100 books like When We Were Orphans

I love this book because it has a gripping story that keeps you guessing and flipping pages. I also love it because it showcases a strong, female, Native protagonist solving a mystery and acting with agency, power, and knowledge of self. It does a lot to disrupt the victim narratives about Indigenous people we have often seen in literature.

I also love this one because Angeline Boulley is really connected to her own Native community, and it shows up in the work. It gives you a window into Ojibwe culture rather than an imagining of the culture. 

Barbara Kingsolver’s magnum opus follows a Georgia missionary family’s self-destruction in the dark jungles of the Belgian Congo. The story is narrated by the mother and four daughters as the father, Nathan Price, leads his family to a remote village where they live squalid lives.

In a series of misadventures, he is resolute and foolish, attempting to lead the natives to Christ. Through poverty, culture clashes, and even death, the American women learn to depend on the villagers as Nathan blindly attempts to shove them into an Americanized form of Christianity. Kingsolver’s epic is an engrossing study of how destructive blind, stubborn, prejudiced faith can become. It is, at times, heartbreaking and painfully realistic. 

Kingsolver is not afraid to question Christians' motives and show the dark side of Christianity. Yet, she is also respectful of the faith and especially respectful of the African villagers. After reading this story, I found… show more.

I loved this book because it wrestles with accepting and loving your family, your culture, and, ultimately, yourself. It’s the story of Gogol Ganguli and two generations of the Ganguli family. I could relate to Gogol’s struggles as someone who constantly feels in-between.

Throughout the book, Gogol straddles names, families, and cultures in his journey to find himself. As a child of immigrants myself, I was moved by how Gogol’s parents became more “American” while also deeply missing their family and home country on the other side of the world. Full of intimate character interiority, this book brims with insightful observations about the immigrant experience.

I’ve been a fan of Elizabeth Wein’s since I read her bestselling YA thriller Code Name Verity, and I was thrilled to discover she herself is a TCK. In this novel, two adopted siblings (one white, one Black), move from the US to Ethiopia in the 1930s, just before Ethiopia’s war with Italy. TCKs will relate to Teo and Em’s struggle with not feeling fully at home in any one place. Like all of Elizabeth Wein’s books, there is plenty of airplane-flying adventure to keep readers on the edge of their seats!

Introducing Elvis Cole, L.A. Private Eye, who, along with his business partner Joe Pike, features in 18 books. Cole is a literate, wisecracking Vietnam vet who is determined to never grow up. Pike is a former Marine, quiet, ruthless, and deadly.

When Ellen Lang enters Elvis Cole's Disney-Deco office, she's lost her husband and her young son. The case seems simple enough, but Elvis isn't thrilled. Neither is his enigmatic partner and firepower, Joe Pike. Their search down the seamy side of Hollywood's studio lots and sculptured lawns soon leads them deep into a nasty netherworld of drugs, sex, and murder.

Connolly weaves taut crime thrillers that I have great trouble putting down once I start reading. Charlie Parker and the rest of the regular cast are beautifully rich characters I care about, which explains the 19 books in this series on my shelf. What sets Connolly apart is an undercurrent of supernatural evil that arcs through these crime stories. In The Black Angel, the shroud that conceals what the reader likely sensed in the early novels is pulled back a little to reveal an underworld of darkness beneath the stories. Charlie Parker is the detective you want on the case when there is more than just a crime and The Black Angel is a milestone in the series.

Heather G. Harris reimagines fae creatures of all kinds in her Other Realm series. Unflappable Jinx finds herself plunged into a world she didn’t even know existed where political machinations between wizards, dragons, vampires, and werewolves cause deadly consequences. The background world building in Glimmer of the Other is subtle and yet robust. Jinx is a hero that I can truly root for, caught up in a slow-burn romance that was just right. And she has a hellhound for a pet. Who doesn’t love a wickedly cute hellhound?

Walter Mosely is one of my favorite fiction writers. His Easy Rollins mysteries, of which Cinnamon Kiss is a prime example, describe with great skill the cultural texture of street life among African Americans in Los Angeles. 

He does so through sensuous descriptions of LA neighborhoods, gripping dialogue, and creative construction of character.  In so doing he evokes the practical wisdom of urban street life—a model for writing about contemporary wisdom.

When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.  

I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.

Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated. 

Grafton takes a rare departure from her usual singular narrative by P.I. Kinsey Millhone, alternating with POVs between “present day (1987)” Kinsey’s investigation and flashbacks by 1953 characters. The case is that of flirtatious Violet Sullivan who disappeared in 1953, leaving behind a young daughter, Daisy, and husband, Foley. Thirty-four years later, Daisy is looking for closure. Did her mother leave of her own volition? Is she still alive and living the good life? Or did she meet with a bad end? The premise of a disappearing mother can take many different paths, and Millhone handles each scenario in turn as she delves deep into the past…all without the aid of a cell phone and internet.