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The best fiction explores complex relationships between friends and lovers. I’ve been fascinated by this for as long as I can remember because love and friendship are the cornerstones of human existence. As concepts, they give life meaning yet can also take it away. They bring us together but can also leave us estranged. The sun-soaked cities of Europe have for so long been playgrounds for young lovers and friends, enjoying both the best of life and the most melancholy. I love traveling Europe–the grandeur, the romance, the happy-sad sentiment of it all. It embodies the topic and makes for the most beautiful setting.
Tom Ripley’s obsession with Dickie Greenleaf is so fascinating because it’s real but completely disturbing. I love this book because of Tom and Dickie, two characters who are loveable and hateable at the same time. The first half flew by on account of the setting–France, Italy, summer–it made me feel like I was there enjoying a European holiday with our protagonists. The second half turned everything on its head, and I was exhilarated and terrified all at once.
This story details love manifesting into a disturbing obsession, and this is a particularly interesting topic to explore. I loved the pace of the book (high, great plot) and the development of the characters. It is definitely one of my favorite stories about friendship with a beautiful European backdrop.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
I love story remixes: new takes on an existing genre. This book takes a conventional mystery plotline and gives it bright new coloring thanks to the narrator’s autism.
As is often the case with neurodivergent folks, Christopher doesn’t know much about the world, but he understands himself. A quiet masterpiece. No sentimentality, thank heavens.
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the…
I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
I'd never read a book before which had such spectacular and horrifying opening chapters.
I found the fact that it was describing the cruel acts of a child resonated with me at the time, as everything I'd read before then – which was mainly The Famous Five books, and other books of that ilk, were pretty tame and this book was anything but that.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.
The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist.
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo…
I’ve published many books for children, but this one is truly special. The Everybody Club is a collaboration with my dear friend Linda Hayen in memory of her daughter, Carissa. As a child, Carissa started a real-life Everybody Club. The first members were toys, dolls, the family cat, and her brothers, one of whom had severe disabilities. Carissa died in a car accident at the age of 16, and this book is Linda’s way of sharing her daughter’s generous spirit with the world. A note for adults at the end of the book shares this backstory.
What can a circle be? It can be a ball, a bike tire, a bubble, a cookie, a balloon… A circle can also be people joined together in the spirit of love and acceptance. Circle Round has few words, but the illustrations pull readers into a world full of activity and fun. It’s a counting book that is both playful and profound.
At the end of the book, I felt I was part of the circle myself.
A circle of children ask others to join in their play and soon find out that inclusion is irresistible!
From the author of I'm New Here and Someone New comes an inspiring new story of inclusion. One child in a park waves over a second child. Two children then wave over a third. Counting from one to ten, a growing circle of children see new faces outside the group and invite them over. Children of different abilities, ages, genders, and races demonstrate how easy it can be to expand your group, extend yourself, and welcome new friends.
I’m a Shakespeare scholar with a particular interest in theatre history and the repertories of the London commercial playing companies of the late-sixteenth and early-seventeenth centuries. I’m particularly fascinated by the hundreds of plays written during this period that have not survived, whether as the result of fire, vandalism, censorship, or more mundane causes like a lack of interest in or opportunity for publication. The surviving plays from the period are the distinct minority; yet the plays lost to us were known to Shakespeare and his contemporaries, who often wrote in response to what else was being performed across London.
Some of the most exciting discoveries in theatre history in recent years have been archaeological, not archival: the excavation of the Curtain theatre’s foundations in Shoreditch, for example, and the revelation that it was rectangular and much larger than previously thought. Davies’ new book capitalises on a series of such findings and complements them with his own rigorous archival work, putting pressure on the very concept of a ‘playhouse’ and what it can be—or rather, what it meant to Shakespeare’s audiences.
This book offers an accessible introduction to England's sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses.
It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling,…
My name is Susan Marie Chapman and I am an award-winning Children’s Book Author. I have written over fourteen children’s books. I grew up on a farm surrounded by animals and nature and my seven sisters and brothers. Wow!! My goal is to get as many books into the hands of children that I possibly can. You see, reading books, especially picture books, is a way for a child to see the world through the pictures and words of a book. It creates imagination and excitement and fun and questions which lead to answers which makes you smarter. So read, read, read, until you run out of books, which will never happen.
I love this book. It brings back so many memories of growing up in the country for me. The illustrations in this book are very expressive and literally speak for themselves, no words necessary.
The day starts out pretty nice for a young bunny who is trying to get a game of kickball started.
He calls out to his neighboring animal friends to come out of their homes and play. They all step outside. There is the hedgehog, the skunk, the fox, the raccoon, and many more. All of a sudden, clouds roll in and everyone goes home except the bunny. He loves rain. This is a big book full of fun. I really enjoyed this book. For me, it's all about the illustrations. I do not like the rain. Getting caught in a rainstorm without an umbrella is no fun. But, this book reminded me of a time in…
A little rabbit discovers the delight in a dreary rainy day in this splashing sequel to the witty and whimsical picture book, I Wish it Would Snow.
One sunny day, Rabbit and his pals are playing outside and they couldn't be happier. But, oh, no!-the sky starts clouding up and before they know it, it's raining, it's pouring, and everyone has to run home. How boring! What will they do for the rest of the day?
It doesn't take long for Rabbit to realize that fun can be had in the rain. With raincoats, boots, and umbrellas, let the splashing…
Keiko Kasza is an award-winning author/illustrator of picture books. Though she uses animals as her book characters, the subjects are always related to issues that young children face. Humor and a surprise ending are the signatures of her work.
A monster goes to Pete’s house with the intention to eat him. Pete asks the monster to play with various games and toys. The monster reluctantly does so, but each time the text goes, “He didn’t want to play...because he wanted to...EAT PETE!” Then something shocking happens – he eats Pete! Let me assure you, though, the ending is very sweet.
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From the creator of Goodnight Goon, a laugh-out-loud friendship story that perfectly captures the high and low moments of a typical playdate!
Pete couldn't be more thrilled when a monster shows up in his bedroom. Now Pete has someone to play with! And the hungry monster couldn't be more thrilled to be there, either. Now he can . . . EAT PETE!
But Pete has other ideas. And they are all good fun and quite distracting--things like playing cars and pirates. Well, we all know the course of playing together nicely never did run smoothly. So how much longer will…
I am a writer who lived in Germany for more than six years with my family. That experience opened my eyes to a different way of parenting in a country that had learned hard lessons about too much authoritarian control. It also taught me that much of what we believe is “true” about raising kids is actually cultural—and therefore, can be changed. In addition to my book about raising kids in Germany, Achtung Baby, I’ve written extensively on raising self-reliant kids, including articles in The New York Times, Wall Street Journal, and Time.com among others.
An evolutionary psychologist, Gray argues that human children, like all mammals, learn best through play. He advocates for a learning process that is kid- and play-driven. Using an innovative school as a model, Gray makes a compelling case for revolutionizing education by putting it in the hands of the kids themselves. Even if you can’t send your child to one of these schools, this book will give you many ideas on how to let your kids take charge of their own academic interests and pursuits which will ultimately help them grow up to take better charge of their own lives and happiness.
In Free to Learn , developmental psychologist Peter Gray argues that in order to foster children who will thrive in today's constantly changing world, we must entrust them to steer their own learning and development. Drawing on evidence from anthropology, psychology, and history, he demonstrates that free play is the primary means by which children learn to control their lives, solve problems, get along with peers, and become emotionally resilient. A brave, counterintuitive proposal for freeing our children from the shackles of the curiosity-killing institution we call school, Free to Learn suggests that it's time to stop asking what's wrong…
I am a psychotherapist working with individuals and couples since 1974 and have had over 57,000 sessions. How people relate to one another has been a fascination of mine since I was a youngster growing up in a suburb of Chicago. I believe that we are “wired” for relationships of all kinds and it takes a conscious effort to see the best in each other for them to thrive. Differences can be the spice of a relationship, not the division of them. My book, my practice, and my life focuses on those concepts. In 2012, I co-authored a popular book on relationships, Togetherness: Creating and Deepening Sustainable Love.
This simple, sweet, picture book, like others in the Elephant and Piggy series, deals with different animals who are trying to solve a problem together. I liked the book because it portrays how differences don’t matter when you care about another. To show how differences can be overcome and not be reasons to divide is wonderful, especially when the concept is shown to the very young reader.
Perfect for children just learning to read, this highly original book is told entirely in speech bubbles with a repetitive use of familiar phrases. From the award-winning author of Don't Let the Pigeon Drive the Bus! Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can. Gerald worries so that Piggie does not have to. Gerald and Piggie are best friends.
In Can I Play Too? Gerald and Piggie meet a new friend, Snake, who wants to join in a game of catch. But don't you need arms to catch...? Mo Willems creates another hilarious escapade starring the…
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