100 books like Idyll

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

Some dystopian books show futures that aren’t relatable or believable at all. The whole story is a great mix of genres – not just dystopian but also sci-fi, thriller, and it reads like a crime novel with mobsters.  The reachers themselves are telepathic/telekinetic and add a unique dimension to a story that otherwise could fit in with a non-fantasy setting. The world-building in this book is so effective exactly because it feels real. I was sucked in and sympathetic toward the reachers because you can easily put many different peoples in their place today, and the political and social aspects of the story feel frighteningly possible.

The Crown of Stone series is an undiscovered gem in grim-dark fantasy, and Magic-Price is the book that kicked it off. Grim-dark fantasy isn’t often associated with lyrical writing, which made this book a rare find. It’s violent, contains profanity and a few scenes of erotica, and has a great anti-hero, but it’s also beautifully written with rich imagery, vivid descriptions, and a wrenching emotional fullness that stuck with me for days after closing the last page. I loved the flow and how all this luscious writing contrasted with the brutality of the characters and story. All that and a fabulous ending to the series too.

Nick should be considered royalty when it comes to the post-apocalypse. He has numerous series with vastly different settings, but all of them are a masterclass in characterisation and story craft. His books draw me in with slick action and characters I care about from the get-go. He tackles the real issues without rubbing it in the reader’s face, and his work makes you question what you would do if the world went sideways.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.

Yes, I’m back with another Hambly recommendation. The Windrose Chronicles is my next favorite that makes it onto this list. A programmer pulled out of her cube by the spells of a wizard… as much as I like programming, I can’t think of a day I wish that wouldn’t happen. While I enjoy the world-building, it is once again the relationships that make Hambly’s stories my favorites. The powerful and presumably mad wizard, Antryg Windrose, is one of my all-time favorite characters.

The cover drew me in but I loved the worldbuilding in this book, both in the premise of what happened to our world (toxic oceans, anyone?) but also how characters now need to live and survive. And with great rising tension and twists, this was a book that left me reading much later in the night than I should have! 

I was drawn in by the 4 main characters – even when I wanted to slap them, I still wanted to know what was going to happen to them. And the way the society was set up really tore at my sense of ethics – a great thing to have in a dystopian book, I think…how does the new society sit with you?

There’s a story in here about a former hockey player from the moon that had to move to Earth to try to avoid retribution after killing another player, and he gets stashed at an artist’s retreat. A big part of this list has been beautiful, but often very sad stories. Think, then, of Alias Space as a kind of antidote. If you have any familiarity with Robson from her published short fiction, this is a great collection to help you fill in the gaps in your collection. If you’ve never heard of Robson? Then this is a great dive into one of the best writers working in my hometown of Toronto! 

The first in a series of science fantasy novels, the works of Vance are largely unknown to the general public, but this particular set of stories has some very influential fans, like George RR Martin (the author of A Game of Thrones), and Gary Gygax (who invented Dungeons & Dragons).
In The Dying Earth, Vance has created a unique system of magic, in which a wizard must memorize a lengthy spell in his mind that disappears from memory once it is cast. This and other innovations along with unique characters and worldbuilding has created an endearing tale that has thrilled readers since it was first published in 1950.

If you want to know where today’s top sci-fi and fantasy authors got their influence from, look no further than Jack Vance.

Diana Smythe is a survivor, and she’ll do almost anything to keep her dream of flying to the stars alive. But she won’t betray her friends, or give into bullies, which gets her into ever-deeper trouble. Good thing she’s super smart!

Star Compass is an excellent combination of steampunk and sci-fi. Anthea is a wonderful writer, her characters strong but flawed, and her worldbuilding amazing, combining Victorian mores with modern space flight.