100 books like Undine

Snow, Glass, Apples is my all-time favourite Gaiman story, which is quite staggering given how much of his work I adore, but I'd only seen it in short story form before, in Smoke and Mirrors. Then I was given a copy of just Snow Glass, Apples, illustrated by Colleen Doran. The artwork is stunning, beautifully dark with a tight palette and rich, intricate detailing. Every page is a work of art, allowing you to linger and slowly digest the tale as it unfolds. This story is a huge influence for me, in particular for my collection Once Upon A Twisted Fairytale, because it flips the story of Snow White on its head. All of the elements of the traditional tale - the huntsman, the stepmother queen, the dwarves, the glass coffin - are there, but put together from the perspective of the queen, totally changing the story. I love… show more.

As a child, one of my favourite stories, that went on to help shape my personal writing style, was The Whitby Witches by Robin Jarvis. As a care leaver I found the main characters, siblings who had been shunted between several foster homes because of the brother's psychic gift, relatable. The sister doesn't believe him - a brilliant source of conflict because all they have is each other, yet there's this huge wedge between them. But the best part is how well the author blends the magical with the mundane. There's a group of almost Lovecraftian creatures that can only be seen by those with The Sight, living alongside the villagers. I loved the idea of unseen people, just a shadow's width away, unknown things living side by side with a blissfully ignorant human populace. That contrast between the ordinary and fantastical had crept into a lot of my stories.

The OG witches of modern fantasy literature. I’ve put down Wyrd Sisters because it’s the first of Pratchett’s Witches books to feature the trio of Granny Weatherwax, Nanny Ogg, and Magrat Garlick, but I’d list the whole series if I could. If you haven’t read them, I envy you, because you get to experience this trio and their world for the first time. Granny Weatherwax is a good witch because she has to be, but if she were to go the other way there’s no doubt she would be the greatest evil witch the Discworld has ever known. She plays cards with Death, knows the power of stories, and, most importantly, understands that being Good and Right is not the same as being Nice. Pratchett’s Witches were formative reading for me, and paved the way for many beloved reads on our shelves today.

The Fourth Bear is possibly too light to be included in a list of dark fairytales, but the main character is a classic, almost noir type detective, so maybe it's ok. Nursery Crime Division, to be exact. I think Jasper Fforde may be to blame for my desire to write Jack and the Beanstalk as a dark gritty courtroom drama (maybe one day!), he blends genres together so seamlessly, and I long to be able to do it as well as he does. There's a terrifying serial killer on the loose, and I was as on the edge of my seat as I am with any thriller, even though I knew that killer was The Gingerbread Man. It follows the plot of a standard police procedural/thriller, while including Punch and Judy, Goldilocks, an illegal porridge ring, and a murderous biscuit....or is The Gingerbread Man a cake? I absolutely adore the… show more.

A pregnant noblewoman fleeing a less than happy happily-ever-after finds her way to Castle Waiting, an overgrown castle that’s become a haven for forgotten figures from fairy tales, folklore, and myth. Much of this unbelievably absorbing comic is spent simply exploring the castle and following the residents in their day-to-day lives. And what better way is there to spend one’s time? Linda Medley’s immersive artwork, with its flavor of old-fashioned woodcuts and classical book illustrations, makes Castle Waiting look like the perfect place to rest between adventures, or maybe stay and become one of the long-term residents.

The story itself evokes memories of dreams and nightmares, but Arthur Rackham’s drawings made me want to draw and tell stories through images.

I knew the curious story of Alice before seeing Rackham’s illustrations and loved the predicaments, characters and how random everything was. His drawings completed the story, and I saw the pair as a perfect match; they were rich and on point with how my imagination wanted them to be.

A fascinating in-depth insight into the personality, career, and work of Rackham, who I view as the king of the golden age of illustration. His fine draughtsmanship and ability to create fantastical worlds and characters that range from the grotesque to the beautiful inspired me from an early age. The pages are packed with artwork done in his trademark pen and ink and watercolour. 

Is Undine Spragg Edith Wharton’s least admiral protagonist? Perhaps. But as well, she is her most beguiling.

With her modest mid-western roots and her hunger for something more, she personifies the American dream, only she incarnates its less noble form. Cunning and beautiful, she uses her every charm exclusively in service to her ambition.

There is something thoroughly modern about her self-belief, her perpetual reinvention. It’s impossible to look away as she ruthlessly forges her own future, defying expectations and conventions time and again. 

They say what goes around comes around; but when it comes to Undine Spragg we are constantly left wondering if the truism can hold.

Pamela Dean’s Tam Lin has been top of my favourite books list since I first read it more than 20 years ago.

It’s also a fascinating, nuanced, and evocative book about the magic and fantasy of a particular time and place - in this case, a liberal arts college in the mid-1970s in Minnesota. The fantasy elements of the book are slow to emerge (and reward a re-read later).

Dean deftly weaves together details of the place - season to season - but also the way that the lives of students change across their time at college. Most of all is the feeling of something just around the corner, whether it’s a ghost, a hint of magic, bagpipes drifting through the night, or small details that don’t quite add up. 

Bizarre, misshapen, and sweet, this is the Roald Dahl book I find most alluring. A much-beloved tale, the plot sounds phantasmagoric in distillation: a house-sized peach sprouts overnight from a tree outside the shack where young James is essentially kept imprisoned by two cruel aunts; the boy tunnels into the fruit’s pit, befriends the band of enormous talking insects within, and the whole gang embarks on an adventure where the peach bobs out to sea, is carried through the air by hundreds of seagulls, is attacked by creatures who live on clouds, and eventually comes to rest on the spire of the Empire State Building. Intrigue, humor, and rambunctious versifying abound—and the once-forlorn James is not only unvanquished but happy. Nice ending.