59 books like Dreamcatcher

This book is probably the best I have ever read. The way characters think and feel is expressed magnificently, and the subtle ‘awe’ moments drive the plot forward.

I have never felt more attached to characters and their magic. Paul’s journey is believable and incredibly crafted. World-building is effortless, and I was never bored at any point while listening to the book.

I fear reading more in the series because this book is so good. I don’t want anything to spoil its perfection. 

I don't know if creating a monster from the remains of the dead qualifies as sci-fi, but I'm adding Mary Shelley's 1818 title anyway. This was one I got to read in middle school; we had a list of books we could read, but it was mandatory to read at least 5 for the year. Other than just a handful of books I've read that were written by female authors, this is the only one that can qualify as sci-fi.

Shelley has a very eloquent yet provocative voice. I think it would be near impossible to liken her tone, pace, choice of words, etc., to any other novelist of our time. At any rate, the fact that this is last on the list by no means suggests that it is not one of my favorites. It just worked out that way.

You've probably seen the movie, but it relied much… show more.

This book doesn't really need a reason to be recommended. I mean, c'mon, we've all seen The Edge of Tomorrow, and admittedly, I did not read the novel until after I saw the movie. Most Americans don't know much about, less yet come across, Japanese graphic novels unless they're already into that kind of stuff.

Regardless, reading the book after seeing the movie was a pleasant surprise. It's like reading Dreamcatcher by Stephen King after seeing the movie. The movies never do the books justice.

This book is at the top of my list because it is the first sci-fi book I recall reading. I found it at a flea market for 99 cents. I liked the title and cover, and when I read it when I was 12 or something, it just really resonated with me. The characters were real. The story was captivating. I still have it somewhere.

The best part of the book was the simplicity of its storytelling. I really mean that in a good way. It was certainly written for teens, and while everyone else was off reading Goosebumps, I was reading sci-fi.

Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.

I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.

Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic. 

Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.

Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness.  A brilliant and realistic exploration of aging, illness, and death.  

Sanctuary is an epic, three-volume-long ride of feels. As with many modern Austen variations, Pride & Prejudice is a jumping-off point, but Andrews puts her own spin on the tale. I love stories that develop the setting almost as another character, and Sanctuary does that with Maine. The essence of Elizabeth and Darcy is in the details, even though the modern world has had their way with the beloved characters. Darcy as a dad? *chef’s kiss*  

The Orphan Train is a novel about forgotten and neglected children left to fend for themselves in an antiquated welfare program. The story weaves memories of an old woman with the naiveté of a present-day teenager teaching the reader that everything is not as it appears.

Christina Baker Kline breathes life into a horrible moment of American history making us rip the bandage off, look at our past and see the unexpected silver lining.

Personalities collide during a Block Island summer. While I enjoyed all three point-of-view characters, I laughed out loud at Anthony the author’s “head-writing;” he described a scene in front of him as if he were writing a novel. Tongue just slightly in cheek, I felt like Moore was poking fun at the novelist’s eye—while simultaneously using it as shorthand to show us Anthony’s view.

The Islanders came out only a few months before my book. Though both novels can be considered “beach reads,” they are each much more than just a fluffy happily-ever-after throwaway. An island makes a very convenient metaphor; for our lucky characters, it is actually their whole world—even if it’s not forever, or as long as it lasts, but “just for the summer.”

Financial whiz Julia Snowden returns to her Maine hometown to rescue the family’s clambake business. Although she has financial acumen, she lacks true knowledge of how a clam bake works. She learns the hard way when a murder and a wedding reception don’t mix. I wasn’t familiar with the inner workings of clam bakes, from menu to preparation, but I learned with Julia. I also enjoy Ross’s writing style. The combination of the storytelling plus the facts interwoven make this a good book choice.