100 books like The Day After Tomorrow

This novel left me feeling both teary-eyed and ennobled. Superficially, it is about two French sisters living through the Nazi occupation of France during World War II. At its root, however, Hannah deconstructs the essence of survival.

I loved how her characters frame the book’s cosmic questions: What would you do to survive? What compromises would you make? Is it better to fight back aggressively or resist passively? The sisters are of different temperaments and personalities. Each answers these questions differently, painfully. I found myself haunted by these themes long after I put The Nightingale back on the shelf. You will, too.

From well-documented facts that the US government hid escaping Nazis after the war, comes a brutal story. This book has it all. Buried Nazi treasure, political wheeling and dealing, revenge, greed, and ruthless killers. Joe Johnson has been hunting war criminals for years after a stint in the CIA. When a story is leaked that Nazi treasure might finance the contender of the U.S. Republican party, Johnson is hired to ferret out the truth. But people don’t like having him poking into matters better left in the past. Can these types of people ever change or do they continue to hurt the weak for their own gains? From the United States to Argentina and England to Poland, this story just doesn’t stop until the last bullet is fired.

Another cautionary story. This story shows that the Nazi movement is growing worldwide and that governments need to keep these organizations under wraps before allowing them to carry out their own agendas. 

When a mistake causes an international incident during a US Presidential visit to Norway, Detective Harry Hole is placed out of sight in the Federal Police Department, until matters settle. Unable to sit still, Harry investigates a neo-Nazi group and comes across someone practicing with an exotic rifle that would only be used to assassinate someone. Now he must identify both the target and the killer.

This story hit home because it is set within my own community, so it could have really happened. We never know who our neighbors are and what they do behind closed doors.

Dead Air portrays radio morning host, Lee Garrett, who comes to work one morning to find a death threat taped to his radio console. At first, he thinks it’s a joke, but one accident after another convinces him that someone is really out to kill him. Can it be a member of the local neo-Nazi group, the Skins, a jealous radio personality for his or another station, or has he inadvertently insulted someone online? He must figure it out before they strike again.

How Parisians survived Nazi Occupation—to what extent they resisted or collaborated—has been debated for decades but Sebba looks through a new lens: What did Parisiennes, specifically, do during these years? She was just in time to interview some key women who, having survived concentration camps, went on to live defiantly long lives. Others wouldn’t speak, still traumatised by their experiences. But Sebba has plenty to work with, and the pace at which she pulls it all together propels this book’s sense of importance. One can’t help but feel relieved that these stories have now been told. Some of it is shameful, sure, but you ultimately remember the tales of until-now-unsung heroines, whose fierce love for their city, above even their own welfare, makes them well deserving of a place in Paris history.

One rainy day in 1930s Paris, a copywriter decided to write a thriller and devised a tale about the nuclear bomb, Nazi scientists, and a mysterious Balkan country. This sounds like the start of a novel, but it is the real-life birth of master storyteller Eric Ambler’s first book. A curmudgeonly English physicist is invited to corroborate the nuclear formula, but then... the twist. He is concussed in a car accident and awakes convinced that he is now a super-spy, one Carruthers, who takes on the forces of evil with a Bond-like nonchalance. 

Is the book a parody of earlier spy novels? Perhaps Ambler is seduced by the cleverness of his own story. I don’t actually care. It remains a satisfyingly imaginative tale about the role of science in war, all written in a witty, gritty style that sets the tone for many enjoyable books and films to come.

April in Paris presents a perspective not often seen in World War II fiction: the first-person account of a German soldier.

Fluent in French, Corporal Roth is assigned to interpret prisoner interrogations in Nazi-occupied Paris. Disturbed by the torture he witnesses, Roth escapes his repugnant duties by posing as a Frenchman when off-duty, attempting to shed his identity as “occupier” by blending in with the populace.

He encounters the beautiful Chantal and ardently pursues her, unaware that she is part of the Resistance. Love ripens between Roth and Chantal, but the outcome spins out of their control, as both are hurled toward the perilous consequences of their affair.

Wallner’s fast-paced novel is more thriller than romance, as human emotion collides with the brutality of war. 

Another great hit in Evans’ long series of books about Nazism, this is a very particular one: Evans was invited to take part as an expert in a trial for defamation brought by a British historian, David Irving, long suspected of being a tad too friendly towards the Nazi regime. This 2002 book recounts the trial and focuses on Evans decisive role: he went through Irving’s voluminous, and meticulous, books, finding misleading interpretations favoring the Nazi view of controversial events in World War II and, very particularly, views minimizing the scale of the Holocaust and Hitler’s role in it. This may be the ultimate book about detective work in the fight against misinformation.

The author clearly did a great deal of research for this book, and this is certainly something I truly love in this World War 2 novel: it provides that solid and rich actual background against which the story is set. It is fascinating to see how both the Nazis and the Allies were playing a game of deception, trying to outmanoeuvre and outsmart each other. The writing is very good, the characters are complex, all with their flaws, all very interesting indeed, all feeling very credible, real. An engaging spy thriller that remains one of my favourite in this genre.

In 1940 London, Maggie Hope, a brilliant mind who graduated top of her class, is recruited by Number 10 Downing Street to be…a typist. Of course. She’s a woman. She’s also a crackerjack code breaker. I think you know where this is going. The character is wonderful, the writing strong, the story tight. A highlight for me was when Maggie –a young, virginal, cerebral type—pulls off a daring motorcycle jump with a man on the back because she has to. I don’t know, I think there’s a life lesson somewhere in there.