100 books like Good and Mad

"This book is about what happens when women are the storytellers too – when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it is to be human."

I reference this wonderful, non-fiction book in my novel several times. Once when Odessa the main character sees it on her bookshelf.

Another time when Odessa talks about the shocking myth of Cassandra, who was given the gift of prophecy by Apollo but when she wouldn’t sleep with him he cursed her that no one would believe her.

And the third reference is at the end of my novel, Odessa’s dog bears Casandra as her mighty name. As an embodiment of all that will be listened to and believed. Cassandra Speaks had a profound impact on me as a woman, a mother, a sister, a human, and as a… show more.

We live in a time when personal convenience seems to trump everything else. So how is it that virtually the entire Black community of Montgomery, Alabama, stayed off the city buses for over a year in the mid-1950s?

The first three chapters of this book answer that question in a completely new way that made the realities of the Jim Crow South and the dangers of the struggle for racial justice snap into focus for me. The boycott was tangentially about segregation on buses, but really, argues McGuire, it was a fight for bodily integrity, safety, and self-respect.

Because it deals with rape and sexual assault, this can be a hard book to read, but it literally gave me a different understanding of what “equality” means.

This book is a knockout, one that pushed me to see through our dangerous diet culture (and got me all fired up). After years of being judged and mocked as a fat woman, Plum is fixated on weight-loss surgery as the way to live a better life. But when she catches a young woman following her, Plum discovers an entire underground community of women living lives out of bounds, and a guerrilla group terrorizing predatory men. The story is propulsive and exciting, and it’s all fueled by righteous anger. The women Plum meet are full of rage at our broken world but also infused with beautiful compassion. Both can be true; both are often true.  The book has stuck with me for years, and I often return to it as a template for writing a killer story that centers and celebrates angry women.

This story collection grabbed me right away from the title and stole my heart with some of the most exciting and visceral characters that I’ve read. In “West of the Known,” my favorite story, a young girl escapes violence to become an outlaw; in “The Diplomat’s Daughter,” a woman renames and reworks herself into a feared force of nature. I’ll be honest that reading this book inspired me and scared me; I wanted to write as powerfully and truthfully about anger and violence in women as Chanelle did. So when I asked her to read an early copy of my book, and she came back with lovely praise, I just about lost my mind.

In the early 1990s, a group of women-centric punk bands and their young fans created a radical feminist movement, one that is still deeply inspiring. This book of Riot Grrrl is a fascinating look at the interplay between music and revolt, as well as an enraging analysis of how media took young women’s anger and turned it poisonous. I have long been obsessed with Riot Grrrl; although I was of the age to participate at the time, I lacked information and access. So I look back now at my Gen X peers and celebrate the music and rage that created this holy thing. And in my book, some of my stories are based on these songs and the spirit of these girls.

This is one of the most hilarious, bizarre, and relatable books about motherhood I've ever read. On the surface, it’s the story of an artist turned stay-at-home mom who believes she’s turning into a dog. But at its core, it's a brilliantly original exploration of art, power, and the identity crisis that often accompanies motherhood.

I loved how it tackled the all-consuming nature of motherhood. It doesn’t shy away from the tough topics and is also laugh-out-loud funny at times. It left me both entertained and deeply reflective.

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

This mesmerised me and I still think about it often.

A daughter has taken her mother to Spain to see a doctor who they hope will be able to cure her from a mysterious physical paralysis. 

This is a throbbing sun-bleached, Mediterranean world, explorations of troubled familial bonds, of the nature of sexuality, an examination of exile, reminding me at times of Virginia Woolf in its interiority – and the writing is masterly: “My love for my mother is like an axe. It cuts very deep.”

A constellation of symbols scattered throughout with such a deft touch that it left me in love with Levy and wishing she was my friend in real life not just in the magic world of the written page.

In my classes on women, sex, and gender, students almost always ask, “why have we never learned this before?” This is particularly true when it comes to the role of sexual violence in our nation’s history. Estelle Freedman’s pathbreaking book Redefining Rape documents how central sexual violence has been to U.S. history and law, and how women—particularly women of color—have fought against rape. Not only has sexual violence played a formative role in our history, a defining feature of U.S. jurisprudence is the racialization of rape—meaning the false idea that only Black men rape and only white women can be raped—when, in fact, as Freedman powerfully demonstrates, sexual violence has long been a tool of white supremacy. 

People often ask me who is the most important yet least known woman in U.S. history. Of course I am partial to Helen Hamilton Gardener, the woman whose biography I wrote, but overall I think the woman we all need to know about is Pauli Murray. We love to love RBG, but RBG credited Pauli Murray with some of her most effective legal strategies. In fact, Murry was the legal mastermind behind landmark civil rights and sex discrimination cases, including Brown v. Board of Education. And she bravely lived her life on her own terms (as what today we would likely understand as a trans man). Now that the Supreme Court has overturned Roe v. Wade, I think we could use a refresher on the 14th Amendment and how Americans, none more so than Pauli Murray, have used it to champion equality for all.