100 books like The Living Sea of Waking Dreams

I’ve always loved peculiar heroes and heroines. Characters with strange gifts and an equal number of challenges. It started with Sherlock Holmes, whose mind fascinated me. As a child, I gravitated to the unnatural protagonist, Tarzan, in the Edgar Rice Burroughs novels and Bilbo Baggins in The Lord of the Rings trilogy. I was never a big fan of Superman, I preferred people who adapted quickly to new surroundings and could think on their feet. Once I began my writing career, I kept those protagonists in my mind. Four novels in, I do my best to capture their spirit and determination to overcome whatever lands in front of them.

In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.

As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.

I’m an eclectic reader and writer, happily moving from one interest to the next. My first published book was a travel guide to the wine country of Northern California. Then came The Recipe Club — a mostly epistolatory novel written with my friend Andrea Israel. My latest book (seeking representation! Agents, if you’re listening…) is hybrid literary fiction that takes you on a deep and steep rollercoaster ride, no seatbelts included. It’s a surprising loop-de-loop of what it means to be human, what it means to belong to family and to the world, and what it means to love.

I have long been drawn to everyday experiences in courts. Since Hurricane Katrina struck in 2005, I’ve been writing and teaching about courts, social welfare, and disasters in a changing climate. Following the disasters requires noticing the routine cases filed, not only the notable constitutional claims the United States Supreme Court hears. That can be hard to do, because all the cases filed are not listed in any one place. In the pandemic, my interest in the more ordinary met the databases that people assembled, gathering as best possible the many cases filed about the pandemic.

I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). 

A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all. 

I’m Victoria Twead, the New York Times bestselling author of Chickens, Mules and Two Old Fools and the Old Fools series. However, after living in a remote mountain village in Spain for eleven years, and owning probably the most dangerous cockerel in Europe, we migrated to Australia to watch our new granddaughters thrive amongst kangaroos and koalas. We love Australia, it is our home now. Another joyous life-chapter has begun.

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other, and betwixt.