Here are 92 books that Hell Divers fans have personally recommended if you like
Hell Divers.
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I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today.
Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.
Our world decayed and a new world arose from the ashes of the old. The remains of the human race cling to life decades after a decimating global plague. The infected hunt the living as the dead roam abandoned streets craving the taste of flesh. Mia and Rowan hoped to carve out a life for themselves in an apocalyptic wasteland, but fate had other plans. They're forced to leave behind the relative safety of their home after a chance encounter challenges everything they've ever known. Evolution always finds a way...
I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!
Hold on tight for a New-Adult Sci-Fi Adventure that’s caught in the crossfire between Westworld and Cormac McCarthy’s The Road!
Idyll is a rugged planet—a new, simpler start for some 10,000 settlers who have fled Mother Earth. But a strange ‘plague’ of contagious sleep has devastated their Settlement, sparked by a mysterious mantra called the Lullaby.
After a three-year quarantine, Walt and Samuel Starboard set out from their ranch on a mission to cure their comatose mother and find their missing father. For days they ride through a blighted landscape: deserted cabins and gravestones and the ruins of towns destroyed…
I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
Some dystopian books show futures that aren’t relatable or believable at all. The whole story is a great mix of genres – not just dystopian but also sci-fi, thriller, and it reads like a crime novel with mobsters. The reachers themselves are telepathic/telekinetic and add a unique dimension to a story that otherwise could fit in with a non-fantasy setting. The world-building in this book is so effective exactly because it feels real. I was sucked in and sympathetic toward the reachers because you can easily put many different peoples in their place today, and the political and social aspects of the story feel frighteningly possible.
Rachel’s father called it the running game. Count the exits, calculate the routes, and always be ready to run. She is a Reacher, wanted by the government and the criminal underworld for her psionic powers.
Charlie and his brother John have a reputation for accomplishing the impossible. But after losing his family, Charlie is a broken mess and John is barely keeping him afloat. In desperation, they take a job from a ruthless crime lord, only to discover the girl they are hunting is a Reacher. One of their own kind.
With the help of dangerous and dubious allies, can…
During my childhood summers, my dad bought thrift-store paperbacks by the bagful, and fantastical stories filled my shady hammock days. Now as an author, writing and reading go hand in hand. There’s no better way to improve my prose and hone my personal style than to read books I love. My trusty highlighter immortalizes the lyrical passages that I swoon over, those luscious words that slip from the tongue, make music in my ears, and paint scenes behind my eyes. I’m swept away by gorgeous language despite the genre, though fantasy books usher in summer memories and a lovely time of idleness when there was nothing to do but read.
The Crown of Stone series is an undiscovered gem in grim-dark fantasy, and Magic-Price is the book that kicked it off. Grim-dark fantasy isn’t often associated with lyrical writing, which made this book a rare find. It’s violent, contains profanity and a few scenes of erotica, and has a great anti-hero, but it’s also beautifully written with rich imagery, vivid descriptions, and a wrenching emotional fullness that stuck with me for days after closing the last page. I loved the flow and how all this luscious writing contrasted with the brutality of the characters and story. All that and a fabulous ending to the series too.
Born of a fallen race, forced into combat at an early age, Ian Troy knew little but the brutality of war. A hope for more was born when, on the brink of defeat, an instrument of victory fell into his hands. Unaware of its true nature, Ian wielded the Crown of Stones, an ancient relic of untold power. He cast, wanting only an end to the conflict tearing the lands apart. Fate had other plans.
A decade later, Ian is still haunted by that tragic day. Running from the blood in his veins and on his hands, he struggles to…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Joshua is another author with multiple series, but Commune is a standout piece of literature. His style is subtle and suggestive, making the reader pay attention so they don’t miss the nuances and the snippets of backstory. That said, his action sequences are fast and brutal with a realism that hits home. The humour of the characters throughout is so genuine it’s a stroke of brilliance.
Full disclosure – I loved this series so much I’m writing more Commune with him!
Finding a friend in the apocalypse isn't easy, and for Jake Martin, it's been damn-near impossible.
Life has become an endless trek for canned food, shelter, and avoiding those who've turned to killing for anything all while trying not to become a killer himself.
When Jake encounters Billy, an elderly wanderer on the highway to ruined Las Vegas, everything changes. Billy reminds him of life before the world ended, of when being human meant acting like more than a mindless beast. Although their bond…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Keith gripped me with his Mountain Man series. If ever there was a reluctant hero who accidentally self-sabotages often, one who is so real and relatable that you can’t help but love him, then Keith’s Gus character is for you. Tackling the zombie apocalypse from the point of view of a regular, everyday man, this series grabs hold and doesn’t let go.
Boomstick.Samurai bat.Motorcycle leather.And the will to live amongst the unliving.Augustus Berry lives a day-to-day existence comprised of waking up, getting drunk, and preparing for the inevitable day when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of a city and scavenging for whatever supplies remain since the demise of civilization, Gus knows that his next visit to undead suburbia could be his last. Not only does he face a corpse-infested urban hell, human scavengers, and unending loneliness, but now a new mystery has risen...The undead are disappearing from the streets.A force…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
I’m referring to his Arisen series here. There hasn’t been a zombie epic of this calibre ever. It’s a fast-paced, high-octane kinetic blast through the apocalypse, told from (mainly) the point of view of tier-one operators. The way the characters evolve alongside the virus is so engaging that if anyone asked me to give them a run-down of the series I’d prepare a PowerPoint presentation and organise catering. This series does not quit, and the individuality of the characters will make you cry, laugh, and definitely spit your coffee out.
With nearly a million copies sold and a 4.7/5.0-★ average on over 50,000 reviews, the ARISEN series is said by readers to be: "a non stop thrill ride" ... "unputdownable" ... "the most original and well-written zombie novels I have ever read" ... "riveting as hell - I cannot recommend this series enough" ... "Knock Down Drag Out FANTASTIC!!!!!!" ... "Wow. Just wow." ... "the action starts hot and heavy and does NOT let up" ... "astonishingly well-researched and highly plausible" ... "non-stop speed rush! All action, all the time" ... "left me with my mouth hanging open" ... "May…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Chris may not be the most notable in this list, but his place is deserving. So often – and I’m guilty of this too – the zombie apocalypse is tackled head-on by a team of superhuman snake eaters. While this makes for great fiction, there’s also a beauty in showing how the average person would fare. Chris’ Zombie Castle series, and also his EMP trilogy UKD, gives the reader that perspective. It’s almost a happy apocalypse, a feel-good end of the world, and shows characters who keep their spirits up no matter what they face.
It was intended to eradicate the common cold; instead it eradicated most of the human race.A genetically modified virus killer mutates, transforming everyone it infects into zombies. As it rapidly spreads across the globe, small groups of survivors battle to stay alive and escape the growing hordes of flesh eaters.Tom, Becky and their two children are on a family holiday when the virus hits. Follow them as they try to fight their way to safety, gathering others along the way.They soon realise that their best chance of survival will be to reach an ancient symbol of power and strength.Their future…
A long time ago, I was an early-aviation historian, but eventually realized that I knew only half the story—the part about airplanes. But what about airships? Initially, I assumed, like so many others, that they were a flash-in-the-pan, a ridiculous dead-end technology, but then I realized these wondrous giants had roamed and awed the world for nearly four decades. There was a bigger story here of an old rivalry between airplanes and airships, one that had since been forgotten, and Empires of the Sky was the result.
Robinson was among the finest of airship historians and his work is based on a firm research footing and deep personal knowledge (he also helped edit Harold Dick’s book and traveled round Germany in the 30s). This volume includes chapters on American and British airships, but the real meat is the material on their German counterparts. Sometimes, I’ll be honest, Robinson’s fondness for detail can be a little overwhelming, but there’s no doubt that he knows his stuff, especially on wartime Zeppelins and the bombing campaign. Warning: Giants in the Sky is long out-of-print, unfortunately, but copies are available (for a price).
A long time ago, I was an early-aviation historian, but eventually realized that I knew only half the story—the part about airplanes. But what about airships? Initially, I assumed, like so many others, that they were a flash-in-the-pan, a ridiculous dead-end technology, but then I realized these wondrous giants had roamed and awed the world for nearly four decades. There was a bigger story here of an old rivalry between airplanes and airships, one that had since been forgotten, and Empires of the Sky was the result.
This is an academic book, one that’s engaging, fluidly written, and immensely interesting for anyone intrigued by the longtime German fascination with airships. Rather than the technical details, Syon’s broader focus is on what the wondrous technology meant to Germans and how it shaped their culture and history over the decades. His approach, in other words, puts Zeppelins into context. Put it this way, in 1938 a large-scale survey discovered that Count von Zeppelin, the inventor of the airship and dead for twenty years, ranked among the best recognized of German luminaries. His score was higher than even that of the immortal Beethoven at a time when the Luftwaffe-obsessed Nazis were trying to scrub any memory of their airships. Such a finding is impossible to explain unless you understand the cultural importance of the Zeppelin, making this book critically important.
"Whenever the airship flew over a village, or whenever she flew over a lonely field on which some peasants were working, a tremendous shout of joy rose up in the air towards Count Zeppelin's miracle ship which, in the imagination of all who saw her, suggested some supernatural creature." As this paean to the Zeppelin from an early-20th-century issue of the German newspaper Thuringer Zeitung makes clear, the airship inspired a unique sense of awe. These phenomenal rigid, lighter-than-air craft-the invention of Ferdinand Graf von Zeppelin (1838-1917)-approached the size of a small village. Although they moved slowly, there was no…
