Here are 100 books that M. D. fans have personally recommended if you like
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Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This book is a feminist memoir about being in a groundbreaking organization that proclaimed to the world that lesbians exist, refusing to be erased.
They used street theatre to draw attention (the "fire eating" to which the book title refers). The participants faced a lot of litmus testing, such as being targeted as racially offensive for using the phrase "freedom ride" for non-race centric activity; and the author testifies to both misogyny and homophobia in the left in the US, Paris, and Cuba.
When Kelly Cogswell plunged into New York's East Village in 1992, she had just come out. An ex-Southern Baptist born in Kentucky, she was camping in an Avenue B loft, scribbling poems, and playing in an underground band, trying to figure out her next move. A couple of months later she was consumed by the Lesbian Avengers, instigating direct action campaigns, battling cops on Fifth Avenue, mobilizing 20,000 dykes for a march on Washington, D.C., and eating fire-literally-in front of the White House.
At once streetwise and wistful, Eating Fire is a witty and urgent coming-of-age memoir spanning two decades,…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This book is a feminist memoir that focuses on the passionate experience of being politically connected with others, and juxtaposes that with the divisiveness and the unfortunate polarization of identity politics.
She also makes a strong case for a nuanced reading of political situations, showing how simplistic knee-jerk litmus testing becomes toxic within any movement, no matter how righteous the cause.
When Lise Weil came out in 1976, she came out into a land that was all on fire. Lesbian desire was the pulsing center of an entire way of life, a culture, a movement. The air throbbed with possibility. At the center of In Search of Pure Lust is Weil’s immersion in this culture, this movement: the grand experiment of lesbian feminism of the ’70s and ’80s. She and the women around her lived in a state of heightened erotic intensity that was, she believed, the source of their most vital knowledge. Desire was their guiding light. But after fifteen…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This story is the memoir of a very butch lesbian, which is an identity that juxtaposes very oddly and awkwardly against how our culture thinks of motherhood and pregnancy.
This tongue-in-cheek depiction makes for a clever skewering of the tension between one's internal identity and the perceptions of others, and the complexities of stepping outside the identity role that one has chosen to occupy.
First pregnancy can be a fraught, uncomfortable experience for any woman, but for resolutely butch lesbian Teek Thomasson, it is exceptionally challenging.
Teek identifies as a masculine woman in a world bent on associating pregnancy with a cult of uber-femininity. Teek wonders, “Can butches even get pregnant?”
Of course, as she and her pragmatic femme girlfriend Vee discover, they can. But what happens when they do? Written and illustrated by A.K. Summers, and based on her own pregnancy, Pregnant Butch strives to depict this increasingly common, but still underrepresented experience of queer pregnancy with humor and complexity—from the question of…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. He decided that women's studies in academia was the proper place to discuss these ideas about gender, so he headed to New York to major in women's studies as one of the first male students to do so.
This tale is the autobiographical account of a married man who, when his wife gets an especially nice promotion opportunity, agrees with her that it makes more sense for him to stay at home with their young girl child.
He takes his role and its responsibilities seriously. His story is mostly the story of what is involved being the domestic partner on a day-to-day basis, but braided into that is the specifically gendered experience of doing all that as a male person in this society.
Lincoln Menner is finding out just how hard it is to be a woman. When his wife Jo was offered her dream job, Linc supported her wholeheartedly, leaving his thriving landscape business in Los Angeles and moving to Rochester, New York. This was a chance to escape the cloying needs and atrocious tastes of his celebrity clientele, start over in fresh surroundings, and spend a little quality time with their three-year-old daughter, Violet.
But Linc had no idea what it really meant to be a househusband: To stay home every day, folding laundry, cleaning soap scum, and teaching his little…
I got hooked on breastfeeding when, during my health visitor training, our class had a lecture from Drs. Penny and Andrew Stanway, who wrote the original Breast is Best. I breastfed my own children, became a breastfeeding counsellor and lactation consultant (IBCLC), and championed breastfeeding as a health visitor and midwife. I then worked for 14 years with the UNICEF UK Baby Friendly Initiative, teaching and supporting healthcare staff to improve standards of care for breastfeeding mothers and babies. Throughout, I gained a huge respect for babies’ abilities in relation to breastfeeding. This directly influenced my belief in their capacity to continue feeding themselves when they start solid food, which is my current focus.
Kimberly writes from personal experience and from the heart. She pulls no punches. Her book covers a lot of the obstacles you’d expect – societal attitudes to breastfeeding, the formula industry, and so on – but it’s her chapter on ‘the feminist fallacy’ that really spoke to me. I’ve always been baffled by the lack of support that feminist writers have shown for breastfeeding. They talk about it as a chore, as a restriction on women’s freedom, not as something amazing that a woman’s body can do. Kimberly challenges this thinking head on, fearlessly exposing the flawed thinking that has, in the name of equality, blindly followed an agenda set by men, with the result that motherhood is devalued and breastfeeding is framed as simply an issue of ‘choice’. Her conviction provides me with the hope that we can reverse this. Brilliant.
Breastfeeding. The mere mention of it has many mothers wracked with anxiety (how will I manage with work, other kids, what if I don't make enough milk?) or guilt about not doing it (will I be hurting my child ifl choose not to breastfeed? what will people think of me if I choose not to?). This hot-button issue is one we've talked about repeatedly in the media and in celebrity culture. Remember when Angelina Jolie posed for the cover of W nursing her new-born? Oh, the controversy! And when Barbara Walters complained about the woman breastfeeding next to her on…
I am a writer and an internationally recognized communications expert who grew up poor, homeless, and oppressed by fear and violence. I am a woman who crashed through the glass ceiling and had an exciting career with the US Nuclear Regulatory Commission and the International Atomic Energy Agency where I became a leader on the international stage. During my troubled times growing up, I fantasized about being an elite operative who got the bad guys and traveled the world. That’s why I wrote about one. I know how hard it is to be a strong woman. That’s why I celebrate them.
The diversity in this feminist collection pushed me to open my mind. It didn’t allow me to accept there is only one way to be a feminist. Through the brave unconventionality of the stories, I saw how women see their connection to society, to the world, in different ways. I heard strong voices: creative, brilliant, and courageous ones. One of my favorite stories was L. Timmel Duchamp’s "The Forbidden Words of Margaret A". It kept me gripped and fascinated by what it didn’t say.
Sisters of the Revolution gathers a highly curated selection of feminist speculative fiction (science fiction, fantasy, horror, and more) chosen by one of the most respected editorial teams in speculative literature today, the award-winning Ann and Jeff VanderMeer. Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas.
From the literary heft of Angela Carter to the searing power of Octavia Butler, Sisters of the Revolution gathers daring examples of speculative fiction’s engagement with feminism. Dark, satirical stories such as Eileen Gunn’s…
I grew up rebelling against the roles I was expected to take on as a girl. I grew up not knowing that girls could fall in love with girls. I grew up with a strong sense of injustice and a desire to do something about it. The books on my list all feature strong female protagonists experiencing and/or taking on injustices of one kind or another. They are written by interesting women who write brilliantly. Some of the books are dear to me because nature provides comfort and strength beneath the chaos of human chatter, as it does for me.
I read this book before I’d found words to describe the impact on my teenage self of living in a patriarchal world that didn’t allow me to do things I wanted to because I was a girl—and that insisted I do things I didn’t want to. I read it before I’d heard the word feminist used other than as an insult. But the essentially feminist spirit of the novel touched me deeply.
I raced through the book, hoping that this single mother who’d fled an alcoholic and abusive husband with her child would make it out alive, that she’d find her people, and that she’d get justice. Years later, I saw the book described as the first feminist novel, and for good reason—written in Victorian England, no less.
One of the BBC's '100 Novels That Shaped Our World'
A beautiful edition of Anne Bronte's most enduring novel, to accompany her sisters' greatest books in Penguin Clothbound Classics.
Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
This book is very dear to me because of the author’s breadth of vision, the creativity with which she approached it, and the radical possibilities for women’s lives and gender relations in the late eighteenth and early nineteenth centuries that she uncovered.
Taylor demonstrates the importance of radical utopianism in challenging traditional notions of gender relations and marriage and introduces us to fascinating women who were part of that process. Her book shows us how new possibilities were considered for society and makes us realize that women’s marginalization in more mainstream socialist parties was not inevitable. Taylor’s writing is elegant and moving.
A new edition of Barbara Taylor's classic book, with a new introduction.
In the early nineteenth century, radicals all over Europe and America began to conceive of a 'New Moral World', and struggled to create their own utopias, with collective family life, communal property, free love and birth control. In Britain, the visionary ideals of the Utopian Socialist, Robert Owen, attracted thousands of followers, who for more than a quarter of a century attempted to put theory into practice in their own local societies, at rousing public meetings, in trade unions and in their new Communities of Mutual Association.
I’ve always searched for personalities – mythological, literary, or real – affirming the highest ethical claims for justice. Sophocles’s Antigone is, without doubt, the preeminent example of this ethical demand, based on ancient unwritten laws and related demands for human dignity. As a woman, Antigone also presents the forgotten and suppressed orders of femininity, which were present in all archaic religions and mythologies, but later repressed and fully replaced with exclusively male Gods. I’m therefore interested in books that guide us in this search for the power of ethics and femininity and hope this list will give you an idea of the rich ethical potentials that we possess.
This excellent collection of essays brings some of the key readings of Sophocles’ Antigone in an ethical and feminist key. It includes, among others, interpretations by Tina Chanter, Luce Irigaray, and Bracha L. Ettinger. In the fascinating lineup of chapters, the book guides us through political, psychoanalytical, and sexual genealogies and classical interpretations of this Greek myth, thus providing the authoritative scholarship on a female figure of Antigone.
Antigone has become a major figure in current cultural discourse thanks to the late twentieth-century interpretations by such controversial theorists as Lacan, Derrida, Irigaray, Zizek, and Judith Butler. This collection of articles by distinguished scholars from a variety of intellectual disciplines (including philosophy, psychoanalysis, feminism, theatre, and the classics) provides a postmodern perspective on the ethical and political issues raised by this ancient text and recent theatrical productions. The contributors provide an array of perspectives on a female figure who questions the role of the patriarchal state.
As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive.
An ambitious, Baileys prize-nominated debut set in an unforgettable place, introducing a powerful new voice in fiction
The Shore: a group of small islands in the Chesapeake Bay, just off the coast of Virginia. The Shore is clumps of evergreens, wild ponies, oyster-shell roads, tumble-down houses, unwanted pregnancies, murder, and dark magic in the marshes. Sanctuary to some but nightmare to others, it's a place that generations of families both wealthy and destitute have inhabited, fled, and returned to for hundreds of years. From a half-Shawnee Indian's bold choice to escape an abusive home only to find herself with a…
