100 books like Dead Air

I read this book quickly. Its historically informative and inspirational quality caught my interest immediately. From the first chapters, the author brings us into World War II France, which will become a tangled web of occupation by the Nazis.

I discovered in this powerful story a relationship between two sisters that weaves secrets of the heart and key decisions. The characters are caught in a difficult situation: a predicament that reflects the struggle experienced by many people in France during the war years. The story stimulates a sense of empathy and curiosity about what will come next.

The historical setting is drawn colorfully. This novel is valuable both for gaining a broader historical sense and for the sheer you-are-there experience. The narrative skill with which the author weaves this tale and its inherent drama should sustain the reader’s interest, as it did mine. This story touches the core of human… show more.

From well-documented facts that the US government hid escaping Nazis after the war, comes a brutal story. This book has it all. Buried Nazi treasure, political wheeling and dealing, revenge, greed, and ruthless killers. Joe Johnson has been hunting war criminals for years after a stint in the CIA. When a story is leaked that Nazi treasure might finance the contender of the U.S. Republican party, Johnson is hired to ferret out the truth. But people don’t like having him poking into matters better left in the past. Can these types of people ever change or do they continue to hurt the weak for their own gains? From the United States to Argentina and England to Poland, this story just doesn’t stop until the last bullet is fired.

This is one of my all-time thrillers. It’s a cautionary tale that reminds us that not all of the Nazis were caught after the war and their need for power would never disappear.

The story follows Dr. Paul Osborne, who has been haunted from the day he was ten years old and watched a stranger kill his father. Now, years later, in Paris, he sees the same man. This starts the frantic race through Europe to find out why his father was killed and who ordered it done, while killers and the police dodge his every move, Osborne doesn’t know who can be trusted. The action doesn’t stop until the horrifying last page.

Another cautionary story. This story shows that the Nazi movement is growing worldwide and that governments need to keep these organizations under wraps before allowing them to carry out their own agendas. 

When a mistake causes an international incident during a US Presidential visit to Norway, Detective Harry Hole is placed out of sight in the Federal Police Department, until matters settle. Unable to sit still, Harry investigates a neo-Nazi group and comes across someone practicing with an exotic rifle that would only be used to assassinate someone. Now he must identify both the target and the killer.

Every book list needs a good wild card, wouldn’t you agree?

This Dark Horse one-shot published in the run-up to the premiere for Amazon’s Hunters is only a few pages long, but perfectly encapsulates the pulpy spirit of the revenge-driven series created by David Weil. Mr. Weil has stated on numerous occasions that the small screen project was a way for him to pay homage to his Holocaust survivor grandmother and tell an epic, comic book-inspired story of good vs. evil.

The one-shot does just that as the titular squad of Nazi eliminators tracks down a concentration camp doctor notorious for conducting unspeakable human experiments and collecting gruesome trophies.

Nicholas Goodrick-Clarke’s Occult Roots of Nazism is arguably the first scholarly monograph to take the relationship between occultism and Nazism seriously, providing a fascinating overview of the “secret Aryan cults” and “Ariosophic” beliefs that ostensibly influenced Nazi ideology.

While Goodrick-Clarke stops short of drawing a direct connection between prewar occult doctrines and Nazi policies during the Third Reich– indeed, his study concludes in 1935––no historian before or since has done as thorough a job, based on copious empirical research, of chronicling the eclectic and ubiquitous occult underground that helped shape the interwar folkish movement that produced Nazism.

This World War II book on Nazi racial "science" opened my eyes to the corruption of science to serve the nefarious purposes of Nazi racial policy.

For me, this book was deeply informative in a medical humanities sense. Robert Proctor has provided a service to readers and to the historical record by bringing this story to light with such a clear and careful rendering of the facts.  

One of the strangest and morally-complex stories from WW2 and the one I most struggled with while exploring the nature of resistance for my own book.

Could someone at the heart of the apparatus of Nazi terror also be a resister? After joining the Waffen SS to expose its crimes, Kurt Gerstein become involved in the supply of the deadly Zyklon B gas to the death camps.

At the height of the war, he destroyed consignments of gas and tried to tell the Allies and the Vatican about the Holocaust, but was ignored.

Prague-born Friedländer’s parents were murdered by the Nazis but he explores the paradoxes in Gerstein’s story with heart-rending humanity.

One of the most difficult facets of Nazism for my college students to grasp is that the Nazis had a sense of ethics and morals. It’s easy to look at the horrors of Nazism, rightfully condemn the Nazis as monstrous, and congratulate ourselves on having the moral and ethical fiber that would never allow us to engage in such atrocities. The thing is, though, that so much of the evil committed in this world is committed by people who think they are doing what’s right. Koonz’s examination of Nazi morals is an uncomfortable read but a necessary one. It forced me and it forces my students to confront the unpleasant truth that evil also has a sense of “moral” and “immoral.”

Are you tired of Hollywood clichés about Nazi culture? The Princeton historian Anson Rabinbach is your man. His brilliant essays on aspects of Nazi culture as diverse as the popular novel under Nazism, the Nazi-organized leisure industry, and the fate of the humanities at German universities between 1933 and 1945, provide the sharp, well-informed analysis you never got at school. Get started with the interview the author gave to two younger colleagues (pp. 450-480); here things become personal. Of course, Rabinbach is a pro, he knows the critical literature on the topic and cites it to differentiate his argument. But more importantly, his insights and arguments force you to rethink your response to German fascism, and to question the facile opposition of democracy and Nazism portrayed in American pop culture.