Here are 100 books that Girl Who Loved Giraffes fans have personally recommended if you like
Girl Who Loved Giraffes.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was a children's book illustrator for years before my agent prompted me to start writing. I didn’t know the first thing about writing for children, but I really wanted to try, and with help from the SCBWI and after a lot of failed attempts, I found that early reader graphic novels most fit in with my Mad Magazine and New Yorker style of gag humor. There are so many great early reader graphic novels out there these days, and I truly feel we are in a golden age for this genre. I hope you like my choices and find many more on your own!
I think this book is a genius. It’s a great example of a character-driven early reader graphic novel that brilliantly keeps it simple while fully exploring the friendship between a narwhal whale and a jellyfish.
The hilarious dialogue and simple but expressive illustrations make this one of my favorites, and its appeal to all kinds of readers is the reason this is a bestseller.
5
authors picked
Narwhal
as one of their favorite books, and they share
why you should read it.
This book is for kids age
6,
7,
8, and
9.
What is this book about?
Narwhal is a happy-go-lucky narwhal. Jelly is a no-nonsense jellyfish. The two might not have a lot in common, but they do they love waffles, parties and adventures. Join Narwhal and Jelly as they discover the whole wide ocean together. A wonderfully silly early graphic novel series featuring three stories. In the first, Jelly learns that Narwhal is a really good friend. Then Narwhal and Jelly form their own pod of awesomeness with their ocean friends. And finally, Narwhal and Jelly read the best book ever -- even though it doesn't have any words...or pictures! Ben Clanton showcases the joys…
I’m an award-winning children's book author-illustrator. I’ve spent the last fifteen years dreaming up stories that I hope will inspire curiosity and wonder in kids of all ages. I’m also a life-long learner! I can’t get enough info about this amazing world we live in. The more I learn, the more I realize that being a noticer, someone who slows down to observe the tiny details around them, will inspire questions and the need to find some surprising and fascinating answers. When my daughter asks a question (and there are many), my mantra has become, “I don’t know, let’s find out!” I hope this list inspires your own adventurous inquiries.
Wordless picture books are sometimes a bit tricky. How do you “read” them anyways?
But Journey (and its sequels Quest and Return) allow you to dive into the gorgeous artwork and compelling story. Just soak it all in, and you’ll want to set off on your own adventure by the time you're done.
6
authors picked
Journey
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Be swept away on an elaborate flight of fancy in this Caldecott award-winning, wondrously illustrated picture book about self-determination and unexpected friendship.
The winner of the prestigious Caldecott Honor, and described by the New York Times as 'a masterwork', Aaron Becker's stunning, wordless picture book debut about self-determination and unexpected friendship follows a little girl who draws a magic door on her bedroom wall. Through it she escapes into a world where wonder, adventure and danger abound. Red marker pen in hand, she creates a boat, a balloon and a flying carpet which carry her on a spectacular journey ...…
I'm a world-class underwater explorer, writer, photographer, speaker,
and filmmaker. A pioneer of technical rebreather diving, I have led expeditions
into icebergs in Antarctica, volcanic lava tubes, and submerged caves
worldwide. As a child, these fanciful places were just a part of my wildest
dreams. The Aquanaut tells the story of how I turned my imaginative journeys
into reality and became a celebrated underwater explorer.
Simple lyrical illustrations bring this story about commitments to life.
A wise grandfather guides his granddaughter on a journey of discovery teaching
her about indigenous perspectives. This important book is moving and essential
for readers of all ages. It offers authentic historic perspectives and helps to
describe the responsibility of truth and reconciliation.
The first treaty that was made was between the earth and the sky. It was an agreement to work together. We build all of our treaties on that original treaty.
On the banks of the river that have been Mishomis's home his whole life, he teaches his granddaughter to listen-to hear both the sounds and the silences, and so to learn her place in Creation. Most importantly, he teaches her about treaties-the bonds of reciprocity and renewal that endure for as long as the sun shines, the grass grows, and the rivers flow.
Accompanied by beautiful illustrations by Luke Swinson…
I'm a world-class underwater explorer, writer, photographer, speaker,
and filmmaker. A pioneer of technical rebreather diving, I have led expeditions
into icebergs in Antarctica, volcanic lava tubes, and submerged caves
worldwide. As a child, these fanciful places were just a part of my wildest
dreams. The Aquanaut tells the story of how I turned my imaginative journeys
into reality and became a celebrated underwater explorer.
This inspirational book for young explorers offers uplifting messages
for kids, encouraging them to try new things and not fret about failure.
Hand-lettered words of wisdom help to define what it means to be brave and
confident, while teaching patience and tenacity. The colorful illustrations are
memorable and immersive, offering opportunities for discussion about each page
of positive values.
Journey through a world filled with positive and beautifully hand-lettered words of widsom, inspiration, and motivation. As this book reminds readers, tomorrow is another day, full of endless opportunities - all you have to do is decide to make the day yours.
"Jessica Hische, one of the great designers and typographers, now shows herself equally adept at creating gorgeous and immersive images for young readers. This is a joyous…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
This is a collection of short stories by well-known writers—Irvine Welsh and Alex Garland among others—whom The Daily Telegraph newspaper assembled and flew to Africa in 2000, with an open brief to write one short story each; the book’s proceeds went to famine relief. One story in particular, by Telegraph editor W.F. Deedes, resonated in particular with me. The British government, responding to concerns that a UK-based oil company—Phoenix—is contributing to human rights abuses committed in the context of the Sudanese civil war, establishes “A Small Mission of Inquiry” (the title of the story). For most of my diplomatic posting in Sudan (2000-2003), I found myself dealing with strikingly similar allegations against a Canadian company, addressed equivocally by the Canadian government with just such a commission.
What would happen if you took some of Britain's best writing talent, put them on a plane and flew them to one of the most extraordinary and inaccessible places on the planet? What would happen if you took Irvine Welsh from the streets of Edinburgh and showed him a remote, dangerous village in Africa? Or if you flew Alex Garland into one of the world's most hazardous war zones? And how would Tony Hawks react if you dragged him away from his tennis and asked him to write a song with a Sudanese tribesman? With Victoria Glendinning, Andrew O'Hagan, Giles…
I’m not a genre purist. I adore combining classic forms in new and exciting ways to make stories that have never been told before. The novels on this list are like that. They refuse to obey genre rules. Detective fiction suggests our questions have answers. The truth is rational and we can discover it. The supernatural elements of occult fiction say otherwise. Human consciousness cannot comprehend the nature of reality. Our investigations fail to understand our lives—the best we can do is explain them away. When these perspectives collide, it can result in interesting ways to see the world, familiar but fresh, as we have never known it before.
I love the Jimmy Paz novels. I wish there were more of them. Gruber’s are the most conventional crime plots on my list—tightly-crafted, intricate, and intelligent. His detective is the archetypal hero: smart, resourceful, big-hearted, brave. But in this world, science and rational deduction are insufficient to solve the crime because reality is not just unknown. It is unknowable. This is the cardinal sin of the detective genre. Even worse, Gruber completely gets away with it. With forays into Siberian Shamanism and Santeria, Tropic of Night is as much an investigation of consciousness and perception as it is the hunt for a murderous warlock. When the orishas finally arrive for the climax, my hands trembled. I got some small inkling of what it means for the fear of god to be the beginning of wisdom.
Jane Doe had been a promising anthropologist, an expert on shamanism. Now she is nothing, a shadow. After faking her own suicide, she is living under an assumed identity in Miami, with a traumatised little girl to protect. Everyone thinks Jane is dead - or so she hopes.
Then the killings start: a series of ritualistic murders that terrifies the entire city. The investigating detective, Jimmy Paz, locates the witnesses to these events but they can recall almost nothing, as though their memories have been erased. As if a spell has been cast on them...
I am an African Australian writer and have a deep passion for black people's stories. I write across genres and forms, and my award-winning works are mostly Afrocentric. I have a master's degree in distributed computer systems, with distinction, a master's degree in creative writing, and a PhD in creative writing. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt. I am an author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.
Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa,…
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
There are thousands of histories of Africa, but only this one ties together environment, economy, demography, and society. In just 300 pages Iliffe presents Africa’s history from the birth of humankind to the mid-1990s. His history of Africa is the story of hardship and social adjustment in which population numbers are not just the result of variable, though mostly unfavourable, environmental situations, but a tool of survival and progress. This social adjustability, different as it may be from European patterns, allowed the continent’s people to build one of the greatest civilisations on earth. It carried them through natural disasters, invasions, the slave trade, and colonial brutalities, but it struggles with the present pace of demographic expansion – the result of modern medicine and globalisation.
In a vast and all-embracing study of Africa, from the origins of mankind to the present day, John Iliffe refocuses its history on the peopling of an environmentally hostile continent. Africans have been pioneers struggling against disease and nature, but during the last century their inherited culture has interacted with medical progress to produce the most rapid population growth the world has ever seen. This new edition incorporates genetic and linguistic findings, throwing light on early African history and summarises research that has transformed the study of the Atlantic slave trade. It also examines the consequences of a rapidly growing…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love Ferguson’s book because it seeks to be useful rather than academic. He uses the category of “Africa” to understand large-scale dynamics that have perpetually underestimated or misunderstood the agency of Africans.
For example, globalization is not passing over Africa; it is deeply implicated there but in isolated ways that perpetuate inequalities rather than erase them, as globalization proponents promote. Or that global capital can thrive in a failed state without peace, property law, or many other attributes of the modern state.
Again, like in all my book picks, Ferguson is eager to show how Africa’s role in global society is not in the shadows but in full sun, illuminating aspects of our world order that many would rather not look at straight on.
Both on the continent and off, "Africa" is spoken of in terms of crisis: as a place of failure and seemingly insurmountable problems, as a moral challenge to the international community. What, though, is really at stake in discussions about Africa, its problems, and its place in the world? And what should be the response of those scholars who have sought to understand not the "Africa" portrayed in broad strokes in journalistic accounts and policy papers but rather specific places and social realities within Africa?
In Global Shadows the renowned anthropologist James Ferguson moves beyond the traditional anthropological focus on…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.
It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.
FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020
'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah
Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of…
