Fans pick 29 books like The Lord of the Rings Illustrated

The most iconic and somehow most misrepresented vampire story of all time. I read this book because it was iconic and for no other reason. It was not long before I began to see this book's Christian themes and messages. Though the book may not be explicitly Christian, the influences and messages are most apparent in Mina Harker.

I loved how the character of Mina becomes a prototype of what people would eventually call “The Final Girl”, not because of her physical strength or survival instincts, but because of her unwavering faith in God. I knew this was essentially a story of good and evil, but I was wonderfully surprised by this being a story of faith vs flesh and corruption vs holiness.

I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about “the hidden heart of mankind unrestrained.” What’s more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.

This was the first fantasy recommendation I ever got from my dad. He saw me taking an interest in stories with castles, knights, wizards, and kings and knew just the book from his favorite author to put in my hands.

I hadn’t had any experience with Stephen King before this, and I found that his prose was friendly and familiar to me; the story itself is good, a solid entry into the genre, and I found the intrigues of the villain to be the most interesting part of the story. It turns out that the King (ha) of horror can write a fine fantasy story, too.

There’s something about an ensemble book that I love. Seeing personalities clash as insults fly and banter is exchanged really gets me going. I usually don’t like overtly funny books or jokes at the expense of drama, but Nicholas Eames has somehow hit the sweet spot for me with Kings of the Wyld.

These characters are more than just there to crack one-liners, of course. They’ve got their fair share of baggage to unpack, and sometimes it takes a friend or a brother to lend a listening ear for the healing to start happening.

For various reasons, I had very few people that I could consider to be true friends when I read this book, and seeing these burly, fearsome warriors start to grow on each other was a balm on my soul.

The Gentleman Bastards are a fun, exciting group with a connection that feels genuine throughout the story and has, by far, some of the best and most hilarious dialogue I've ever read in a book. I've also learned quite a bit about fantasy storytelling from this story, in that you can craft a compelling fantasy story without huge, world-changing stacks by making the characters emotionally motivated in their goal.

The mystery was also a pleasant surprise, as it incorporated clever clues and plot points that came together nicely for a satisfying conclusion. Actions and choices actually weighed in on the events.

I love the experimental and absurd sensibility of this novel. In an age known for its groundbreaking fiction, this work stands out for its playfulness and complexity. Like Swift, Sterne was a clergyman of the Church of England, and I love how intelligent and sophisticated he is about dirty jokes and silly scenarios.

I also appreciate Sterne’s commitment to pushing the envelope: Sterne inserts all sorts of oddities, from marble pages to graphical representations of the book’s winding narrative. The book obsesses over the minutiae and small details of everyday life even as it considers weighty issues and tragic events.

Predicting both Freud and postmodernism, I love how this work feels both ultra-modern and very much of its time. 

When I picked this book up on a whim years ago, I had no idea I was introducing myself to one of the most beloved characters in fantasy literature. As soon as I read the introduction, with its stark descriptions of the lightless world underground and the dangers that lurked around every corner, I knew this was for me.

By the time I encountered Drizzt himself, there was no turning back; I had found the kind of book that I wanted to read without knowing it.

This was my first introduction to Sanderson’s work, and I knew within a few pages that we were going to be a good fit. I’d just gotten off of reading through Martin’s A Song of Ice and Fire, and the “multiple POVs” angle of the book was a big pull for me.

The frankly bizarre world of the book (and the series of which this is book 1, The Stormlight Archive) was so full of strange creatures and patterns–so studded with interesting, resourceful characters–that I couldn’t put it down over the course of days to finish it.

I have a soft spot for charming con men, and in Spirit Thief we meet one of the best. Not only is Eli Monpress a wizard, he's the greatest thief ever. Thief is just the first in a series of Eli Monpress/Spirit novels, and I've only read the first one thus far. But it's a light-as-air confection that manages to unspool one single caper over the course of a full novel while still keeping things fast-paced, with an ensemble of colorful, fully-realized characters. Aaron manages a balancing act with this kind of character that I'm still working on mastering. 

The public library in my hometown came through for me and happened to have what would turn out to be one of my favorite reads. Though this is a book smack in the middle of a series (book 8, I think?), I didn’t know that before checking it out, and it didn’t dampen my appreciation for the story at all.

It works just fine on its own, thank you very much. I was drawn to the conflict set up in the book, one of magic born not of spells and learning but powered through chaos, disorder, and fire! What’s not to love about that?