As a sailor and 2004 Olympian I am happiest on salt water, so that’s where most of my characters live their best lives. I write coastal fiction; stories with a happy ending that could only take place on or near the water. Boat rides are a bonus! As both a reader and an author, my tastes span across several traditional genres: from young adult time travel to literary fiction, with stops along the way for a light touch of romance. This list reflects that range. If you want to learn more about all the books (and boats) I enjoy, please subscribe to my Thursday blog, Where Books Meet Boats. Meanwhile, enjoy these five fantastic examples of coastal fiction!
Loner James Malloy is a ferry captain—or used to be, until he was unceremoniously fired and replaced by a girl named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
When he discovers a private golf course staked out across the wilderness sacred to his dying best friend, a Narragansett Indian, James is determined to stop such “improvements.” But despite Brenton’s nickname as “Cooperation Island,” he’s used to working solo. To keep rocky bluffs, historic trees, and ocean shoreline open to all, he’ll have to learn to cooperate with other islanders—including Captain Courtney, who might just morph from irritant to irresistible once James learns a secret that’s been kept from him for years.
Personalities collide during a Block Island summer. While I enjoyed all three point-of-view characters, I laughed out loud at Anthony the author’s “head-writing;” he described a scene in front of him as if he were writing a novel. Tongue just slightly in cheek, I felt like Moore was poking fun at the novelist’s eye—while simultaneously using it as shorthand to show us Anthony’s view.
The Islanders came out only a few months before my book. Though both novels can be considered “beach reads,” they are each much more than just a fluffy happily-ever-after throwaway. An island makes a very convenient metaphor; for our lucky characters, it is actually their whole world—even if it’s not forever, or as long as it lasts, but “just for the summer.”
"One of my own favorite writers." -Elin Hilderbrand
Named a Best Beach Read of Summer by Vulture, PureWow, She Reads and Women.com
J. Courtney Sullivan's Maine meets the works of Elin Hilderbrand in this delicious summer read involving three strangers, one island, and a season packed with unexpected romance, well-meaning lies, and damaging secrets.
Anthony Puckett was a rising literary star. The son of an uber-famous thriller writer, Anthony's debut novel spent two years on the bestseller list and won the adoration of critics. But something went very wrong with his second work. Now Anthony's borrowing an old college's friend's…
The first time I read this book I was sailing through the Frisian Islands, where it takes place—though unlike its two main characters, I didn’t have to worry about German patrols or being arrested as a spy. A classic thriller, the remote and shifting islands of the area help to drive the plot. It could, quite simply, take place nowhere else. Great sailing scenes as well!
In spite of good prospects in the Foreign Office, sardonic civil servant, Carruthers, is finding it hard to endure the emptiness and boredom of his life in London. He accepts an invitation to join a friend on a sailing holiday in the Baltic, where they discover a German plot to invade England.
This mountain-based author has captured a world that fits right into the #coastalfiction genre. We feel in our bones the joy that two estranged sisters feel when wave-riding, and we see the mesmerizing changes in both ocean and sky as a storm approaches. Though the only boat rides are on ferries, the descriptions of both the California and New Zealand coastlines make me want to go back. The book is also a reminder of the subtle ways we recognize people: a distinctive walking style, seen across a street, can take us right back to childhood.
An Amazon Charts, Washington Post, Wall Street Journal, and USA Today bestseller.
From the author of The Art of Inheriting Secrets comes an emotional new tale of two sisters, an ocean of lies, and a search for the truth.
Her sister has been dead for fifteen years when she sees her on the TV news...
Josie Bianci was killed years ago on a train during a terrorist attack. Gone forever. It's what her sister, Kit, an ER doctor in Santa Cruz, has always believed. Yet all it takes is a few heart-wrenching seconds to upend Kit's world. Live coverage of…
“Marsh is not swamp,” states the first sentence, somehow managing to imply the exact opposite for this ocean-salt-air-lover. Kya Clark, known to townsfolk as The Marsh Girl, could live nowhere else; this story could’ve only taken place exactly where it’s set.
The storyline wanders between past and present, but Owens trusts her readers—and I was never lost. The story did surprise—right up until the very last scene.
My only complaint is the cover image: the main character gets around in a derelict skiff with an ancient outboard, not a shiny canoe. But there’s as much going on below the surface as there is in plain sight: prejudice, development, education, love, and loss—all tucked away beneath a damn good story.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
How could I resist a book with an impossible cliff-mounted house towering over a tropical sea? This fantasy is written for a younger audience but adults can definitely enjoy it—and learn something about differences and tolerance. Though there’s sometimes more description than needed, the writing is so consistently lovely that I just sat back and enjoyed the ride.
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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