100 books like The Jargon of Authenticity

When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.

Prior to its publication, Nazism was commonly perceived as anti-modern and anti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!

In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic. 

Zeev Sternhell, who died in 2020, was a scholar of matchless integrity and a personal friend.

His groundbreaking study, Neither Right Nor Left, transformed our understanding of the history of fascism. It also upended the received wisdom that indigenous fascism had been nonexistent in France: the myth that fascist ideology had been brutally imposed on the French in 1940 by the Nazi conquerors. Sternhell’s book intervened in timely fashion to remind us that France was the birthplace not only of republican humanism, but also of the European counterrevolution, as represented by intellectuals such as Joseph de Maistre, Edouard Drumont, and Maurice Barrès.

He demonstrates that, at the time of the Dreyfus Affair (1894-1905), counterrevolutionary ideology metastasized into a series of diabolically antisemitic pro-fascist movements. Perhaps the best-known exemplar was the Integral Nationalism of Charles Maurras and the Action Française.

Sternhell’s stunning conclusion, which continues to be hotly debated today, is… show more.

During the early 1990s, I had the good fortune to participate in Habermas’ legendary Monday night philosophy colloquium at the University of Frankfurt.

The experience transformed my understanding of the raison d’être of Critical Theory. The Philosophical Discourse of Modernity is not a book about fascism per se. Instead, it tells the story of how, after the war, the titans of interwar German Kulturpessimismus – Nietzsche (albeit, posthumously), Carl Schmitt, and Heidegger – were canonized by the leading advocates of “French Theory” as the new maîtres à penser or “master thinkers.”

Yet, the canonization of German philosophy came at a high cost. After all, historically speaking, the philosophies in question stood in close proximity to fascist ideology.

Hence, the question arises: to what extent did such pro-fascist “ideologemes” infiltrate and inform the basic tenets of French poststructuralism?

The ever-contentious debate about Heidegger’s filiations with Nazism was re-enlivened with the appearance of the so-called “Black Notebooks” in 2014.

However, unless one closely heeds the existential verbiage of Heidegger’s commitment to Nazism, one risks tilting at windmills; hence, succumbing to a plethora of misconceptions and misunderstandings.

This invaluable collection of original texts – which, in addition to Heidegger political speeches of 1933-34, contains the indispensable Der Spiegel interview, “Only a God Can Save Us!” – has taken on an entirely new meaning and importance in light of the “Black Notebooks’” publication. 

This is an amazing and brief explanation of what existentialism is and why it should matter to anyone looking for meaning in their life.

I love that Satre demystifies his philosophy, making it accessible and understandable to anyone. The book is actually the transcription of a lecture he gave, so it is wonderfully readable and full of examples and situations that I learned a lot from.

He also defends existentialism from some of its common critiques, which makes the book even more useful as an introduction. Many of my questions were answered here!

This book is more or less a collection of excerpts from some of Simone de Beauvoir’s best works. In this text, her foundations in the field of existentialism are laid forth for the reader to read and interpret very easily. These excerpts provide the reader with an analysis on the field in a more fictional way, as opposed to much of the other works relating to such, yet maintain the same, if not a higher, level of emphasis on the positive influences it can bring about in any given individual’s life.

Sartre was not a good philosopher in the classical sense. He wasn’t great at constructing arguments. But what he was unquestionably great at was intuitions. He had them, and they were usually spot on, and as a result he was right about most things. In this large book, we find a sustained development of a single brilliant, intuition: anything you are aware of is not you. You are the awareness rather than anything you are aware of. You are nothingness. One implication of this helped me get through the second half of my first marathon. Experiential unpleasantness is a motive to stop, but not part of me, and it is up to me how I interpret it. My motives can never compel me. I am in this sense free.

Existentialism spilled out of the ivory tower into heated conversations in cafes and smoky dorm rooms at 2:00 am all over the world, where it continues to be intensely discussed today (albeit, with more vape than smoke nowadays). It had an enormous influence on art, especially literature, inspiring many masterpieces. From the multitude I could point to (Kafka’s The Trial, Stoppard’s Rosencrantz and Guildenstern Are Dead, Vonnegut’s, I don’t know, Slaughter-House 5, sure), I’ll pick Beckett’s Waiting for Godot, a play where, as an early critic wrote, nothing happens. Twice. One of the first US performances took place in San Quentin State Prison, where the prison newsletter wrote one of the most insightful reviews it ever received. After all, who knows more about waiting than those doing time? And, in the end, what else are we doing?

This was the first book from the very first philosophy class I took in college (at Bucknell University in 1981), and it had me from its very first sentence: “There is only one truly important philosophical question, and that is suicide.” You know, the big stuff: Is life worth living? What gives it meaning? How ought we to engage the world and others, especially in the face of the apparently meaningless universe in which we’ve been thrown. Existentialist Camus served in the French resistance against the Nazis in World War II and would win the Nobel Prize for literature in 1957. In these pages, the remarkable man and the remarkable life he lived shows. 

As a writer, Adorno learned much from music–both what it says and what it fails to say. Each page is packed with enough ideas to inspire a dozen discussions.

For me, philosophy makes the most sense in this "continental" (as opposed to "analytic") style. The fragmentary, anti-systemic approach developed from the Early German Romantics, extending through Friedrich Nietzsche down to the poststructuralists.

Although falling short of the grandeur of his magnum opus, Negative Dialectics, Adorno’s most accessible book maintains a keen critical edge alongside an appealing balance between clarity and richness––reason and imagination.