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How Tom Beat Captain Najork.
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Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.
I love a clever sociopath. I felt myself strangely rooting for the main character, hoping that he would continue to evade the law and get away with his crimes. I liked the way the author built up this person, showing how smart, adaptive to changing circumstances, and manipulative he could be. I liked the backstory of social deprivation breathing life into his mysterious persona.
Ripley’s constant need for a new identity, desperate to escape from his past and humble origins, as well as grappling with his sexual identity, sustained my interest throughout the novel. It made me wonder what percent of the population would do anything to become someone else.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I am fascinated by first-person points of view. In writing plays and screenplays, I couldn’t write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narrator—whether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd way—the discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into another’s experience and allow me to empathize with a whole new perspective.
This stunning book puts me in the head of a young boy with a neurodivergent way of seeing the world. I picked up this book before a cross-country flight and couldn’t stand that we landed, and I would have to stop reading for the drive home.
It immersed me in Christopher’s dilemma of trying to make sense of people. The most trivial things become massive. I was hurtled along with him for a harrowing, incredible journey. Profoundly moving!
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
I had no idea what I was getting into with this book, and the experience was so much richer for that blindfold. That title alone was enough to intrigue me–what on earth could it mean? This is one of the most interesting and shocking coming-of-age stories I have ever read.
The island world the author creates made me think of Lord of the Flies and what can happen when youth is allowed to go unsupervised. This is deliciously dark and twisted stuff. It’s a short book, but you won’t forget it.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.
The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist.
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo…
I am a retired professor of kinesiology at North Central College in Naperville, Illinois. I am the former president of the North American Society for Sport History and vice-president of the International Society for the History of Physical Education and Sport, as well as a Fulbright Scholar. I have presented my research in more than three dozen countries and have over 250 publications, including 31 books, most of which pertain to sports history and sociology. I draw on my own history for inspiration and believe that sport has inspirational lessons for life.
This book examines the social control of Jewish immigrant youth in New York City through the use of supervised playgrounds that drew the children from street life to organized games and activities.
Sports taught rules and regulations, a WASP sense of morality and middle class values, and competition, which served as the basis for the capitalist economy. Sport served as an opiate for the masses, altering traditional work and leisure patterns, effecting a new social order, while it desecrated the Jewish Sabbath for some in the process of assimilation.
I’m a Shakespeare scholar with a particular interest in theatre history and the repertories of the London commercial playing companies of the late-sixteenth and early-seventeenth centuries. I’m particularly fascinated by the hundreds of plays written during this period that have not survived, whether as the result of fire, vandalism, censorship, or more mundane causes like a lack of interest in or opportunity for publication. The surviving plays from the period are the distinct minority; yet the plays lost to us were known to Shakespeare and his contemporaries, who often wrote in response to what else was being performed across London.
Some of the most exciting discoveries in theatre history in recent years have been archaeological, not archival: the excavation of the Curtain theatre’s foundations in Shoreditch, for example, and the revelation that it was rectangular and much larger than previously thought. Davies’ new book capitalises on a series of such findings and complements them with his own rigorous archival work, putting pressure on the very concept of a ‘playhouse’ and what it can be—or rather, what it meant to Shakespeare’s audiences.
This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses.
It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling,…
I hate rainy days, I check the weather forecast diligently to make sure I don’t have to go out on a rainy day. However I became a mother of two boys and with little kids, I had to go out rain or shine. My kids don’t get bothered by the rain, they rather love it, so I learned to enjoy the rainy days just like the grumpy old man from RainI And we enjoyed rainy day activities like drawing, reading about rainy day stories while cuddling on the sofa. These books remind me of those happy rainy days and they will certainly brighten up your rainy days.
These two girls’ everyday adventure series! I adore these twin books since I am a twin myself! Color penciled illustration is always beautiful but I like how Kaya draws the rain here. You can see a drizzle, a shower, a downpour, and even an upside-down rain here. Surely the rain hater like myself can become a rain person.
One cloudy day, Chirri & Chirra decide to go out on their bicycles. Dring-dring, dring dring! It's already starting to rain.
As is each of their adventures, this one is completely magical and full of wonder. It is also set in a world where, as if by magic (though perhaps it's the force of the creative imagination?), they always find what they need. Pedaling along, they discover a shop. What luck! The sign says it's only open on rainy days. How perfect. Chirri & Chirra order tea. Each is served tea with a bowl of sweet ice rocks. It's a…
I am a psychotherapist working with individuals and couples since 1974 and have had over 57,000 sessions. How people relate to one another has been a fascination of mine since I was a youngster growing up in a suburb of Chicago. I believe that we are “wired” for relationships of all kinds and it takes a conscious effort to see the best in each other for them to thrive. Differences can be the spice of a relationship, not the division of them. My book, my practice, and my life focuses on those concepts. In 2012, I co-authored a popular book on relationships, Togetherness: Creating and Deepening Sustainable Love.
This simple, sweet, picture book, like others in the Elephant and Piggy series, deals with different animals who are trying to solve a problem together. I liked the book because it portrays how differences don’t matter when you care about another. To show how differences can be overcome and not be reasons to divide is wonderful, especially when the concept is shown to the very young reader.
Perfect for children just learning to read, this highly original book is told entirely in speech bubbles with a repetitive use of familiar phrases. From the award-winning author of Don't Let the Pigeon Drive the Bus! Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can. Gerald worries so that Piggie does not have to. Gerald and Piggie are best friends.
In Can I Play Too? Gerald and Piggie meet a new friend, Snake, who wants to join in a game of catch. But don't you need arms to catch...? Mo Willems creates another hilarious escapade starring the…
Keiko Kasza is an award-winning author/illustrator of picture books. Though she uses animals as her book characters, the subjects are always related to issues that young children face. Humor and a surprise ending are the signatures of her work.
A monster goes to Pete’s house with the intention to eat him. Pete asks the monster to play with various games and toys. The monster reluctantly does so, but each time the text goes, “He didn’t want to play...because he wanted to...EAT PETE!” Then something shocking happens – he eats Pete! Let me assure you, though, the ending is very sweet.
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From the creator of Goodnight Goon, a laugh-out-loud friendship story that perfectly captures the high and low moments of a typical playdate!
Pete couldn't be more thrilled when a monster shows up in his bedroom. Now Pete has someone to play with! And the hungry monster couldn't be more thrilled to be there, either. Now he can . . . EAT PETE!
But Pete has other ideas. And they are all good fun and quite distracting--things like playing cars and pirates. Well, we all know the course of playing together nicely never did run smoothly. So how much longer will…
I live in my imagination. I never really grew out of seeing imaginary friends and fantastical elements in the world. Every budding flower or dancing sun shadow is a call to create. This is why I find children’s literature so thrilling and why my own writing often resides within the realm of make-believe. I love kids lit because it allows a grown-up like me to be a kid again – even if it’s just for a few pages.
Ruby’s Sword explores the type of imaginative play that can be had with natural world elements. Letting your kids explore nature in a tangible way does wonders for their learning and ingenuity. A simple stick turns into a sword, turning a little girl into a gallant knight. Our children do not need colourful plastic toys to have fun. All they need is a little fresh air and something as simple as a stick. Once my family moved out to the country, I saw my children transform before my eyes. Rocks have become treasures and bugs their newest friends. With the first signs of spring, socks are flung aside as their naked toes seek sand and grass. Let your kids fall in love with nature and it will be a love affair that lasts a lifetime.
Ruby is always racing after her big brothers. But no matter how hard she tries, she can never catch up. Then one day, she discovers some sticks in the grass. Not just any sticks-swords! And suddenly the world is her kingdom. Readers will cheer on Ruby's perseverance and creativity as they delight in the antics of the adorable animals that join her along the way. Anyone who has ever imagined themselves the star of their own swashbuckling adventure will find this sweet book irresistible.
