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I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Emma McCune was a beautiful young British aid worker who fell for—and married—Riek Machar, a rival of John Garang for most of the long years of Sudan’s second civil war (1983-2005), reluctant leader of a bloody post-independence revolt, and now one of the country’s five (sic) Vice-Presidents. Emma died in 1993 in a traffic accident in Kenya, but wherever I have been in both Sudan and South Sudan, hosted by aid workers, I have found echoes of her. Emma wanted to make the world a better place—who can knock that?—but her naivete allowed her to be easily manipulated and impressed by raw power, increasingly blind to the corruption and violence within the cause she had adopted. She is buried at Leer, South Sudan, the hometown of Riek Machar.
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end,…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This story is set in Sudan among rebel leaders in a war-torn country with hardened guerillas, idealistic aid workers, evangelical young women, and a pilot responsible for bringing aid and people in and out of the area. I was quickly drawn into this complex world through the varied voices and life experiences of the characters, especially as an unlikely and tragic romance emerges.
History, politics, and the human heart are all in play. As a reader I struggled along with the characters as the narrative took on fraught moments of international intrigue and probed the hearts and emotions of the characters, suggesting that in the end, politics is an extension of the human heart in conflict, often in conflict with itself.
Philip Caputo’s tragic and epically ambitious new novel is set in Sudan, where war is a permanent condition. Into this desolate theater come aid workers, missionaries, and mercenaries of conscience whose courage and idealism sometimes coexist with treacherous moral blindness. There’s the entrepreneurial American pilot who goes from flying food and medicine to smuggling arms, the Kenyan aid worker who can’t help seeing the tawdry underside of his enterprise, and the evangelical Christian who comes to Sudan to redeem slaves and falls in love with a charismatic rebel commander.
As their fates intersect and our understanding of their characters deepens,…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Lizzie Shackleford, serving at the time as a junior Foreign Service Officer at the American Embassy in Juba, was of invaluable assistance to me as I tried to orchestrate the emergency evacuation of Canadian citizens (nearly all of them dual South Sudanese/Canadians) when Juba imploded in December 2013. With Canada declining to send evacuation aircraft I depended largely on her to secure seats on USAAF Hercules aircraft. She helped save dozens of lives. So, I read her account of the opening of South Sudan’s civil war with great interest.
It’s an eye-opening counterpoint to the glamour and sophistication that many outsiders associate with the diplomatic lifestyle, but it’s also an indictment of short-sighted and misguided American policy-making in the region. The eponymous Dissent Channel is the outlet US diplomats have to express their personal discomfort with official policy. More than once I have found myself wishing that the Canadian diplomatic…
In 2017, the State Department lost 60% of its career ambassadors. Hiring has been cut and the budget slashed. The idealistic women and men who chose to enter government service are leaving in record numbers, jeopardizing operations both domestically and internationally, and eroding the U.S. standing on the world stage.In There Are No Good Guys, former State Department official Lizzy Shackelford shows this erosion first-hand through her experience within the precarious rise and devastating fall of the world's newest country, South Sudan. Shackleford's excitement about the possibility of encouraging democracy from the ground up quickly turns to questioning, then to…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Carol Berger is a Canadian journalist and anthropologist with decades of experience in Sudan/South Sudan. This book is a meticulously-documented dissection of one of the founding myths of South Sudan: the supposedly glorious deeds of the rebel SPLA’s Red Army (made up of child soldiers) and the associated romance of the phenomenon known as the Lost Boys, as featured by Hollywood (The Good Lie). The truth is that during the second Sudanese civil war (1985-2003) thousands of young boys were ruthlessly exploited and/or abandoned by warlords, many of whom now hold positions of power in South Sudan. A fascinating sidebar is the story of the Cuban Jubans: the young boys who made their way from displacement camps in Ethiopia, via a long sojourn in Cuba, eventually settling in Alberta, Canada. Some two dozen returned to South Sudan in 2011/12 to work as doctors, and I had the pleasure…
This book examines the role of social process and routinised violence in the use of underaged soldiers in the country now known as South Sudan during the twenty-one-year civil war between Sudan's northern and southern regions. Drawing on accounts of South Sudanese who as children and teenagers were part of the Red Army-the youth wing of the Sudan People's Liberation Army (SPLA)-the book sheds light on the organised nature of the exploitation of children and youth by senior adult figures within the movement. The book also includes interviews with several of the original Red Army commanders, all of whom went…
I have spent more than 30 years in my lab at Columbia University studying how seemingly intractable conflicts develop and the conditions under which they change. I'm a professor at Columbia, a social psychologist who has studied, taught, and written about conflict for decades. I'm also a mediator, facilitator, and consultant who has worked with divided groups and communities around the world. I direct the Morton Deutsch International Center for Cooperation and Conflict Resolution at Columbia, where we run the Difficult Conversations Lab, an audio/video/physio “capture lab” where we systematically study the dynamics of divisive moral conflicts to try to understand when encounters over them go well and when they go terribly wrong.
If you are interested in gaining a better understanding of why the UN fails so miserably at building and sustaining peace – read this new book. Adam Day works at the UN and uses ideas from complexity science to both explain why the UN is so challenged in its ultimate mission to sustain peace, and what it should do to move in the right direction. Day uses two current case studies on some of the most challenging situations faced by the international community and applies new ideas in useful and practical ways. This is the state-of-the-art of complexity-informed peacebuilding.
Today's vision of world order is founded upon the concept of strong, well-functioning states, in contrast to the destabilizing potential of failed or fragile states. This worldview has dominated international interventions over the past 30 years as enormous resources have been devoted to developing and extending the governance capacity of weak or failing states, hoping to transform them into reliable nodes in the global order. But with very few exceptions, this project has not delivered on its promise: countries like Somalia, Afghanistan, South Sudan, and the Democratic Republic of the Congo (DRC) remain mired in conflict despite decades of international…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
Prolific author and intellectual Francis Mading Deng became South Sudan’s first ambassador to the United Nations. Meeting Dr. Deng in person was one of the highlights of my life. To read any of his 40-some books is a privilege. It is possible to read Dinka Folktales as astonishing anthropological events, but Francis Mading Deng provides an introduction that reveals the “truth” in storytelling. These folktales contain the philosophical, religious, and day-to-day practices of the Dinka, who are the largest ethnic tribe in South Sudan. Given the civil war with north Sudan and the south’s dramatic victory in establishing their own country, these extraordinary stories belong in the ranks of world literature.
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
Boston’s Museum of Fine Arts has the best Nubian collection in the United States and one of the very best in the world. This publication of Nubian jewelry held by the MFA is exceptional in its breadth: ceramics, stelae, figurines, faience and ivory inlays, and jewels of gold, silver, precious stones, and beadwork. The artifacts span 3000 years of Nubian history produced during the three Kushite kingdoms: Kerma (2650-1550 BCE), Napata (750-332 BCE), and Meroe (332 BCE - 300 CE).
Ancient Nubia was home to a series of civilizations between the sixth millennium BCE and 350 CE that produced towering monuments, including more pyramids than in neighboring Egypt, and artifacts of enduring beauty and significance. Nubia's trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century BCE, they controlled one of the largest empires of the ancient world.
The Museum of Fine Arts, Boston, has the most extensive and important collection of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering Harvard University–Boston…
I teach and write about literature and disability at the University of Virginia. I’m also late deafened and have worked in the field of disability studies for over twenty years. In 2002, a scholar pointed out that literature from the former British colonies includes a lot of disabled characters. In 2006, the United Nations adopted the Convention on the Rights of Persons with Disabilities. I began to wonder if the two are related. In Elusive Kinship, I wound up arguing that they are. Not much work has been done on this. I tried to emphasize that I’m just advancing a critical conversation, not giving the final word at all.
This collection of academic essays gives an incisive overview of the newly emergent field of literature and human rights, which I build upon in my book. Contributors include pioneering scholars like James Dawes, Elizabeth Swanson, and Alexandra S. Moore. They have chapters exploring the relationship between literature and rights, the role of emotions in the process, and more. The collection does not consider disability much, but is a good introduction for someone who wants to learn more about an exciting academic field.
Literature has been essential to shaping the notions of human personhood, good life, moral responsibility, and forms of freedom that have been central to human rights law, discourse, and politics. The literary study of human rights has also recently generated innovative and timely perspectives on the history, meaning, and scope of human rights. The Cambridge Companion to Human Rights and Literature introduces this new and exciting field of study in the humanities. It explores the historical and institutional contexts, theoretical concepts, genres, and methods that literature and human rights share. Equally accessible to beginners in the field and more advanced…
I'm a world-class underwater explorer, writer, photographer, speaker,
and filmmaker. A pioneer of technical rebreather diving, I have led expeditions
into icebergs in Antarctica, volcanic lava tubes, and submerged caves
worldwide. As a child, these fanciful places were just a part of my wildest
dreams. The Aquanaut tells the story of how I turned my imaginative journeys
into reality and became a celebrated underwater explorer.
When Anne Innis Dagg was a little girl, she longed to study giraffes in
Africa. Many obstacles including gender discrimination stood in her way, so she
hide her female identity to get a job and then traveled to Africa on her own.
Anne fulfilled her dream and became the world's leading scientific expert on
giraffes, inspiring the next generation of women scientists to pursue their
dreams.
When Anne Innis Dagg saw her first giraffe in a zoo she was entranced. So much so that a love for giraffes shaped her whole life. She decided at a young age that she would one day travel from her home in Canada to study giraffes in their natural environment in Africa.
After overcoming obstacles based on her gender, Anne succeeded in fulfilling her dream in 1956 and became the world's leading scientific expert on giraffes.
In The Girl Who Loved Giraffes, Kathy Stinson and Francois Thisdale have created a beautiful picture book that captures the dramatic story of Anne's…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
When One Book, One Philadelphia called me in my office at Drexel University and asked me to select 10 students to interview 10 South Sudanese refugees for a One Book project, I read Dave Egger’s epic tale of Valentino Achak Deng’s survival as a so-called “Lost Boy" of Sudan. Valentino along with thousands of other “Lost Boys” was forced to separate from his parents at a young age and trek thousands of miles across Sudan, Ethiopia, and Kenya without resources to food or water to arrive at several refugee camps. This is Valentino’s story yet it resonates with fleeing people worldwide. Anyone who lives in freedom will stop and listen to the plight of others after reading this astonishing book.
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…