Fans pick 100 books like The Heidegger Controversy

When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.

Prior to its publication, Nazism was commonly perceived as anti-modern and anti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!

In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic. 

Zeev Sternhell, who died in 2020, was a scholar of matchless integrity and a personal friend.

His groundbreaking study, Neither Right Nor Left, transformed our understanding of the history of fascism. It also upended the received wisdom that indigenous fascism had been nonexistent in France: the myth that fascist ideology had been brutally imposed on the French in 1940 by the Nazi conquerors. Sternhell’s book intervened in timely fashion to remind us that France was the birthplace not only of republican humanism, but also of the European counterrevolution, as represented by intellectuals such as Joseph de Maistre, Edouard Drumont, and Maurice Barrès.

He demonstrates that, at the time of the Dreyfus Affair (1894-1905), counterrevolutionary ideology metastasized into a series of diabolically antisemitic pro-fascist movements. Perhaps the best-known exemplar was the Integral Nationalism of Charles Maurras and the Action Française.

Sternhell’s stunning conclusion, which continues to be hotly debated today, is… show more.

During the early 1990s, I had the good fortune to participate in Habermas’ legendary Monday night philosophy colloquium at the University of Frankfurt.

The experience transformed my understanding of the raison d’être of Critical Theory. The Philosophical Discourse of Modernity is not a book about fascism per se. Instead, it tells the story of how, after the war, the titans of interwar German Kulturpessimismus – Nietzsche (albeit, posthumously), Carl Schmitt, and Heidegger – were canonized by the leading advocates of “French Theory” as the new maîtres à penser or “master thinkers.”

Yet, the canonization of German philosophy came at a high cost. After all, historically speaking, the philosophies in question stood in close proximity to fascist ideology.

Hence, the question arises: to what extent did such pro-fascist “ideologemes” infiltrate and inform the basic tenets of French poststructuralism?

To this day, Adorno’s pathbreaking Heidegger-critique, The Jargon of Authenticity, remains one of the most insightful and lucid exposés of fascist ideology ever written.

To begin with, Adorno wrote as an insider: as a scholar who had witnessed the implantation and criminality of German fascism firsthand. In Jargon, he used the Heideggerian's notion of “authenticity” as the point of departure for a brilliant semantic and rhetorical unmasking of the way that fascist linguistic habitudes suffuse the discourse of everyday life. After reading Adorno’s critique, it is impossible read Heidegger naïvely: that is, without careful attention to the ideological distortions of his Denkhabitus.

As Adorno deftly shows, Heidegger’s idiolect of “authentic” being-in-the-world masks a deep-seated longing for German geopolitical supremacy.

Faye’s book has been extremely controversial, exposing him to sometimes quite nasty attacks by Heidegger apologists. But with respect to the core of what his book is about—the pro-Hitlerite seminars given by Heidegger during the years when he was most closely aligned with the Nazis—it’s an absolutely devastating account. The book is a must-read. Should be read in conjunction with Charles Bambach’s 2003 book, Heidegger’s Roots.

This book contains a magisterial rendering of the mystical poet Angelus Silesius’s verse, “The Rose Is Without Why” as part of a critical analysis of the emergence of the modern idea of “reason.”

This book has never left me since I first encountered it in my doctoral dissertation on Heidegger back in the 1960s. It landed like a bombshell on a young Catholic like me, opening a poetic and mystical sense of life free from the creeds and authoritarianism of religion as well as from the doctrinaire dismissiveness of Enlightenment rationalism.

Written at the end of his career, it encapsulates everything Heidegger was getting at. We must never forget the horrible stain of Heidegger’s National Socialism, which I have analyzed (Demythologizing Heidegger), but there is more to Heidegger than that, and you can find it here.

Yes, this is an essay, not a book. But it is such a good essay that the entire book has been re-printed with its title!

The essay is an excellent exegesis on understanding why “technology is not really about technology.” For Heidegger, the question concerning technology is a question about “being in the world”: our orientation, proclivities, values, and habits.

Hans Jonas was born in 1903 in Mönchengladbach, studied philosophy with Martin Heidegger in the 1920s, and after Hitler’s rise to power left Germany for British Mandate Palestine, where he enlisted in the Zionist Haganah militia. During World War II he served in the British Army’s Jewish Brigade and then fought in the 1948 Arab-Jewish war in Palestine. After demobilization, he could not secure a permanent academic position in newly established Israel, and moved to Canada and then to the United States, where in 1955, he accepted a professorship at the New School of Social Research in New York, eventually becoming a prominent philosopher and public intellectual. His beautifully written memoir illuminates the impact of migration and the upheavals of the 20th century on the life of a Jewish intellectual. 

André Breton, the leader of the surrealist movement, wrote L’Art Magique in his later years, making explicit what was before then only hinted at, namely, the magical origins of art. This is a lavishly illustrated historical survey of art across different cultures and centuries and although the book has a French text and hasn’t been translated, its wonderful selection of images really conveys the surrealist perspective on what makes art magic. The book was first published in 1957 and a second edition in 1991, but was out of print for many years until this new and affordable edition which I would highly recommend.

Heidegger is one of those authors who are tremendously interesting but terribly difficult to understand without a good introduction to his general work and his life.

Safranski's intellectual biography is not necessarily the best introduction for a novice, but it is undoubtedly the reference work for the study of the life and work of a philosopher who is considered (along with Wittgenstein) to be the most influential of the 20th century.

Safranski skilfully navigates the complex landscape of Heidegger's life, from his formative years as a young scholar to his association with the Nazi regime during World War II. The book delves into the intellectual development of Heidegger's existential philosophy, providing an overview of his major works and ideas.