100 books like I Died Too, But They Haven't Buried Me Yet

J.B. Priestley produced this engrossing spy chiller written and set in the desperate days of 1942 when the future looked grimmer by the hour. A grieving middle-aged engineer goes undercover in a grimy Midland town where vital aircraft are being built. British Intelligence suspects lurking Nazi agents and saboteurs, while it is up to our man to track them down. As he investigates, it seems that everyone is hiding secrets and soon he is embroiled in a tangle of deceit and murder. The book was ahead of its time. The protagonist is quite the modern anti-hero, struggling with inner demons, echoed by the endless grind of the blackouts, and I was gripped by the way he ultimately finds something worth fighting for. The story is dazzlingly put together, filled with contemporary details and deep menace that result in a classic page-turner, ideal for a binge read on a dark afternoon.… show more.

Dora Blake—the protagonist in my book—is an aspiring jewellery designer, which meant it was imperative I understood not just how jewellery looked but how it was made. This book ticks both those boxes and more. Not only is it filled with beautiful photographs to make your inner magpie tingle with excitement, it tells the reader a history of how jewellery was fashioned, what was worn in the daytime and evening, as well as the significance of certain gems for certain occasions. Learn all about cut steel, foiled backs, and harlequin jewels, the language of flowers, memento mori, cameos, and lover’s eyes, all delivered in a wonderfully accessible conversational tone. A truly fascinating book that is also a feast for the eyes!

Released in the early ‘90s, Frisk was adapted into a film in the mid-90s by Todd Verow. Both received mixed reviews due its transgressive content about madness and bizarre sexual aesthetic. Frisk leaves little to the imagination as the narrator explores taboo photography and sexual deviance while traveling through Holland. Critics and fans found this breakthrough novel deeply polarizing because it involves a gay character obsessed with annihilation. Nevertheless, the overall theme is about victimization, and a culture obsessed with objectification. Despite the novel’s punk prose and hypnotic pacing, there’s something to be said when humanity has a tendency to destroy what society deems perfect. Cooper definitely explores how human desire can become just as fanatical as a religious zealot. A must read for fans of cinematic gore.

My final choice is slightly different from the others on my list, in that it is not an anthology or an exposition of different viewpoints.

It is a short book (just 60 pages) that simply argues that there is no meaning of life but that that does not matter in the least.

In this respect, the book is a good antidote to Schopenhauer’s view – discussed or excerpted in all of the above – that there is no meaning of life and that that matters a great deal.

Whether you agree with Tartaglia and Llanera or not, you are likely to find their views a useful foil against which to formulate your own.

Nietzsche was the master diagnostician of the challenge of living in a secular world, once God was dead. The Birth of Tragedy develops a powerful theory of culture, its necessity for human wellbeing, and how it works.

The basic assumption is that human life is lived on the surface, driven by a substratum of demonic instincts, nightmare fears, and a barbaric will to lust and sadism. Culture’s task is to transform these unconscious drives into harmonious and beautiful images that capture the mind and give an orderly direction to how humans conduct their lives.

But for culture to have that commanding power it needs to be founded on a fixed and primordial sacred site. Without that, the modern problems rise: nihilism, rancour, and depression.

Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.

Is there a madder moment of madness in all of literature than that of The Driver’s Seat’s protagonist Lise?

A firecracker of a novel (most editions come in under one hundred pages of breakneck-speed story), and yet a whole firework display of literary techniques (most startlingly a third chapter opening prolepsis – flashforward – to the suicidally-invited murder of Lise). It’s the technique itself that is the star. Is this satire, parody, comedy? Can comedy be so dark?

Spark noted both that this book was an existential ‘whydunnit?’ without feeling the need to provide us with anything so simplistic as a ‘why’, and also that it was her favourite of all her novels. There is no reason on Earth why it shouldn’t also be one of your favourites.

In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.

Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.

I speak Russian and spent several years working in the former USSR on cultural exchange exhibitions. I majored in Russian Language and Literature at Brown and have a Master’s in those subjects, also from Brown, and I love Turgenev even more than I love his great contemporaries, Tolstoy and Dostoevsky.

In this short novel, Turgenev speaks to political differences across generations, something pertinent to the American political scene now and to the tension between activism and domestic life. 

As a novelist, I’m also blown away by his ability to put so much into a very short piece of fiction. It’s helpful, but not essential, to have a bit of knowledge about pre-Revolutionary Russia, but like his masterful Sportsman’s Sketches, he is a genius at bringing characters, both real and imagined, to life.

Set in London in the early 1920s, Huxley’s Antic Hay follows a cast of young bohemian and artistic characters, all affected in various ways by the Great War, as they search for SOMETHING to give meaning to their lives. London has changed, the world has changed, and they are lost. Cripplingly shy Theodore Gumbril, the main character, (inventor of Gumbril's Patent Small-Clothes, trousers which contain an inflatable cushion in the seat) searches for love, and meaning, in the shattered society following the end of the war. His search for love – including the donning of a false, confidence-boosting beard, makes for an absurd kind of comedy. Antic Hay is a savage satire, a switchback of emotions, swooping between humour and despair – though the slight plot does sometimes get rather side-lined by intellectual discussions and I admit to skipping the odd page. However, it gives an excellent flavour of the… show more.