Here are 100 books that The Running Game fans have personally recommended if you like
The Running Game.
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I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today.
Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.
Our world decayed and a new world arose from the ashes of the old. The remains of the human race cling to life decades after a decimating global plague. The infected hunt the living as the dead roam abandoned streets craving the taste of flesh. Mia and Rowan hoped to carve out a life for themselves in an apocalyptic wasteland, but fate had other plans. They're forced to leave behind the relative safety of their home after a chance encounter challenges everything they've ever known. Evolution always finds a way...
I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!
Hold on tight for a New-Adult Sci-Fi Adventure that’s caught in the crossfire between Westworld and Cormac McCarthy’s The Road!
Idyll is a rugged planet—a new, simpler start for some 10,000 settlers who have fled Mother Earth. But a strange ‘plague’ of contagious sleep has devastated their Settlement, sparked by a mysterious mantra called the Lullaby.
After a three-year quarantine, Walt and Samuel Starboard set out from their ranch on a mission to cure their comatose mother and find their missing father. For days they ride through a blighted landscape: deserted cabins and gravestones and the ruins of towns destroyed…
During my childhood summers, my dad bought thrift-store paperbacks by the bagful, and fantastical stories filled my shady hammock days. Now as an author, writing and reading go hand in hand. There’s no better way to improve my prose and hone my personal style than to read books I love. My trusty highlighter immortalizes the lyrical passages that I swoon over, those luscious words that slip from the tongue, make music in my ears, and paint scenes behind my eyes. I’m swept away by gorgeous language despite the genre, though fantasy books usher in summer memories and a lovely time of idleness when there was nothing to do but read.
The Crown of Stone series is an undiscovered gem in grim-dark fantasy, and Magic-Price is the book that kicked it off. Grim-dark fantasy isn’t often associated with lyrical writing, which made this book a rare find. It’s violent, contains profanity and a few scenes of erotica, and has a great anti-hero, but it’s also beautifully written with rich imagery, vivid descriptions, and a wrenching emotional fullness that stuck with me for days after closing the last page. I loved the flow and how all this luscious writing contrasted with the brutality of the characters and story. All that and a fabulous ending to the series too.
Born of a fallen race, forced into combat at an early age, Ian Troy knew little but the brutality of war. A hope for more was born when, on the brink of defeat, an instrument of victory fell into his hands. Unaware of its true nature, Ian wielded the Crown of Stones, an ancient relic of untold power. He cast, wanting only an end to the conflict tearing the lands apart. Fate had other plans.
A decade later, Ian is still haunted by that tragic day. Running from the blood in his veins and on his hands, he struggles to…
I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.
Nick should be considered royalty when it comes to the post-apocalypse. He has numerous series with vastly different settings, but all of them are a masterclass in characterisation and story craft. His books draw me in with slick action and characters I care about from the get-go. He tackles the real issues without rubbing it in the reader’s face, and his work makes you question what you would do if the world went sideways.
The New York Times and USA Today bestselling series
They dive so humanity survives …
More than two centuries after World War III poisoned the planet, the final bastion of humanity lives on massive airships circling the globe in search of a habitable area to call home. Aging and outdated, most of the ships plummeted back to earth long ago. The only thing keeping the two surviving lifeboats in the sky are Hell Divers -- men and women who risk their lives by skydiving to the surface to scavenge for parts the ships desperately need.
I’ve always loved dystopian stories. When you strip everything away, when society crumbles and safety nets snap, humanity comes through. Not curated, propagandized humanity, but real humanity—timeless humanity. In dire situations, people band together and connect on a primal level. Shared experience is a powerful thing, and shared struggle is even stronger. Dystopian literature shows both this struggle and this strength. It puts flawed characters in tragic situations, and somehow, there is still hope. There is still love. There is still the wish for something greater, the dream for something more. And that’s magic to me. That’s why I read, and that’s why I write.
The Moon Hunters is a masterpiece of dystopian literature. Told through flashbacks, journal entries, and a nautical rescue, we follow Leilani through post-apocalyptic, post-plague island life in a society with inhumane laws and toxic religious conditioning. There’s forbidden romance, ruthless royalty, thrilling action, and jaw-dropping prose. Leilani is strong and willful, and society punishes her for her strength. With universal themes of love, loss, revolution, and retribution, Pavelle hooked me from the start and possessed me till the end. I adored the characters, the world enchanted me, and the prose bewitched me. It’s truly a dystopian jewel.
For fans of The Hunger Games, Divergent, and The Gender Game comes a captivating new story like no other.
The Pestilence sweeps the globe with terrifying speed. A group of survivors finds an island sanctuary.
Three generations later, no one has heard from the outside world in years. The old radio only crackles with static. The Pestilence either finished its job or the world tore itself apart.
In the Village of Lehom, Leilani has been called to court as a Virtue by the King. Going to court means losing her independence and self-respect. Unfortunately, she doesn’t have a choice.
Sci-fi and fantasy give us permission to go places we might not go in this world. I am a big daydreamer and always have been. One of the most magical things about being a writer is that you get to design a world that lives only in your mind, and then share it with the reader. Like George R. R. Martin wrote, “A reader lives a thousand lives before he dies. The man who never reads lives only one.”
The story of people living in an underground Silo who don’t know why they're there, and only that the outside world is toxic and they must survive.
The characters in this story are heroic and relatable. I just wanted this book to keep going, and luckily there are two more in the series – Shift and Dust. The TV series is also a great addition and keeps a similar tone to the book.
SOON TO BE A MAJOR APPLE TV SERIES __________________________ 'Thrilling, thought-provoking and memorable ... one of dystopian fiction's masterpieces alongside the likes of 1984 and Brave New World.' DAILY EXPRESS
In a ruined and hostile landscape, in a future few have been unlucky enough to survive, a community exists in a giant underground silo.
Inside, men and women live an enclosed life full of rules and regulations, of secrets and lies.
To live, you must follow the rules. But some don't. These are the dangerous ones; these are the people who dare to hope and dream, and who infect others…
Because sometimes I think they go further than the formulas set by traditional publishing. I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.
This is my favourite series by Michael Robertson; its world-building is so real that it’s scary because this dystopian world could really exist. The world has its defined structure and the characters within it are believable, even if not all likable. It’s a complex series and yet is simple in its reading; compelling at the very least.
In Edin, when you turn eighteen, you have to do national service.
Six-months outside the city's walls, fighting the diseased hordes.
Only half the recruits survive.
Spike refuses to be just another statistic.
Beyond These Walls is a post-apocalyptic epic. Join Spike, Matilda, and their friends as they leave their city for the first time to face the brutal reality of national service. Some of them won’t return, and for those who do, their lives will never be the same again.
As an author who, in my ‘other’ life, has studied psychology and social work, I love to write about the impact of change on individuals and communities – what do my characters grieve, what relationships become important to them, what are the roles or goals that motivate them now and what do they need to do to survive, both individually and in their new society. And I love to be able to write about a place – a location – that I know well, hence the Sunshine Coast Hinterland as a setting for The Rise. I hope you enjoy the books that I’ve recommended as much as I have!
The cover drew me in but I loved the worldbuilding in this book, both in the premise of what happened to our world (toxic oceans, anyone?) but also how characters now need to live and survive. And with great rising tension and twists, this was a book that left me reading much later in the night than I should have!
I was drawn in by the 4 main characters – even when I wanted to slap them, I still wanted to know what was going to happen to them. And the way the society was set up really tore at my sense of ethics – a great thing to have in a dystopian book, I think…how does the new society sit with you?
In a new world isolated by a rising, toxic sea, a single bridge connects Askala to the Outlands. Those who remain will need to pass a Proving to determine if they have the intelligence and heart to champion the future of their broken Earth.
Those who succeed will become Bound, the ones chosen to breed.
Those who fail, are Unbound. Free of responsibility, but robbed of their ability to bear children.
Four young lives are born into this world. Magnus and Callix, two brothers determined to uphold this new order. Two brothers in love with…
I grew up in a small community surrounded by mountains and vast public land. I learned to ride a horse before riding a bike, and my dad taught me about recreating in remote areas. I didn’t think of those lessons as survival training, but in my novels, the skills I learned as a kid often save the characters’ lives. All the books on this list feature ordinary people doing extraordinary things to survive and, in some cases, protecting those they love. I hope you enjoy the books on this list as much as I have!
I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.
The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.
As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.
A fallen regime. A missing child. A chance at freedom.
Ten years ago, Sonya was the face of an oppressive regime. Then it was toppled by rebels and she was thrown into prison - where she has been locked up ever since.
When an old enemy comes to her with a deal, it seems too good to be true: find a missing girl who was stolen from her parents, and earn her freedom.
But as Sonya hunts for the child, she is forced to dig deeper into the past - and her family's dark secrets - than she ever bargained…
I’ve always loved to dip into speculative worlds as a way of gaining a new perspective on conundrums in the real world. In the real world, so many of us are plagued by concerns or frustrations having to do with connection and commitment, and those concerns transcend whatever place or moment we’re living in. So, by dropping those concerns into a surreal setting, I get another way to tussle with them.
I love how George Saunders creates really weird alternate realities, but doesn’t make a big deal about it.
In Liberation Day, we learn about the inner lives of people who seem to be enslaved by being “pinioned” to a wall after they’ve been programmed to perform as storytellers for their owners. Because we’re learning about this world from the pinioned narrator, we are not subjected to any lecturing or moralizing about the situation.
Instead, we hear about his romantic yearning for his owner’s wife, and that’s the tension around which the story is built. He only gives us the details that are necessary for us to understand his yearning, giving the reader just enough information to suss out the scenario in which he finds himself captive.
Named a book of the year 2022 by the Sunday Times, The Times, Guardian, Irish Times, New Statesman, BBC and Waterstones
'One of the best science fiction short stories to be published in the 21st century so far' SFX Review
'Saunders is funny and kind as ever, and his narrative virtuosity puts him up there with the best' Anne Enright, Guardian
'A triumph of storytelling' i paper
'A joy. Effortlessly stylish, funny and smart' Daily Mail
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The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo
MacArthur…
