Here are 75 books that Ada, or Ardor fans have personally recommended if you like
Ada, or Ardor.
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Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I am always drawn to these remarkable books because they illuminate the intricacies of the human experience and the power of resilience. Sparrow in the Razor Wire captivates you with its message of hope and redemption, demonstrating that the human spirit can thrive even in adversity. The Power Elite challenges you to critically examine societal structures, igniting your passion for social justice and change. The 33 Strategies of War empowers you with strategic insights to navigate life's challenges and turn obstacles into opportunities. The Color Purple celebrates love and self-discovery, while Becoming Ms. Burton inspires you with stories of overcoming adversity and personal growth.
This is a powerful and moving novel that tells the story of Celie, an African American woman in the early 20th century who overcomes tremendous adversity. Through letters addressed to God and later to her sister, Celie shares her experiences of abuse, oppression, and isolation. However, her journey transforms as she discovers her own strength, resilience, and voice.
The relationships she forms with other women, particularly with the bold and independent Shug Avery, empower her to reclaim her identity and embrace her sexuality. Ultimately, it is a celebration of sisterhood, self-discovery, and the indomitable spirit of women, reminding us that love and hope can flourish even in the darkest of circumstances.
Winner of the Pulitzer Prize and the National Book Award. Alice Walker's iconic modern classic is now a Penguin Book.
A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug…
I’m an eclectic reader and writer, happily moving from one interest to the next. My first published book was a travel guide to the wine country of Northern California. Then came The Recipe Club — a mostly epistolatory novel written with my friend Andrea Israel. My latest book (seeking representation! Agents, if you’re listening…) is hybrid literary fiction that takes you on a deep and steep rollercoaster ride, no seatbelts included. It’s a surprising loop-de-loop of what it means to be human, what it means to belong to family and to the world, and what it means to love.
This novel is challenging in all the best ways. It took me three tries to get into it…but once I “got it” I was hooked. The story follows Anna and her (kind of awful) siblings as they try (and largely fail) to deal with each other and their elderly mother’s decline and impending death. As if this subject were not hot enough, the novel takes place against the backdrop of the climate crisis. This is an original, serious, and existentially charged read that definitely takes the fun out of family dysfunction. Yet amazingly, the darker and more abstract this book trends, the more emotionally authentic and impactful it becomes. And the writing is simply stellar.
An ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving-and astonishing-best.
Anna's aged mother is dying - if her three children would just allow it. Forced by their pity to stay alive, she increasingly escapes through her hospital window into visions of horror and delight.
When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her…
As a former journalist, I was trained to look at all sides of a story. When I read, I am drawn to books that have multiple characters with their own narratives. Sometimes the stories intersect with an “aha!” moment, and sometimes they’re told side-by-side inside each character’s head. Either way, it’s intriguing to have different perspectives—especially in a mystery or thriller. That’s why I use the points of view of three wives in An Inconvenient Wife to give my readers insight into each of these fascinating women.
I have always been drawn to stories that are ripped from the headlines but are still so entirely their own.
When I first got the book, I was a little daunted by the length but as I read, I discovered I couldn’t put it down and was so sorry when it was over. A missing girl, a desperate mother—all set against the backdrop of an island that’s the playground of the ultra-wealthy. What’s not to love?
'Gripping, stomach-churning . . . Marwood is in a class of her own' LISA JEWELL
'Heart stopping' SUNDAY TIMES, CRIME BOOK OF THE MONTH
'A ripped-from-the-headlines thriller . . . I couldn't put it down' MARK EDWARDS ________________
Sun-drenched glamour and obscene wealth hide the darkest of secrets and lost girls in this ripped-from-the-headlines thriller.
1985 For twelve-year-old Mercedes, La Kastellana is the place she calls home. It is an island untouched by the modern world, with deep-rooted traditions - though that is all about to change with the arrival of multimillionaire Matthew Meade and his spoiled young daughter, Tatiana.…
We are historians of U.S. foreign relations who have written extensively on the Cold War and national security. Both of us were interested in whistleblowing yet knew relatively little about its history. Turns out, we were not alone. Despite lots of popular interest in the topic, we soon discovered that, beyond individual biographies, barely anything is known about the broader history of the phenomenon. With funding from the UK’s Arts and Humanities Council, we led a collaborative research project, which involved historians, literary scholars, and political theorists, as well as whistleblowers, journalists, and lawyers. One of the fruits of the project, Whistleblowing Nation, is the first comprehensive, interdisciplinary history of U.S. national security whistleblowing.
Whistleblowers rely on the press to disseminate their disclosures. In matters of national security, however, the press has a long history of close personal and professional bonds with the government that has curbed revelations. The Georgetown Set offers a fascinating glimpse into the small circle of elite officials, journalists, publishers, and public intellectuals who gathered for cocktail and dinner parties in their high-end neighborhood of Washington, DC. In addition to giving a fly-on-the-wall sense of how Cold War policies and public opinion were made, Herken’s book illuminates the individual and cultural shifts that contributed to the rise of national security disclosures in the 1960s and 1970s. This history is essential for understanding how the evolving dynamics between elite politicians and the press continue to shape the culture of whistleblowing and accountability today.
In the years after World War II, Georgetown’s leafy streets were home to an unlikely group of Cold Warriors who helped shape American strategy. This coterie of affluent, well-educated, and connected civilians guided the country, for better and worse, from the Marshall Plan through McCarthyism, Watergate, and Vietnam. The Georgetown set included Phil and Kay Graham, husband-and-wife publishers of The Washington Post; Joe and Stewart Alsop, odd-couple brothers who were among the country’s premier political pundits; Frank Wisner, a driven, manic-depressive lawyer in charge of CIA covert operations; and a host of other diplomats, spies, and scholars. Gregg Herken gives…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Terrible things happen to the women in this book, but they all, every single one of them, rock the boat to try and make their own lives. In this retelling of The Great Gatsby that centers the POVs of three women critical to the story (Jordan Baker, Daisy Buchanan, and Myrtle Wilson’s suffragist sister), we get the story that was always hiding between the lines.
I found myself proud of and mourning the lives of each of these women. I felt furious on their behalf and hopeful that the generations that came after them would reap the benefits of their mistakes and their work.
Perhaps most surprising to me, I found myself wanting to know these women more than I ever, ever wanted to get to know Gatsby’s world.
“Jillian Cantor beautifully re-crafts an American classic in Beautiful Little Fools, placing the women of The Great Gatsby center stage: more than merely beautiful, not so little as the men in their lives assume, and certainly far from foolish. Both fresh and familiar, this page-turner is one to savor!” —Kate Quinn, New York Times bestselling author of The Rose Code
“Jillian Cantor’s shifting kaleidoscope of female perspectives makes F. Scott Fitzgerald’s classic tale of Jazz Age longing and lust feel utterly modern. A breathtaking accomplishment.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
Within the caste into which I was born, daughter of a daughter of a daughter, I was ‘nobody’—no dowry, an awkward brain, and unfashionable looks—dark hourglass, not blonde beanpole. Unless I married the right kind of man, of course–an eldest son with a big house. This was the 70s, and you probably don’t believe me, but many girls still went the full Jane Austen. So I’m perfectly qualified to tell you about the best books that centre on a big house as metaphor, a major character or a massive plot point in a novel. And, reader, I swerved marrying a man for his house too.
If you think Georgette Heyer is all sprigged muslin, firm-jawed heroes, forthright heroines, and cod-Austen visits to Bath, think again. This is a bizarre novel, indeed.
It’s not even one of her "mysteries" like Footsteps in the Dark—fairly straightforward murder stories where something has to be solved. Instead, Penhallow is a house, a seething breeding ground for horrible people intent on doing awful things to each other.
Each character is drawn in frighteningly frank detail, so you are left in no doubt of their weaknesses and peccadillos. Penhallow is like some kind of disgusting nest, and the manipulative patriarch Adam Penhallow, disabled in some unspecified way, has dragged all the best antiques into the huge drawing room where he infests a vast Tudor bed and holds court every night.
Nearly everyone hates him but can’t break away. He likes to keep his family, illegitimate and otherwise, under his…
A family tyrant whose murder has shocking and far-reaching consequences…
Hated for his cruel and vicious nature, yet ruling his family with an iron hand from his sickbed, tyrannical patriarch Adam Penhallow is found murdered the day before his birthday. His entire family had assembled for his birthday celebration, and every one of them had the ways and means to commit the crime. As accusation and suspicion turn in one direction, then another, the claws and backstabbing come out, and no one is exempt from the coming implosion.
"Miss Heyer's characters act and speak with an ease and conviction that…
Since I was a student, I have been fascinated with social and economic inequality–the more so because back then, my professors seemed to disregard this subject of study. So, I made it one of my own main areas of research: I simply needed to understand more about the nature and the causes of inequality in human societies. In recent years, I have been busy researching economic inequality in different historical settings, also looking at specific socioeconomic strata. I began with the poor, and more recently, I focused on the rich. In my list of recommendations, I included books that, I believe, are particularly insightful concerning wealth and the wealthy.
Among all recent non-academic books on the lives, deeds, and misdeeds of the super-rich across history, John Kampfner’s book is, in my view, the best.
Kampfner selects fascinating examples, ranging from the Classical Age until today, and does not limit himself to the West. His narrative is engaging and often witty.
This is not an academic book, but it is pretty well-researched. Although it makes some concessions to the “eat the rich” tendencies of our times, overall, the book provides a convincing and valuable picture of the sins (and less so, of the virtues) of the most affluent across history.
From the Orwell Prize shortlisted author of Freedom for Sale, The Rich is the fascinating history of how economic elites from ancient Egypt to the present day have gained and spent their money.
Starting with the Romans and Ancient Egypt and culminating with the oligarchies of modern Russia and China, it compares and contrasts the rich and powerful down the ages and around the world. What unites them? Have the same instincts of entrepreneurship, ambition, vanity, greed and philanthropy applied throughout?
As contemporary politicians, economists and the public wrestle with the inequities of our time - the parallel world inhabited…
I’m an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. I’m a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and vice—without preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.
Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Parkcompellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.
'Full of the energies of discord - sibling rivalry, greed, ambition, illicit sexual passion and vanity' Margaret Drabble
Jane Austen's profound, ambiguous third novel is the story of Fanny Price, who is accustomed to being the poor relation at Mansfield Park, the home of her wealthy plantation-owning uncle. She finds comfort in her love for her cousin Edmund, until the arrival of charismatic outsiders from London throws life at the house into disarray and brings dangerous desires to the surface. Mansfield Park is Austen's most complex work; a powerful portrayal of change and continuity, scandalous misdemeanours and true integrity.
