100 books like Blackout in Gretley

Harris is such a literary and historical giant that it’s easy to take him for granted. The tension in the recent film, Munich: The Edge of War, was palpable, but V2 is even more gripping, an eye-opening and rattling good yarn set over a period of just a few critical days at a time when the Nazis were increasing their deadly rocket attacks on England.

I especially enjoyed how artfully the two stories were woven together, as it portrays the crisis from two opposite standpoints: the male German engineer drawn into the nightmarish world of Hitler’s fanaticism, and that of the astute WAAF back in Blighty with an eye for detail and poor taste in men. Harris tells their separate stories with verve and compassion, as they both struggle with life and death decisions in the midst of drudgery and the fear of defeat. In particular, it highlights how ‘backroom’… show more.

Spring 1943. Before dawn off the Spanish coast, a cadaver dressed in the uniform of the Royal Marines is placed in the waves. He carries a briefcase containing details of a planned Allied invasion of Greece. The Nazis find the body and its ‘secrets’ and are convinced they have been lucky enough to foil the British plans, but nothing is what it seems. 

This remarkable story of espionage is true. It was an elaborate forensic hoax devised by British intelligence to deceive the enemy, feeding them a false story, thereby allowing troops to invade Sicily instead. It is related with charm and humour by Ewen Montagu, a key figure in the operation. Its elegant, pared-down prose reads like one of Eric Ambler’s novels as it tells how regular chaps used wit and scientific know-how to fight back against the Nazi war machine. And won. Operation Mincemeat, as it was dubbed,… show more.

A Buchanesque MacVicar spins a dark tale of adventure against the charming Scottish scenery of Argyll in this 1939 yarn. Our hero is Alastair Campbell, Glasgow-based journalist and bachelor, whose plans for a cruise along the West Coast of Scotland are thwarted by a storm. Soon, he is stranded on a Hebridean island with a charming young woman – and nefarious individuals who are clearly Up To No Good. After a body turns up, they investigate and uncover a dastardly scenario to spread devastation and panic on Armistice Day (hence the title). Campbell is an appealing ‘lead’, as he doubts his ability yet nonetheless prevails. The villains are chilling, men and women alike, particularly when Campbell imagines the havoc wreaked by their plot in a fine piece of prescient writing. There are boats, guns, and planes galore, all described in expert and compelling detail that lend verisimilitude to a rip-roaring… show more.

One rainy day in 1930s Paris, a copywriter decided to write a thriller and devised a tale about the nuclear bomb, Nazi scientists, and a mysterious Balkan country. This sounds like the start of a novel, but it is the real-life birth of master storyteller Eric Ambler’s first book. A curmudgeonly English physicist is invited to corroborate the nuclear formula, but then... the twist. He is concussed in a car accident and awakes convinced that he is now a super-spy, one Carruthers, who takes on the forces of evil with a Bond-like nonchalance. 

Is the book a parody of earlier spy novels? Perhaps Ambler is seduced by the cleverness of his own story. I don’t actually care. It remains a satisfyingly imaginative tale about the role of science in war, all written in a witty, gritty style that sets the tone for many enjoyable books and films to come.

The Good Companions by J.B. Priestley is a long novel from 1929—and it’s one of the few long novels I have eagerly returned to more than once. Three Britons (a young man, young woman, and older man) are dissatisfied with their lives, and they take to the open road. Along the way they create a travelling musical-comedy troupe, The Good Companions, and we travel along with them for the tryouts, the opening nights, the standing ovations, the missed opportunities, the lucky breaks: and the glories of friendship. The novel offers readers the delicious chance to live entirely in a world now completely vanished.

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

The author recreated as a novel the adventures of a handful of Navy officers whose tiny Patrol Torpedo Boats more than held their own against the full might of the Japanese Navy during the fall of the Philippines. Told in the first person by three of the principal characters, we meet Douglas MacArthur, seasick and soaking wet, as he flees Manila in an overloaded PT Boat, and eventually reaches a smaller island from which he is flown to safety in Australia. And we see and are in awe, of these young naval officers. In 1951, when I was ten and perched on my father's shoulders, I saw MacArthur from just a few feet away as he passed during a Chicago parade. I became fascinated with the man and his legend, and here he is presented as a very human creature.

I thought I knew a thing or two about the history of World War II. Somehow, the battle for New Guinea escaped me, despite the role played by the American General, Douglas MacArthur. Significant as a turning point in the war and enabling MacArthur's return to the Philippines, the fight in New Guinea deserves mention in the same breath as the stepping-stone battles of the Pacific islands. The fighting was brutal and the conditions for both Japanese and Allied troops were horrid—trails ascending rugged mountains, supply-chain difficulties, diseases that diminished the abilities of troops to fight. I have been to New Guinea twice. Duffy captured the ruggedness of the land and his telling of the stories made me feel the place, the people, and their challenges.

I absolutely love the layout of this book–the title, the photos, and the fonts. This irresistible chapter heading made me want to know more: “Training: Thrilled to Death with Everything.” At the start of the book, I knew nothing about World War II Red Cross volunteers and next to nothing about the war in Africa. LeOna’s letters are so exuberant with descriptions so vivid you feel like you are walking in her footsteps. I love the photos with her smiling face. I finished this book with a deep respect for the dedicated women who worked so hard to provide soldiers with comfort and a connection to home.

The author clearly did a great deal of research for this book, and this is certainly something I truly love in this World War 2 novel: it provides that solid and rich actual background against which the story is set. It is fascinating to see how both the Nazis and the Allies were playing a game of deception, trying to outmanoeuvre and outsmart each other. The writing is very good, the characters are complex, all with their flaws, all very interesting indeed, all feeling very credible, real. An engaging spy thriller that remains one of my favourite in this genre.