartbreaking characters while also being dryly funny. Set in a closed, conservative Mennonite community, the story unfolds as “minutes” taken by a young man as he listens to a group of women from the community who have discovered they were drugged and assaulted while sleeping, by men they know. (Their fathers, sons, husbands, and friends.) The story is based on a real case, and while the details are chillingly horrific, Toews finds a way for the characters to talk about these things that are warm, humorous, and compassionate, as the women become alive for the first time to their own unexamined power.
Now a major motion picture from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand.
INTERNATIONAL BESTSELLER
“This amazing, sad, shocking, but touching novel, based on a real-life event, could be right out of The Handmaid's Tale.” -Margaret Atwood, on Twitter
"Scorching . . . a wry, freewheeling novel of ideas that touches on the nature of evil, questions of free will, collective responsibility, cultural determinism, and, above all, forgiveness." -New York Times Book Review, Editors' Choice
One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For…
When I was nine years old, I saved enough allowance money to buy a big box of oil pastels. I was mesmerized by its amazing display of gorgeous colors. Never could figure out why my girlfriends played with dolls when it was more exciting to paint. It wasn’t until high school, and time to apply to colleges that I made the decision to go to art school. Another key moment for me was after graduating from art school and landing in New York City. It was then that I made a brave decision to never waitress again, and instead do whatever it takes to stay in the arts.
In this book, Shlain reveals his unusual take on the power of images throughout history. His discussion using contemporary ideas about our creative right-brain side brings interesting connections between the Goddess, images, and feminine values. Shlain's earlier book, Art & Physics was very popular expressing his breakthrough theory, ad revealing an astonishing parallel with these two seemingly different topics. I find that books like this, not dedicated to learning specific painting techniques, end up being more helpful towards how I think as an artist. A good writer, it is easy to read and very inspiring.
This groundbreaking book proposes that the rise of alphabetic literacy reconfigured the human brain and brought about profound changes in history, religion, and gender relations. Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
misogyny,
Australia,
and
politics.
