100 books like Alice's Adventures In Wonderland

A story I read so often in my childhood that I could recite it nearly verbatim. I read it frequently to my son. Then my grandchildren. Although they were inexplicably drawn to Bartholomew and the Oobleck by Dr. Seuss and, of course, their grandmother’s books, smart boys.

Here, a naughty boy, Max, runs away and enters a world of wild creatures and becomes their king. Max has a blast being king until he misses home. The transition from foe to friend to king moves quickly but is a topic worth exploring more in-depth.

Kids love the Wild Things dance scene done with rhythmic grunts and book shaking. I love its unique view on a child’s desire for independence and simultaneous need to come home. 

I hadn’t read this as a child, but upon reading it the first time, it made me feel like a child. The deep introspection, written with the imagination and voice of a young child, was calming, and I felt as if he knew how I thought as a child and adult.

I was living in France at the time, and the story had a foreign mood but was familiar. The book reached into personal childhood daydreams and fantasies. The prince’s way of thinking and expressing himself was definitely not from the modern day and it inspired me to write “up” to younger audiences. The immediacy and freshness of the illustrations motivated me to think less and feel more when creating.

I wasn’t the strongest reader as a child, but the simple, wavy line drawings drew me in. They told the story just as well as the words, and the level of emotion behind them brings me back every time.

The book’s profound message of what “giving” is, together with the passage of time and the bond between the two characters, is not only intriguing for all ages, but demonstrates what love, kindness, and simple friendship mean. Everything about it marked me and created a long-standing change in my thinking.

This book struck a visual chord and changed the way I looked at picture books. As most of my favorites were in full or limited color, Jumanji’s black and white illustrations had extreme perspective and were visually exciting.

This book inspired me to push both my illustration and text for picture books toward a less juvenile or simple presentation. The illustrations in Jumanji are a departure from the ordinary in both subject and artistic approach. It urged me to look harder at the extraordinary in the ordinary.

As a teen, I'd visit my aunt, in her flat above a laundrette. The flat had a small attic room with a little window and a few old boxes of junk. My cousins and sister and I would play up there, or sit up there telling ghost stories, because it was one of those unclaimed spaces, overlooked by adults, that children colonise. A liminal space almost, where adult rules and laws don't quite apply and therefore magic can happen. One day I was snooping up there and found a beautiful copy of  Friedrich De La Motte's Undine, illustrated by Arthur Rackham. It was so stunningly beautiful, it felt like a book that had been plucked out of some fairytale land. I lost myself in the illustrations or weeks before I even read the words. And when I did my heart broke for Undine, who loved so hard, but left… show more.

A fascinating in-depth insight into the personality, career, and work of Rackham, who I view as the king of the golden age of illustration. His fine draughtsmanship and ability to create fantastical worlds and characters that range from the grotesque to the beautiful inspired me from an early age. The pages are packed with artwork done in his trademark pen and ink and watercolour. 

A pregnant noblewoman fleeing a less than happy happily-ever-after finds her way to Castle Waiting, an overgrown castle that’s become a haven for forgotten figures from fairy tales, folklore, and myth. Much of this unbelievably absorbing comic is spent simply exploring the castle and following the residents in their day-to-day lives. And what better way is there to spend one’s time? Linda Medley’s immersive artwork, with its flavor of old-fashioned woodcuts and classical book illustrations, makes Castle Waiting look like the perfect place to rest between adventures, or maybe stay and become one of the long-term residents.

Perkins, like Mitra and Berger, is on my list of top educational gurus. All his books are worth reading, but Future Wise is one of the latest and best. It takes a long careful look at the contents of the conventional school curriculum, compares it with the real-world challenges that today’s kids will meet, and finds it seriously lacking as a preparation for real life. He goes on to explore the wealth of current knowledge that isn’t in the curriculum but ought to be, and demonstrates the kind of careful, creative thinking about education that ought to be happening but rarely is – certainly not by most academics and politicians. David is a Harvard professor, and is, as you would expect, deeply thoughtful and fair-minded, but he writes with a down-to-earth elegance and charm that makes his penetrating questioning all the more convincing.

Tedd Arnold is amazing!

I’ve been a big fan since I started reading his picture books to my daughter. His whimsical-and wacky sense of humor is always on target for early readers.

In Tedd's latest work, the silly graphic–novel series, Noodleheads, he is ably assisted by Martha Hamilton and Mitch Weiss.

The Noodleheads are a couple of pieces of hollow pasta (that’s right!) who don’t have the slightest idea how to solve the simplest of problems.

Planning to go fishing, they believe a toy boat will grow into a full-size rowboat if they give it food. (Somehow it does!)

Arnold’s inimitable illustrations combined with a ridiculous, pun-filled story will have young children chuckling on every page!

This book takes a different approach to the more general accounts of critical thinking, by focusing on how it helps us to appreciate literature.

The author does this by showing how using critical thinking can deepen our understanding of literature, including drama (Shakespeare, Beckett), poetry (such as Donne, Larkin, Marvell, Owen, and Wordsworth), and first-person narratives.

The book sparkles with wonderful applications of critical thinking, enabling us to appreciate texts such that we see them in a new way, with all sorts of insights being suggested and developed. Her plea that we should also look at screenplays by using a critical thinking perspective is very convincing.

Read this book and your reading of literature will be significantly enriched.