Here are 100 books that Heidegger fans have personally recommended if you like
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I’m a political theorist recently retired from the University of Toronto. Around fall 2014, I became aware that a hyper-energetic, well-educated intelligentsia was trying to move heaven and earth to make fascism intellectually respectable again. I resolved to educate myself about these scary characters. I was truly alarmed, and wrote my book to convey my alarm to fellow citizens who hadn’t yet woken up to the threat. Sure enough, within a couple of years, Richard Spencer rose to media stardom; and one of the first things that Trump did after being elected in November of 2016 was to decide that a crypto-fascist Steve Bannon was worthy of a senior position in the White House.
A strong case can be made that Richard Wolin got the jump on the rest of us with respect to appreciating the continued relevance of the Nietzsche-inspired intellectual far right. The first edition ofSeduction of Unreason was published in 2004, 14 years before I published my book. I’m humbled by the fact that it took me so long to wake up to the fact that what was dangerous about Nietzsche in the 20th century remains dangerous today.
Ever since the shocking revelations of the fascist ties of Martin Heidegger and Paul de Man, postmodernism has been haunted by the specter of a compromised past. In this intellectual genealogy of the postmodern spirit, Richard Wolin shows that postmodernism's infatuation with fascism has been extensive and widespread. He questions postmodernism's claim to have inherited the mantle of the Left, suggesting instead that it has long been enamored with the opposite end of the political spectrum. Wolin reveals how, during in the 1930s, C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot were seduced by fascism's promise of political…
I’m a political theorist recently retired from the University of Toronto. Around fall 2014, I became aware that a hyper-energetic, well-educated intelligentsia was trying to move heaven and earth to make fascism intellectually respectable again. I resolved to educate myself about these scary characters. I was truly alarmed, and wrote my book to convey my alarm to fellow citizens who hadn’t yet woken up to the threat. Sure enough, within a couple of years, Richard Spencer rose to media stardom; and one of the first things that Trump did after being elected in November of 2016 was to decide that a crypto-fascist Steve Bannon was worthy of a senior position in the White House.
Waite’s book is an often brilliant account of how Nietzsche (and Heidegger too) have duped the philosophical and cultural Left. The book is too long, and also often unwieldy and self-indulgent. Yet it contains many gems. Part of what I was trying to do in my book was to make some of Waite’s best insights accessible by writing a much shorter, more punchy book.
Appearing between two historical touchstones-the alleged end of communism and the 100th anniversary of Nietzsche's death-this book offers a provocative hypothesis about the philosopher's afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche (corpse) and his written work (corpus) to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist corps that has been programmed and manipulated by concealed dimensions of the philosopher's thought. If anyone is responsible for what Geoff Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his…
I’m a professional explainer of Russia. For over 20 years I’ve been studying the country and trying to understand what makes it (and its leaders and people) so intent on attacking those around it and perceived adversaries further afield. That’s never been more important to understand than today when Ukraine and its soldiers are the only thing preventing Russia from once again rampaging across Europe. These books are ones that have helped me understand one part or several parts of the Russia problem, and I think they’ll be helpful for anybody else who wants to, too.
So much of what Russia and its leaders say about their own country and its place in history makes no sense to the rest of the world. And as a result, I routinely get asked whether the fantasies that Russia creates for itself are genuine beliefs or just convenient fictions to excuse the Kremlin’s attacks against other countries or its own people.
Charles Clover, a former Financial Times correspondent in Moscow, charted how a particular strand of deranged nationalism took hold of Russia’s rulers – laying the groundwork for the war on Ukraine. This book helps understand not only the dangerous ideas promoted by Russia’s nationalist gurus but also how they now drive the Russian state to war.
It’s a sobering read and essential for understanding what it would take to divert Russia from being intent on regaining its empire.
A fascinating study of the motivations behind the political activities and philosophies of Putin's government in Russia
"Part intellectual history, part portrait gallery . . . Black Wind, White Snow traces the background to Putin's ideas with verve and clarity."-Geoffrey Hosking, Financial Times
"Required reading. This is a vivid, panoramic history of bad ideas, chasing the metastasis of the doctrine known as Eurasianism. . . . Reading Charles Clover will help you understand the world of lies and delusions that is Eurasia."-Ben Judah, Standpoint
A powerful strain of Russian nationalism now lies at the heart of the Kremlin's political thinking:…
I’m a political theorist recently retired from the University of Toronto. Around fall 2014, I became aware that a hyper-energetic, well-educated intelligentsia was trying to move heaven and earth to make fascism intellectually respectable again. I resolved to educate myself about these scary characters. I was truly alarmed, and wrote my book to convey my alarm to fellow citizens who hadn’t yet woken up to the threat. Sure enough, within a couple of years, Richard Spencer rose to media stardom; and one of the first things that Trump did after being elected in November of 2016 was to decide that a crypto-fascist Steve Bannon was worthy of a senior position in the White House.
There are multiple reasons to be wary of Teitelbaum, as I attempt to sketch in a review essay onWar for Eternity that I published in Inroadsand in a subsequent exchange I had with him in the same journal. But with respect to fathoming some of the bizarre connections among all these crazies—Dugin, Bannon, Jorjani, etc.—the Teitelbaum book is a very valuable resource. It’s also fun to read, despite the grimness of its topic.
An explosive and unprecedented inside look at Steve Bannon's entourage of global powerbrokers and the hidden alliances shaping today's geopolitical upheaval.
In 2015, Bloomberg News named Steve Bannon “the most dangerous political operative in America.” Since then, he has grown exponentially more powerful—and not only in the United States. In this groundbreaking and urgent account, award-winning scholar of the radical right Benjamin Teitelbaum takes readers behind-the-scenes of Bannon's global campaign against modernity.
Inspired by a radical twentieth-century ideology called Traditionalism, Bannon and a small group of right-wing powerbrokers are planning new political…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
The ever-contentious debate about Heidegger’s filiations with Nazism was re-enlivened with the appearance of the so-called “Black Notebooks” in 2014.
However, unless one closely heeds the existential verbiage of Heidegger’s commitment to Nazism, one risks tilting at windmills; hence, succumbing to a plethora of misconceptions and misunderstandings.
This invaluable collection of original texts – which, in addition to Heidegger political speeches of 1933-34, contains the indispensable Der Spiegel interview, “Only a God Can Save Us!” – has taken on an entirely new meaning and importance in light of the “Black Notebooks’” publication.
This anthology is a significant contribution to the debate over the relevance of Martin Heidegger's Nazi ties to the interpretation and evaluation of his philosophical work. Included are a selection of basic documents by Heidegger, essays and letters by Heidegger's colleagues that offer contemporary context and testimony, and interpretive evaluations by Heidegger's heirs and critics in France and Germany.In his new introduction, "Note on a Missing Text," Richard Wolin uses the absence from this edition of an interview with Jacques Derrida as a springboard for examining questions about the nature of authorship and personal responsibility that are at the heart…
I grew up in a world steeped in pre-Vatican II Catholicism including four years spent in a Catholic religious order. My theological training led me to philosophy, to question my theology, and to my life as a philosophy professor. There's a blaze of light in every word, Leonard Cohen says, so I've been seeking the blaze of light in the word God. My idea is that God is neither a real being nor an unreal illusion but the focus imaginarius of a desire beyond desire, and the “kingdom of God” is what the world would look like if the blaze of light in the name of God held sway, not the powers of darkness.
This book contains a magisterial rendering of the mystical poet Angelus Silesius’s verse, “The Rose Is Without Why” as part of a critical analysis of the emergence of the modern idea of “reason.”
This book has never left me since I first encountered it in my doctoral dissertation on Heidegger back in the 1960s. It landed like a bombshell on a young Catholic like me, opening a poetic and mystical sense of life free from the creeds and authoritarianism of religion as well as from the doctrinaire dismissiveness of Enlightenment rationalism.
Written at the end of his career, it encapsulates everything Heidegger was getting at. We must never forget the horrible stain of Heidegger’s National Socialism, which I have analyzed (Demythologizing Heidegger), but there is more to Heidegger than that, and you can find it here.
The Principle of Reason, the text of an important and influential lecture course that Martin Heidegger gave in 1955-56, takes as its focal point Leibniz's principle: nothing is without reason. Heidegger shows here that the principle of reason is in fact a principle of being. Much of his discussion is aimed at bringing his readers to the "leap of thinking," which enables them to grasp the principle of reason as a principle of being. This text presents Heidegger's most extensive reflection on the notion of history and its essence, the Geschick of being, which is considered on of the most…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.
Prior to its publication, Nazism was commonly perceived asanti-modernandanti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!
In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic.
In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism…
Raised on Nancy Drew who was herself outspoken and independent, I’m attracted to stories about barrier-breaking determined women who don’t back down from a fight. While many of the heroines of fantasy fiction have special abilities or can work magic, being able to stand up for oneself and speak one’s mind in the face of opposition is itself a superpower. I enjoy seeing how other authors portray it, what wrongs the heroines aim to put right, and how they do it.
I was fascinated with the heroine Isabella and enjoyed watching her grow throughout this series. In Book 1, The Tower's Alchemist, she is like most young women her age. She could be content to spend her time having fun with friends, reading brides' magazines, and planning a future with the man she loves. But the world is at war and the good guys need her for her unique and particular talents. She accepts what she thinks will be her last mission. It’s no small task; she aims to stop the Nazis from deploying a monstrously deadly bio-weapon. The secret service she works for and the bio-warfare were inspired by actual WWII events which made the story even more believable. By Book Three she has embraced her special powers without losing her humanity. I liked her persistence and dedication.
British intelligence wants her spying skills. A vampiric warlock wants to steal her powers. The Master Wizards who trained her want her dead...
Nazis have unleashed occult forces throughout Europe, and the Allies are forced to recruit wizards to counter their attacks. Among them is battle weary spy, Isabella George, a Gray Tower dropout trained in Alchemy. Longing for retirement and a life of peace, she accepts one final job...extract a deadly warlock from Nazi-occupied France and prevent him from unleashing an alchemical weapon that will devour the continent.
But France is crawling with the Cruenti, vampiric warlocks who feed…
I’ve long been enthralled by tales, real and fictional, that transcend the obvious and clichéd. My interest in World War II was piqued years ago while studying in Italy, when our professor regaled us with accounts of the Italian Resistance. Depictions of the “enemy” in fiction are often brutalized, and he is portrayed as less than human, compared with those on the righteous side of the battle. As a romance writer, crafting characters as living, breathing human beings, amidst the abyss of war, became my passion. Conflict is essential to a captivating plot, and what could be more intriguing than pitting heroine against hero in mortal struggle.
April in Paris presents a perspective not often seen in World War II fiction: the first-person account of a German soldier.
Fluent in French, Corporal Roth is assigned to interpret prisoner interrogations in Nazi-occupied Paris. Disturbed by the torture he witnesses, Roth escapes his repugnant duties by posing as a Frenchman when off-duty, attempting to shed his identity as “occupier” by blending in with the populace.
He encounters the beautiful Chantal and ardently pursues her, unaware that she is part of the Resistance. Love ripens between Roth and Chantal, but the outcome spins out of their control, as both are hurled toward the perilous consequences of their affair.
Wallner’s fast-paced novel is more thriller than romance, as human emotion collides with the brutality of war.
When people on Paris's bustling streets look at Michael Roth, they see little more than a Parisian student, a quietly spoken young man with a book under his arm, handsome but guarded. What they do not realize is that he is carrying a painful secret, one that he cannot even reveal to the woman he loves.
For Michael is no ordinary Frenchman but a German. He has been sent to Paris to assist the Nazis in dealing with Resistance fighters. Desperate to escape his daily life, he steals into the world of the oppressed Parisians, and into the path of…
I have always loved history—not so much the politics, the kings and wars and battles, but the remarkable, often eccentric people who stood out in the age in which they lived. When I started writing books for children, I fell naturally into writing biographies. Each book I’ve written has been an adventure, with research that took me into vanished worlds and introduced me to remarkable people, from Shakespeare and Joan of Arc to Peter the Great, Michelangelo, Cleopatra, and Leonardo da Vinci. I got to read their letters, learn little personal details about their lives, and live vicariously in their worlds. It’s been my life’s joyful work, and I appreciate the brilliant work of other authors who write biography too.
Let me start by saying that Peter Sís is a genius and his books are like no one else’s. This story about Antoine Saint-Exupéry, the author of the beloved classic, The Little Prince, is original in every possible way. Maps and mountains are transformed into creatures smiling at each other. In a scene describing the German invasion of France in 1940, his careful tiny crosshatching gives way to loose watercolor, red paint that spreads across the page like fire or blood. At the end, where Saint-Exupéry dreams of the Little Prince, is a stunning double-page spread with no words, just an expanse of blue with prince-like golden stars on the far horizon. The book is sheer perfection.
Peter Sís's remarkable biography The Pilot and the Little Prince celebrates the author of The Little Prince, one of the most beloved books in the world.
Antoine de Saint-Exupéry was born in France in 1900, when airplanes were just being invented. Antoine dreamed of flying and grew up to be a pilot―and that was when his adventures began. He found a job delivering mail by plane, which had never been done before. He and his fellow pilots traveled to faraway places and discovered new ways of getting from one place to the next. Antoine flew over mountains and deserts. He…
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