Here are 99 books that Commune fans have personally recommended if you like
Commune.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Nick should be considered royalty when it comes to the post-apocalypse. He has numerous series with vastly different settings, but all of them are a masterclass in characterisation and story craft. His books draw me in with slick action and characters I care about from the get-go. He tackles the real issues without rubbing it in the reader’s face, and his work makes you question what you would do if the world went sideways.
The New York Times and USA Today bestselling series
They dive so humanity survives …
More than two centuries after World War III poisoned the planet, the final bastion of humanity lives on massive airships circling the globe in search of a habitable area to call home. Aging and outdated, most of the ships plummeted back to earth long ago. The only thing keeping the two surviving lifeboats in the sky are Hell Divers -- men and women who risk their lives by skydiving to the surface to scavenge for parts the ships desperately need.
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Keith gripped me with his Mountain Man series. If ever there was a reluctant hero who accidentally self-sabotages often, one who is so real and relatable that you can’t help but love him, then Keith’s Gus character is for you. Tackling the zombie apocalypse from the point of view of a regular, everyday man, this series grabs hold and doesn’t let go.
Boomstick.Samurai bat.Motorcycle leather.And the will to live amongst the unliving.Augustus Berry lives a day-to-day existence comprised of waking up, getting drunk, and preparing for the inevitable day when "they" will come up the side of his mountain and penetrate his fortress. Living on the outskirts of a city and scavenging for whatever supplies remain since the demise of civilization, Gus knows that his next visit to undead suburbia could be his last. Not only does he face a corpse-infested urban hell, human scavengers, and unending loneliness, but now a new mystery has risen...The undead are disappearing from the streets.A force…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
I’m referring to his Arisen series here. There hasn’t been a zombie epic of this calibre ever. It’s a fast-paced, high-octane kinetic blast through the apocalypse, told from (mainly) the point of view of tier-one operators. The way the characters evolve alongside the virus is so engaging that if anyone asked me to give them a run-down of the series I’d prepare a PowerPoint presentation and organise catering. This series does not quit, and the individuality of the characters will make you cry, laugh, and definitely spit your coffee out.
With nearly a million copies sold and a 4.7/5.0-★ average on over 50,000 reviews, the ARISEN series is said by readers to be: "a non stop thrill ride" ... "unputdownable" ... "the most original and well-written zombie novels I have ever read" ... "riveting as hell - I cannot recommend this series enough" ... "Knock Down Drag Out FANTASTIC!!!!!!" ... "Wow. Just wow." ... "the action starts hot and heavy and does NOT let up" ... "astonishingly well-researched and highly plausible" ... "non-stop speed rush! All action, all the time" ... "left me with my mouth hanging open" ... "May…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Chris may not be the most notable in this list, but his place is deserving. So often – and I’m guilty of this too – the zombie apocalypse is tackled head-on by a team of superhuman snake eaters. While this makes for great fiction, there’s also a beauty in showing how the average person would fare. Chris’ Zombie Castle series, and also his EMP trilogy UKD, gives the reader that perspective. It’s almost a happy apocalypse, a feel-good end of the world, and shows characters who keep their spirits up no matter what they face.
It was intended to eradicate the common cold; instead it eradicated most of the human race.A genetically modified virus killer mutates, transforming everyone it infects into zombies. As it rapidly spreads across the globe, small groups of survivors battle to stay alive and escape the growing hordes of flesh eaters.Tom, Becky and their two children are on a family holiday when the virus hits. Follow them as they try to fight their way to safety, gathering others along the way.They soon realise that their best chance of survival will be to reach an ancient symbol of power and strength.Their future…
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This novel tells the story of one person, Astrid, who grows up in a dysfunctional failed utopian commune in British Columbia, Canada.
The story of Astrid is told from multiple points of view. Each character paints a different picture of this child-who-becomes-a-woman, at different stages in her life. But what I like most about this book is its exploration of the aftermath of growing up in a failed utopian commune.
How does a person carry this ejected-from-Eden baggage with them over a lifespan? Is it possible to overcome it and fit into “normal” society again? The answers to these questions might surprise you.
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
T.J. Clark treats 1848 as a time when “art and politics could not escape each other,” and he offers a brilliant discussion of the efforts of artists to confront that situation. There are wonderful chapters on Delacroix’s anguished retreat into a private world, Millet’s portrait of the peasantry as a class in dissolution, and Baudelaire as a poet of post-revolutionary despair.
But for me, the most arresting portions of the book focus on Daumier, who was unique in his ability to depict the life of the Paris streets and create the great image of the Bonapartist con-man in the figure of Ratapoil. What I find most telling in these portraits, and the book as a whole, is T.J. Clark’s ability to “put back the doubt into revolution”—to recapture the confusion, the uncertainty, and the sense that everything was at risk.
When this book and its companion volume, Image of the People, appeared in 1973, they were taken as a challenge to the way art was usually written about. "This book," said the Times, "is a product of that school of art history whose history is as well read as its art, and whilst it covers only a small area of time and place, Clark's approach and style are such that it throws up enough ideas and pleasures to illuminate far beyond its rather special circumstances. It is suffused with wit and pathetic irony."
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.
You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial…
I’ve always been fascinated by the failed revolutions of the 19th century and by the romantic socialists, democrats, and nationalists who made these revolutions. I think I have a better understanding of their world and the forces that brought them down than I have of the world I live in. But I do find in their writings remarkable echoes of my own fears and hopes about the future of democracy today.
This magnificent study of the revolutions 1848 surpasses all the others in its sheer breadth. It makes 1848 a European and, in some respects, a global event. But what I find most appealing about the book is its vividness. The complex narrative is repeatedly punctuated by details and vignettes that bring the past to life.
If you listen to the wonderful audiobook, you will even hear Christopher Clark singing a song on the death of the great German 1848er, Robert Blum.
A Telegraph, Sunday Times, Economist and TLS Book of the Year
'One of the best history books you will read this decade' History Today
An exhilarating reappraisal of one of the most dramatic years in European history, from the acclaimed author of The Sleepwalkers
There can be few more exciting or frightening moments in European history than the spring of 1848. Almost as if by magic, in city after city, from Palermo to Paris to Venice, huge crowds gathered, sometimes peaceful and sometimes violent, and the political order that had held sway since the defeat of Napoleon simply collapsed.
I’ve always loved fairytales, whimsical stories, and mysteries. Plus, I’m passionate about mind-expanding, heart-opening books that offer me new ways to understand myself and the Universe we live in. And I particularly like books that show me ways to have more of what brings me joy and pleasure. When I can get all of this in a novel I’m in heaven.
For me this is an unforgettable, compelling story about love, romance, and magic!
This book is a beautiful, metaphysical love story that opened my eyes to the possibilities of soulmates and that not only does love exists, but it can also be accessed through time travel, inter-dimensional travel, and leading multiple lives at once!
Reading it reinforced my belief that love never dies and that love is both pre-destined and has a free will component.
I gave my life to become the person I am right now. Was it worth it?
Would we change if we knew what waits beyond space and time?
“With One, the ninth novel from the ever spiritual and imaginative author of Jonathan Livingston Seagull, [Richard] Bach continues his quest for a deeper understanding of human nature. . . . Although the elements of a great science fiction novel are present, the plot is secondary to the novel's theme of humanity's ability to control destiny”—The Boston Herald
“If you have ever tried to judge a book by its cover . .…
