Here are 23 books that Alice's Adventures in Wonderland and Through the Looking-Glass fans have personally recommended if you like
Alice's Adventures in Wonderland and Through the Looking-Glass.
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I am a bit of a contradiction in that I am a Christian pastor but also a horror aficionado. I love all things sci-fi and horror. My fascination with these genres stems from childhood, when I stumbled upon Star Wars, the old Addams Family cartoons, and even Scooby Doo. As I matured, my love of reading grew, and I soon consumed literature like a Dyson, especially sci-fi and horror. I often joke about how the odd combo of my two biggest writing influences, Stephen King (I’ve read his entire bibliography) and C.S. Lewis, perfectly sums up my character, and I think that’s what makes me perfect for this recommendation.
The most iconic and somehow most misrepresented vampire story of all time. I read this book because it was iconic and for no other reason. It was not long before I began to see this book's Christian themes and messages. Though the book may not be explicitly Christian, the influences and messages are most apparent in Mina Harker.
I loved how the character of Mina becomes a prototype of what people would eventually call “The Final Girl”, not because of her physical strength or survival instincts, but because of her unwavering faith in God. I knew this was essentially a story of good and evil, but I was wonderfully surprised by this being a story of faith vs flesh and corruption vs holiness.
28
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about “the hidden heart of mankind unrestrained.” What’s more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.
Although Polish by birth, Joseph Conrad (1857–1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." — Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair…
I fell in love with all things Greek around the same time I fell in love with my Greek Cypriot husband about 30 years ago. That was when I started reading books about Greece as well as fiction set in Greece. I also learned to cook Greek food, which made both my man and me happy. I traveled to as many Greek islands, and of course, Cyprus, as time would allow. Eventually, I started writing books set in Greece myself. I went to a Greek Orthodox church and took Greek language evening classes. I feel at this point and have been told by Greek islanders, that I am now essentially Greek.
I love Greece and Greek life, and I love animals and nature, so this book set in Corfu, which is the story of how Gerald Durrell spent his early childhood when his mother decided to move the entire family to Corfu, really hit all the buttons for me.
In my opinion, the book is even better than the television series. Gerald Durrell’s love of fauna and flora possibly began in the White House on Kalami Bay in Corfu. I was so excited when I arranged a holiday in Corfu and actually stayed in Kalami Bay myself. I ran around looking at lizards, birds, and plants, thinking of Durrell as a wild child, swerving away as far as possible from conventional education. What an idyll I found it truly was.
The inspiration behind ITV's hit family drama, The Durrells.
My Family and Other Animals is Gerald Durrell's hilarious account of five years in his childhood spent living with his family on the island of Corfu. With snakes, scorpions, toads, owls and geckos competing for space with one bookworm brother and another who's gun-mad, as well as an obsessive sister, young Gerald has an awful lot of natural history to observe. This richly detailed, informative and riotously funny memoir of eccentric family life is a twentieth-century classic.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love the experimental and absurd sensibility of this novel. In an age known for its groundbreaking fiction, this work stands out for its playfulness and complexity. Like Swift, Sterne was a clergyman of the Church of England, and I love how intelligent and sophisticated he is about dirty jokes and silly scenarios.
I also appreciate Sterne’s commitment to pushing the envelope: Sterne inserts all sorts of oddities, from marble pages to graphical representations of the book’s winding narrative. The book obsesses over the minutiae and small details of everyday life even as it considers weighty issues and tragic events.
Predicting both Freud and postmodernism, I love how this work feels both ultra-modern and very much of its time.
Endlessly digressive, boundlessly imaginative and unmatched in its absurd and timeless wit, Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is edited with an introduction by Melvin New and Joan New, and includes a critical essay by Christopher Ricks in Penguin Classics.
Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter,…
I fell deeply in love with books as a child, wrote oodles of stories growing up, majored in English literature, and built a writing career in advertising and TV. But my deep love of children’s books never faded. Somewhere in my 30s, I had an epiphany sitting on the couch one day: I clearly saw that writing children’s books was what I wanted to build my life around. It took a lot of time and effort to accomplish that, but with the aid of a helpful hamster named Humphrey – and his friend Og - I found my happy place, and I hope I never, ever “grow up.”
I was no longer a child when I read this book but I was still enchanted by children’s literature. This book, the first in a series, is a beautiful, touching look at a simple and true friendship, told with a minimal amount of words but packing a maximum of heart.
No rodents here, but there is a frog. I don’t think there’s a person on earth who wouldn’t be touched by this book reflecting the essence of friendship – at least not anyone I would care to know. This is a book for children of all ages.
This beautiful commemorative picture book edition of the Caldecott Honor title Frog and Toad Are Friends is the perfect way to celebrate Frog and Toad's 50th anniversary!
This handsome edition features matte paper, remastered artwork, and a green ribbon book marker. It makes a lovely gift for collectors, fans of children's literature, and anyone and everyone who loves Frog and Toad!
First published in 1970, Frog and Toad Are Friends was the first of the four beloved Frog and Toad books. This special edition contains all of the original stories-from the story about going swimming, to finding lost buttons!
The best novels captivate readers, they bewitch them, mesmerize them by their vision. Like whirlpools, their pull is irresistible: they are immersive, and their creativity is contagious – and all of these novels have made me and many others want to write, or compose, or paint, or make films, or even to dress differently. As a Professor of Literature, most of my own creative energy has been focused on writing about and teaching these books in the most imaginative ways I can, to introduce their dazzling inventiveness to new generations of readers and learners. That is both a privilege and a passion – and with books such as these, it is also a pleasure.
Obviously my top choice, having just written a book about not only Tolkien’s novel but also the whole phenomenon of adaptation and artistic creativity.
Tolkien is now a multi-platform media experience.
Alongside his own immersive vision there is also now a universe of creativity inspired by Tolkien in film and video, radio and audio, music and art, gaming and cosplay, fanfic and fashion, and in souvenirs from replica swords to Hobbit cookbooks – so I have no problem with people coming to the novel through the films, TV series, or games.
And remember that Tolkien himself was not only a novelist, but also a poet, artist, calligrapher, and designer, and even recorded musical settings of his songs: he was an unparalleled creative force.
For the first time ever, a very special edition of the J.R.R. Tolkien's classic masterpiece, The Lord of the Rings, gorgeously illustrated throughout in color by the author himself and with the complete text printed in two colors, plus sprayed edges and a ribbon bookmark.
Since it was first published in 1954, The Lord of the Rings has been a book people have treasured. Steeped in unrivaled magic and otherworldliness, Tolkien's sweeping fantasy and epic adventure has touched the hearts of young and old alike. More than 150 million copies of its many editions have been sold around the world,…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I’ll admit that I’m fiercely jealous of this book’s title, which is clever and à propos (but now, thanks to Wright, it’s taken). But the book is also delightful.
It’s a history of scientific naming, more or less, but Wright has a ton of fun with that. He asks how plants were named in ancient Assyria and Greece, winds his way through the Middle Ages, and continues to the present day. Does that sound dry? It isn’t—I chortled at the discussion of rude Latin names (Geastrum fornicatum, anyone?), and giggled at Wright’s appropriately disrespectful take on the modern profusion of “species concepts” (“You will be delighted to hear that I will not be describing the remaining twenty-five concepts.”).
I learned a bunch and had fun doing it, and that’s a big win.
'Who would have thought that a book about Latin names could be quite so compelling!' Alan Titchmarsh
'Nature writing at its best: insightful, entertaining and often very funny' British Wildlife
Latin names - frequently unpronounceable, all too often wrong and always a tiny puzzle to unravel - have been annoying the layman since they first became formalised as scientific terms in the eighteenth century.
Why on earth has the entirely land-loving Eastern Mole been named Scalopus aquaticus, or the Oxford Ragwort been called Senecio squalidus - 'dirty old man'? What were naturalists thinking when they called a beetle Agra katewinsletae,…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
This book delighted me because it’s packed with the backstories behind the names of birds—and those stories feature surprising historical anecdotes, quirky characters, and more. Did I say “quirky”? The namesake for Leach’s storm petrel was so far past “quirky” that you can’t even see it in the rear-view mirror.
I enjoyed thinking about early naturalists trying to fit strange birds from strange lands into what was familiar from home (hence, North American and Australian “robins.”). I learned about bird names that are onomatopoetic (“rook”), based on folklore (“goatsucker”), unexpectedly descriptive (“swallow”), and, of course, eponymous (the titular “Mrs. Moreau’s warbler.”). The writing is graceful, and the book design is lovely. What a treat!
Swallow and starling, puffin and peregrine, blue tit and blackcap. We use these names so often that few of us ever pause to wonder about their origins. What do they mean? Where did they come from? And who created them?
The words we use to name birds are some of the most lyrical and evocative in the English language. They also tell incredible stories: of epic expeditions, fierce battles between rival ornithologists, momentous historical events and touching romantic gestures.
Through fascinating encounters with birds, and the rich cast of characters who came up with their names, in Mrs Moreau's Warbler…
I’ve always been fascinated by the names of people and things. Why do we use the names we do? What do they mean? Who made them up? Is there power in knowing something’s name? I later discovered that all these questions are very old—the idea that names have power goes back at least to ancient Egypt. When I became a biology professor, I found that my students and colleagues mostly didn’t know or care why animals and plants have the Latin names they do. But those names are fascinating, and there are stories to uncover whenever we tug on a name’s meaning like a loose thread.
I love Bill Bryson’s dry and wry sense of humor, his sharp eye for the preposterous, and his fascination with detail. In his better-known books, it’s travel, but this fits my fascination with language and naming because it tells the story of English.
Well, stories of English, anyway—it’s not a scholarly history (which I’d also enjoy) but more a collection of anecdotes to illustrate some of the quirks of the language. It’s fun and easy reading, and some things piqued my curiosity enough that I dug in further with more authoritative books.
“Vastly informative and vastly entertaining…A scholarly and fascinating book.” —Los Angeles Times
With dazzling wit and astonishing insight, Bill Bryson explores the remarkable history, eccentricities, resilience and sheer fun of the English language.
From the first descent of the larynx into the throat (why you can talk but your dog can’t), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world’s largest growth industries.
