Here are 100 books that Esther fans have personally recommended if you like
Esther.
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I've penned 11 novels and numerous essays, and if there's one thread that ties them all together, it's rawness. I gravitate towards reading books and watching films where writers peel back the layers of their lives, exposing past wounds and delving into what they've learned from them. As an entrepreneur with a master's degree in marketing, I’ve found that this kind of vulnerability is not only compelling but essential in any form of storytelling. Whether I’m crafting a narrative for a new startup or reflecting on my own experiences for a novel, it’s this unfiltered honesty that resonates deeply with audiences.
This isn’t your typical feel-good, “I found myself on a hike” memoir. Strayed is brutally candid about her flaws, mistakes, and the emotional wreckage she carried along the Pacific Crest Trail. It's like she brought you on this grueling journey to confront her demons, and somehow, you end up confronting your own.
Her vulnerability is so palpable that you can practically feel the blisters forming on your feet. It’s raw, it’s real, and it makes you want to hug your inner mess a little tighter.
#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the…
Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.
The Snow Child depicts a maybe real, maybe imaginary little girl bringing joy to a childless, homesteading couple in 1920s Alaska.
In this bestselling debut novel, released in 2016, a couple that yearns for a child of their own is visited by a nymph who appears and disappears in the snow drifts on their homestead. In her novel, Eowyn Ivy manages to sustain the reader’s belief that this girl could in fact be real, without directly saying one way or the other. Why do this in an essentially realist portrayal of hardscrabble life in rural Alaska? Again, I see it as a way to get past the character’s rational mind and open both the character and readers’ hearts to the ineffable.
Here, Mabel, the main character says it better. “You did not have to understand miracles to believe in them, and in fact, Mabel had come to suspect the opposite.…
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden,I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful, fending for herself onThe Island of the Blue Dolphins,I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing.
Sometimes it takes dust, drought, and desperation for us to realize what we’re capable of changing. Landscape has the power to alter us and for Rachel it both whittles away and fortifies. The wrath of nature is a tangible presence in her story, though we come to realize the hostile land and searing sky pale in comparison to the silent destruction wrought by the person in whom she has placed her life’s trust. Weisgarber’s ability to slow time down to the painful passing of seconds draws me in every time.
Soon to be a Major Motion Picture Starring Emmy Award Winner and Oscar Nominee Viola Davis; "An eye-opening look at the little-explored area of a black frontier woman in the American West." --Chicago Sun-Times
Praised by Alice Walker and many other bestselling writers, The Personal History of Rachel DuPree is an award-winning debut novel with incredible heart about life on the prairie as it's rarely been seen. Reminiscent of The Color Purple, as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, it opens a window on the little-known history of African American homesteaders and gives voice…
Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden,I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful, fending for herself onThe Island of the Blue Dolphins,I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing.
As a little girl reading Heidi, I was wholeheartedly convinced that invigorating mountain air, wildflower meadows, laughter, and alpine cheese made from the fresh milk of goats grazed on lush Swiss grass was the cure-all for what ailed humanity. Even now, you would be hard-pressed to convince me otherwise. If ever there was a story that could feed the hungry spirit of a city child and inspire dreams of back-to-the-land living, Spyri’s enchanting classic is it.
Heidi has captivated and enthralled readers since it was first published. Heidi, an orphan, has to move in with her stern, demanding grandfather in the Swiss Alps, and just as she begins to feel at home she finds herself back in a city caring for a sick relative. This classic coming of age story explores the balance between freedom and family responsibilities. The joyously triumphant resolution will stays with the reader for a long time.
I write middle-grade fiction. I write funny thoughtful books where diverse characters, including those with disabilities, are featured prominently. My books often include dogs, and I promise you this right now, the dogs will always live!
Okay. I’m not always down on super heavy books. But this is a beautiful book, and the dog lives. Let’s focus on that. Told in verse, this book about a Native American girl staying with her grandparents during the pandemic dips into some difficult history and current event topics, but Bruchac’s faith in the power of stories and community makes it a compelling and memorable read.
From the U.S.'s foremost Indigenous children's author comes a middle grade verse novel set during the COVID-19 pandemic, about a Wabanaki girl's quarantine on her grandparents' reservation and the local dog that becomes her best friend
Malian loves spending time with her grandparents at their home on a Wabanaki reservation. She's there for a visit when, suddenly, all travel shuts down. There's a new virus making people sick, and Malian will have to stay with her grandparents for the duration.
Everyone is worried about the pandemic, but Malian knows how to keep her family and community safe:…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
Though we are thankful for the current movements to decolonize archives and museums, from at least 1750, Native writers have been doing this important survival work of asserting Native ways of knowing. This revelation is the subject of Wisecup’s ground-breaking study. It shows how early Native writers assembled lists, collages, and literary texts that, through juxtaposition and recontextualization, resisted the way colonial archives defined their bodies, belongings, and words as ethnographic evidence of vanishing peoples. Wisecup offers revealing ways to read the Indigenous compilations of key figures like Mohegan Samson Occom’s medicinal recipes, Ojibwe Charlotte Johnston’s poetry scrapbooks, and Abenaki leader Joseph Laurent’s vocabulary lists. We also deeply appreciate how Wisecup ends each chapter by connecting the early writer it focuses on to contemporary Indigenous culture.
A wide-ranging, multidisciplinary look at Native American literature through non-narrative texts like lists, albums, recipes, and scrapbooks
"An intricate history of Native textual production, use, and circulation that reshapes how we think about relationships between Native materials and settler-colonial collections."-Rose Miron, D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library
Kelly Wisecup offers a sweeping account of early Native American literatures by examining Indigenous compilations: intentionally assembled texts that Native people made by juxtaposing and recontextualizing textual excerpts into new relations and meanings. Experiments in reading and recirculation, Indigenous compilations include Mohegan minister Samson Occom's medicinal…
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
We highly recommend this capacious “counter-archive” of Native writing because it definitively lays to rest the myth of the “vanishing Indian.” Covering more than four centuries, it includes work from ten tribal nations from Maine to Connecticut in the form of early political petitions and land deeds to contemporary poetry and blogs. We love that its editor, a non-Native scholar, drew on the expertise of eleven Native editors from tribal communities for its diverse content, sourced from oral narratives, manuscripts stored in garages, and passed-around bootlegged copies. We also love that the book inspired a website for the extra material and for new work being produced now. In this sense, the website is a living document that illuminates the long history and vibrant presence of Indigenous writing.
Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England's Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi'kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers…
For 23 years, I was a staff historian at the Fortress of Louisbourg National Historic Site. In the decade that followed, I worked for Parks Canada on other French colonial and Acadian sites in Atlantic Canada. Along the way and since, I wrote hundreds of articles and 21 books. Some of those books have won prizes, and the government of France honored me by making me a chevalier of its Ordre des Palmes académiques.
Some readers want to see history as well as read it. Thankfully, there are many books about the Seven Years’ War that offer loads of illustrations, both from the era and produced more recently by illustrators. René Chartrand is the author of many such books, one of which is this one about the forts of New France. The author and illustrator present in-depth information about such French forts as Chambly, St. Frédéric (Crown Point), Carillon (Ticonderoga), Duquesne (Pittsburgh, PA), Ouiatenon (Quebec) and Vincennes (IN). As with all of Chartrand’s books, this one enriches our understanding of the Seven Years’ War, in this case by looking more carefully at the French side.
'New France' consisted of the area colonized and ruled by France in North America. This title takes a look at the lengthy chain of forts built by the French to guard the frontier in the American northeast, including Sorel, Chambly, St Jean, Carillon (Ticonderoga), Duquesne (Pittsburgh, PA), and Vincennes. These forts were of two types: the major stone forts, and other forts made of wood and earth, all of which varied widely in style from Vauban-type elements to cabins surrounded by a stockade. Some forts, such as Chambly, looked more like medieval castles in their earliest incarnations. Rene Chartrand examines…
For 23 years I was lucky enough to work in the 18th century. Well, as close as is possible for someone born in the 20th century. That happened because I was a staff historian at the Fortress of Louisbourg, where I passed many hours studying a million pages of documentation and over 500 maps and plans of the long-ago society. That research allowed me to write many books and articles—for both academics and the general public—about the onetime French stronghold and bustling seaport. I found the work fascinating, and I credit my time at the Fortress of Louisbourg for making me the historian and writer I became.
As fascinating as Louisbourg’s history is all by itself, it is also important to place it in a wider context. René Chartrand provides just such a comparative look in this well-illustrated book about four major French colonial centers, including Louisbourg. Readers are able to grasp the imperial significance of the French colonial stronghold on Cape Breton Island (then known as Ile Royale) and compare it to the brief histories of three other North American towns: Québec, Montréal, and New Orleans.
This title provides a detailed examination of the defenses of the three largest fortified cities in Canada - Quebec, Montreal and Louisbourg - and also covers New Orleans in America. Quebec City is the best known and most impressive of the sites covered, and was the strongest of the fortresses of New France: besieged twice by the British (1690 and 1759) and once by the French (1760), it was captured in 1759 by General James Wolfe. Montreal was also strongly fortified and its strategic location ensured its prominence in the fur trade early on. Fortress Louisbourg was built as a…
I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.
During the colonial period, women from Europe were shipped to Canada to marry military men, explorers, and fur traders. This story is about the Filles du Roi, sent by King Louis XIV of France, to populate the new colony.
In reading this story, I was given a taste of what life must have been like for these women who left a more modern society to marry a complete stranger and live in the rough, cold wilderness of 1660s Canada. They had to be strong if they were to adapt and survive, which many did not.
Transporting readers from cosmopolitan seventeenth-century Paris to the Canadian frontier, this vibrant debut tells of the struggle to survive in a brutal time and place. Laure Beausejour has been taken from her destitute family and raised in an infamous orphanage to be trained as a lace maker. Striking and willful, she dreams of becoming a seamstress and catching the eye of a nobleman. But after complaining about her living conditions, she is sent to Canada as a fille du roi, expected to marry a French farmer there. Laure is shocked by the primitive state of the colony and the mingling…
