Here are 100 books that Girl Who Loved Giraffes fans have personally recommended if you like
Girl Who Loved Giraffes.
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I was a children's book illustrator for years before my agent prompted me to start writing. I didn’t know the first thing about writing for children, but I really wanted to try, and with help from the SCBWI and after a lot of failed attempts, I found that early reader graphic novels most fit in with my Mad Magazine and New Yorker style of gag humor. There are so many great early reader graphic novels out there these days, and I truly feel we are in a golden age for this genre. I hope you like my choices and find many more on your own!
I think this book is a genius. It’s a great example of a character-driven early reader graphic novel that brilliantly keeps it simple while fully exploring the friendship between a narwhal whale and a jellyfish.
The hilarious dialogue and simple but expressive illustrations make this one of my favorites, and its appeal to all kinds of readers is the reason this is a bestseller.
5
authors picked
Narwhal
as one of their favorite books, and they share
why you should read it.
This book is for kids age
6,
7,
8, and
9.
What is this book about?
Narwhal is a happy-go-lucky narwhal. Jelly is a no-nonsense jellyfish. The two might not have a lot in common, but they do they love waffles, parties and adventures. Join Narwhal and Jelly as they discover the whole wide ocean together. A wonderfully silly early graphic novel series featuring three stories. In the first, Jelly learns that Narwhal is a really good friend. Then Narwhal and Jelly form their own pod of awesomeness with their ocean friends. And finally, Narwhal and Jelly read the best book ever -- even though it doesn't have any words...or pictures! Ben Clanton showcases the joys…
I’m an award-winning children's book author-illustrator. I’ve spent the last fifteen years dreaming up stories that I hope will inspire curiosity and wonder in kids of all ages. I’m also a life-long learner! I can’t get enough info about this amazing world we live in. The more I learn, the more I realize that being a noticer, someone who slows down to observe the tiny details around them, will inspire questions and the need to find some surprising and fascinating answers. When my daughter asks a question (and there are many), my mantra has become, “I don’t know, let’s find out!” I hope this list inspires your own adventurous inquiries.
Wordless picture books are sometimes a bit tricky. How do you “read” them anyways?
But Journey (and its sequels Quest and Return) allow you to dive into the gorgeous artwork and compelling story. Just soak it all in, and you’ll want to set off on your own adventure by the time you're done.
6
authors picked
Journey
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Be swept away on an elaborate flight of fancy in this Caldecott award-winning, wondrously illustrated picture book about self-determination and unexpected friendship.
The winner of the prestigious Caldecott Honor, and described by the New York Times as 'a masterwork', Aaron Becker's stunning, wordless picture book debut about self-determination and unexpected friendship follows a little girl who draws a magic door on her bedroom wall. Through it she escapes into a world where wonder, adventure and danger abound. Red marker pen in hand, she creates a boat, a balloon and a flying carpet which carry her on a spectacular journey ...…
I'm a world-class underwater explorer, writer, photographer, speaker,
and filmmaker. A pioneer of technical rebreather diving, I have led expeditions
into icebergs in Antarctica, volcanic lava tubes, and submerged caves
worldwide. As a child, these fanciful places were just a part of my wildest
dreams. The Aquanaut tells the story of how I turned my imaginative journeys
into reality and became a celebrated underwater explorer.
Simple lyrical illustrations bring this story about commitments to life.
A wise grandfather guides his granddaughter on a journey of discovery teaching
her about indigenous perspectives. This important book is moving and essential
for readers of all ages. It offers authentic historic perspectives and helps to
describe the responsibility of truth and reconciliation.
The first treaty that was made was between the earth and the sky. It was an agreement to work together. We build all of our treaties on that original treaty.
On the banks of the river that have been Mishomis's home his whole life, he teaches his granddaughter to listen-to hear both the sounds and the silences, and so to learn her place in Creation. Most importantly, he teaches her about treaties-the bonds of reciprocity and renewal that endure for as long as the sun shines, the grass grows, and the rivers flow.
Accompanied by beautiful illustrations by Luke Swinson…
I'm a world-class underwater explorer, writer, photographer, speaker,
and filmmaker. A pioneer of technical rebreather diving, I have led expeditions
into icebergs in Antarctica, volcanic lava tubes, and submerged caves
worldwide. As a child, these fanciful places were just a part of my wildest
dreams. The Aquanaut tells the story of how I turned my imaginative journeys
into reality and became a celebrated underwater explorer.
This inspirational book for young explorers offers uplifting messages
for kids, encouraging them to try new things and not fret about failure.
Hand-lettered words of wisdom help to define what it means to be brave and
confident, while teaching patience and tenacity. The colorful illustrations are
memorable and immersive, offering opportunities for discussion about each page
of positive values.
Journey through a world filled with positive and beautifully hand-lettered words of widsom, inspiration, and motivation. As this book reminds readers, tomorrow is another day, full of endless opportunities - all you have to do is decide to make the day yours.
"Jessica Hische, one of the great designers and typographers, now shows herself equally adept at creating gorgeous and immersive images for young readers. This is a joyous…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
This is a collection of short stories by well-known writers—Irvine Welsh and Alex Garland among others—whom The Daily Telegraph newspaper assembled and flew to Africa in 2000, with an open brief to write one short story each; the book’s proceeds went to famine relief. One story in particular, by Telegraph editor W.F. Deedes, resonated in particular with me. The British government, responding to concerns that a UK-based oil company—Phoenix—is contributing to human rights abuses committed in the context of the Sudanese civil war, establishes “A Small Mission of Inquiry” (the title of the story). For most of my diplomatic posting in Sudan (2000-2003), I found myself dealing with strikingly similar allegations against a Canadian company, addressed equivocally by the Canadian government with just such a commission.
What would happen if you took some of Britain's best writing talent, put them on a plane and flew them to one of the most extraordinary and inaccessible places on the planet? What would happen if you took Irvine Welsh from the streets of Edinburgh and showed him a remote, dangerous village in Africa? Or if you flew Alex Garland into one of the world's most hazardous war zones? And how would Tony Hawks react if you dragged him away from his tennis and asked him to write a song with a Sudanese tribesman? With Victoria Glendinning, Andrew O'Hagan, Giles…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love Ferguson’s book because it seeks to be useful rather than academic. He uses the category of “Africa” to understand large-scale dynamics that have perpetually underestimated or misunderstood the agency of Africans.
For example, globalization is not passing over Africa; it is deeply implicated there but in isolated ways that perpetuate inequalities rather than erase them, as globalization proponents promote. Or that global capital can thrive in a failed state without peace, property law, or many other attributes of the modern state.
Again, like in all my book picks, Ferguson is eager to show how Africa’s role in global society is not in the shadows but in full sun, illuminating aspects of our world order that many would rather not look at straight on.
Both on the continent and off, "Africa" is spoken of in terms of crisis: as a place of failure and seemingly insurmountable problems, as a moral challenge to the international community. What, though, is really at stake in discussions about Africa, its problems, and its place in the world? And what should be the response of those scholars who have sought to understand not the "Africa" portrayed in broad strokes in journalistic accounts and policy papers but rather specific places and social realities within Africa?
In Global Shadows the renowned anthropologist James Ferguson moves beyond the traditional anthropological focus on…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
I am an African Australian writer and have a deep passion for black people's stories. I write across genres and forms, and my award-winning works are mostly Afrocentric. I have a master's degree in distributed computer systems, with distinction, a master's degree in creative writing, and a PhD in creative writing. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt. I am an author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.
Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa,…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This extraordinary book forces anyone who attempts at studying African politics during the post-colonial period (‘on the postcolony’ in Achile Mbembe’s term) as well as in the late Cold War to (re)consider the role of Africans in the shaping of post-colonial Africa. The author uses various examples to nuance the dilemma of the African state-building process. The notion of ‘the politics of the belly’ derived from a Cameroonian saying, not a Bayart’s creation, as many in the West would think of it.
The State in Africa is one of the important and compelling texts of comparative politics and historical sociology of the last twenty years. Bayart rejects the assumption of African 'otherness' based on stereotyped images of famine, corruption and civil war. Instead he invites the reader to see that African politics is like politics anywhere else in the world, not an exotic aberration. Africans themselves speak of a 'politics of the belly' - an expression that refers not only to the necessities of survival but also to a complex array of cultural representations, notably those of the 'invisible' world of sorcery.…
When I first traveled to Africa in my early 20s as a volunteer teacher, I naively thought I would have much to teach Africans. It became clear quickly that I had far more to learn than I did to teach. Since then, I have been immersed in African cultures and their histories and believe deeply that their long-standing social, political, and economic formations are necessary for a sustainable global future. I have written three books from my African history training and experience, including the one promoted below. I regularly teach introductory and upper-level African History courses at Xavier University in Cincinnati, Ohio.
I love this book and have taught it a number of times because the protagonist challenges us not to like her, and we do anyway. The novel's first line is that her brother died, and she is not sad. From that point on, you are enveloped in the complex and conflicting dynamics of an extended Shona family that has been changed by missionary education in what was then Southern Rhodesia.
It becomes clear that Western education, mostly by design, introduces students to concepts (if not languages) foreign to their families of origin. The result can be estrangement and division. The novel is semi-autobiographical and a moving illustration of colonialism's social and cultural impact.
FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020
'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah
Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of…
