Here are 86 books that Irish Fairy Tales fans have personally recommended if you like
Irish Fairy Tales.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Who doesn’t love fairies and their tales? As a kid, I devoured every collection I could find in the library. It was only when I learned Irish at university, though, that I stumbled into the síd–the ancient Irish Otherworld of medieval literature—and discovered the race of ever-living, perfectly beautiful creatures who dwell there. These Irish stories inspired some of the earliest fairy romances of France and England, but they are sexier, funnier, and bloodier than better-known tales. Never mind the winged warriors of YA fiction or the twee Tinkerbells of Fairy Core—these five books led me into the hollow hills of the original fairies.
This tale of tales is like a 12th-century Irish Arabian Nights. It brings Saint Patrick, a 5th-century missionary, and his priests together with magically long-lived warriors from the fían bands of the giant hero Finn Mac Cumhaill (McCool). Finn’s beloved companions, Cailte and Oisín, recount their many adventures in times gone by with the Otherworldly Túatha Dé (Tribes of the Goddess). Patrick, fearing that their history will be lost when the men finally die, orders his monks to put their tales in writing.
Patrick must have adored stories of battling kings and alluring princesses, treasure hidden under uncanny mounds, shapeshifters, murderous ravens, and lovers who cross worlds to be together, all presented as an interview between Patrick and pagan elders. One question runs through tales: Is the sí and the ancient indigenous past of Ireland compatible with the orderly future of psalm-singing Christians? So long as the Church is in…
"'Dear holy cleric,' they said, 'these old warriors tell you no more than a third of their stories, because their memories are faulty. Have these stories written down on poets' tablets in refined language, so that the hearing of them will provide entertainment for the lords and commons of later times.' The angels then left them."
Tales of the Elders of Ireland is the first complete translation of the late Middle Irish Acallam na Senorach, the largest literary text surviving from twelfth-century Ireland. It contains the earliest and most comprehensive collection of Fenian stories and poetry, intermingling the contemporary Christian…
Who doesn’t love fairies and their tales? As a kid, I devoured every collection I could find in the library. It was only when I learned Irish at university, though, that I stumbled into the síd–the ancient Irish Otherworld of medieval literature—and discovered the race of ever-living, perfectly beautiful creatures who dwell there. These Irish stories inspired some of the earliest fairy romances of France and England, but they are sexier, funnier, and bloodier than better-known tales. Never mind the winged warriors of YA fiction or the twee Tinkerbells of Fairy Core—these five books led me into the hollow hills of the original fairies.
William Butler Yeats is one of my favorite poets as well as a playwright, co-founder of the Abbey Theatre, and winner of the Nobel Prize for Literature. Early in his career, though, Yeats rewrote many venerable Irish stories in verse and drama.
For a while, he lived in a run-down 15th-century tower in Co. Galway near his friend Lady Gregory, a fellow folklorist. Yeats collected tales of fairies, púcai, and ghosts from friends and locals, added his own visionary musings on the ancient landscape of caves and mounds, and created Celtic Twilight. Yeats’s fairies lured innocents to midnight feasts, abducted new brides, switched babies with fairy “changelings,” and caused all sorts of mayhem for mortals.
Yeats was an occultist and theosophist, ready to believe in fairies. He had a knack for inspiring wonder. “There are doubters even in the western villages,” he admitted, but “when all is said and done,…
Best known for his poetry, William Butler Yeats (1865–1939) was also a dedicated exponent of Irish folklore. Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the…
Who doesn’t love fairies and their tales? As a kid, I devoured every collection I could find in the library. It was only when I learned Irish at university, though, that I stumbled into the síd–the ancient Irish Otherworld of medieval literature—and discovered the race of ever-living, perfectly beautiful creatures who dwell there. These Irish stories inspired some of the earliest fairy romances of France and England, but they are sexier, funnier, and bloodier than better-known tales. Never mind the winged warriors of YA fiction or the twee Tinkerbells of Fairy Core—these five books led me into the hollow hills of the original fairies.
I love that Walter Evans Wentz, a native of New Jersey, starts this book among the towering stones of Carnac, a neolithic site in Brittany. While young Wentz was studying at Stanford, he met both Yeats and William James, the famed psychologist and lecturer on the supernatural.
They inspired him to pursue a doctoral degree in Celtic mythology and folklore at Oxford, and this book is his dissertation. Around 1910, he wandered the highlands, islands, and villages of Ireland, Scotland, Man, and Brittany, gathering an archive of fascinating fairy folklore to support his dissertation on the origins of fairies.
Wentz joined a centuries-long debate. Scholars had already proposed that fairies were disembodied spirits, products of peasant imagination, fallen angels, or—my favorite—a prehistoric and almost extinct race of pygmies who dwelt in the ancient burial mounds of Ireland. Wentz decided they were a pagan religion. Later, at Oxford, Wentz met T.…
This collection of reports of elfin creatures in Wales, Ireland, Scotland, and Brittany ranks among the most scholarly works ever published on the subject. The Fairy-Faith in Celtic Countries begins with the author's account of firsthand testimony from living sources, classified under individual countries and introduced by leading authorities on anthropology and folklore. The next section concerns the recorded traditions of Celtic literature and mythology, followed by an examination of a variety of theories and their religious aspects. The book concludes with a remarkably rational case for the reality of fairy life. Narrated with an engaging sense of wonder, this…
Who doesn’t love fairies and their tales? As a kid, I devoured every collection I could find in the library. It was only when I learned Irish at university, though, that I stumbled into the síd–the ancient Irish Otherworld of medieval literature—and discovered the race of ever-living, perfectly beautiful creatures who dwell there. These Irish stories inspired some of the earliest fairy romances of France and England, but they are sexier, funnier, and bloodier than better-known tales. Never mind the winged warriors of YA fiction or the twee Tinkerbells of Fairy Core—these five books led me into the hollow hills of the original fairies.
The stories in this annotated selection come from the National Folklore Collection in Dublin. Beginning in the 1920s, the newly independent Irish government sent scholars and volunteers out to transcribe and record accounts of rural customs and local beliefs that were quickly disappearing. Picture these collectors pumping the pedals of a clunky bicycle loaded with recording machinery or lugging accordion cameras down muddy lanes to photograph shanachies (tale-tellers) and fairy trees. Everything went into the Folklore Collection.
This nostalgic selection of stories and songs about the sí comes with CDs (in Irish and English) that put you in the room with tellers of tales. The shanachies sing of processions on midnight roads, fairy gold buried in a field, and how to ward off the constant menace of the sí. FYI: Never pull down a fairy tree to build a house! And do not call them fairies; they prefer the Good…
Belief in the existence of a parallel world and in otherworldly phenomena has long been established in Irish tradition, and facets of such belief continue to be found in contemporary Irish society. This book, with two accompanying compact discs, examines aspects of the enduring fascination the Irish imagination has with supernatural beings, encounters, and occurrences, as represented in song and music. The material contained in this publication, which includes recorded sound, photographs, and manuscript transcriptions, is drawn from National Folklore Collection/Cnuasach Bhealoideas Eireann at University College Dublin. The book addresses a number of illuminating aspects of popular tradition, such as:…
I was a teenager when I discovered that my grandfather was an Irish rebel during the War of Independence. As a Canadian, I was astounded by the stories he told me when we were alone during my first visit to Dublin. At 16, I promised him I would write a book about him. Alas, he was long gone when I got started. Researching, I would think of him, whispering anecdotes to me he never told his children. I discovered the stories were much worse than he let on. I could not stop until I got the whole story down on paper. I think he is smiling.
I love this story because it is a time portal that swiftly deposited me in the streets of Dublin just before the Easter Rising. I could see the dirty streets and poverty and feel the hunger for change, for freedom from occupation, that was palpable in the air. I watched the unbelievable and fantastic display of doomed, deadly belligerence against the British.
I love the intensity and rawness of the author’s changing outlook. From a disinterested privileged medical student to a hard-core rebel, abandoning his bright future, he leads men across the wilds of Ireland in tasks he would rather not undertake. I love that he tells this with such a poetic turn of phrase that I can feel the grass underfoot as the men walk and my stomach churning as they take aim.
More than any other book of the period, On Another Man's Wound captures the feel of Ireland―the way people lived, their attitudes and beliefs―and paints brilliant cameo sketches of the great personalities of the Rising and the War. Like many of the Irish, O'Malley was largely indifferent to the attempts to establish an independent Ireland―until the Easter Rising of 1916. As the fight progressed his feelings changed and he joined the Irish Republican Army.
There is still so much to know about Irish girls’ and women’s lives, and I think that’s why I’ve always been drawn to books that explore these themes, whether in fiction or nonfiction. I work as a historian and professor of Irish History at Queen’s University Belfast. I love archival research and often find it really exciting to order a file or box in the archives or pull up a newspaper, not knowing what story it is going to tell or what insight I am going to get of an individual’s world in the written records left behind. I hope that you like my choices!
I enjoy dipping in and out of books that bring to the fore, for the first time, collective stories of diverse Irish women. Two stand out for me in 2024. Angela Byrne’s very readable Anarchy and authority focuses on the Irish in Russia from the late seventeenth to the early twentieth centuries.
I love how she is so creative with seemingly mundane or silent sources, like a list of visitors to the mountain town of Spa (in modern-day Belgium), using it to illuminate relationships and weave together very different lives. But Byrne is also honest about the historian’s challenges and her frustrations when the archives refuse to confirm in writing her hunches about what happened.
I am currently fascinated by the extraordinary women’s histories in Clodagh Finn and John Morgan’s The Irish in the Resistance: The Untold Stories of the Ordinary Heroes who Resisted Hitler. Neither of these books…
From the ascent of Peter the Great to the Russian Revolution. From the Battle of the Boyne to the Easter Rising. Between these epochal events were two astounding centuries of war, diplomacy, intrigue, innovation and international radical political movements, the reverberations of which are still felt in both Ireland and the former territories of the Russian empire today.
In Anarchy and Authority, readers follow contemporaneous accounts of Irish men and women who ventured into the Russian empire during the long centuries of Romanov rule. Human connections, political intrigues, cultural cross-pollination mesh with sweeping historical narratives in the story of the…
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Set in the period 1914-1916, it follows the life of Kate Crilly, a young girl whose brother Liam has just been killed in the Great War. This loss binds Kate to Liam’s comrade in arms, Hubie Wilson. Meanwhile, the tensions of the Rising are at boiling point and Dublin is turning into a battleground as Kate doubles back and across the River Liffey checking on her family, her friends and her desperately ill sister. Mills excels at describing the nature of grief and how one lives with it, rather than dwelling on the immediate impact of the loss per se. Beautiful, limpid prose and imagery, really enjoyed.
Fallen by Lia Mills - a remarkable love story amidst the ruins of the First World War and the Easter Rising SELECTED AS THE 2016 'ONE CITY ONE BOOK' TITLE FOR BOTH DUBLIN AND BELFAST
Spring, 1915. Katie Crilly gets the news she dreaded: her beloved twin brother, Liam, has been killed on the Western Front.
A year later, when her home city of Dublin is suddenly engulfed by the violence of the Easter Rising, Katie finds herself torn by conflicting emotions and loyalties. Taking refuge in the home of a friend, she meets Hubie Wilson, a friend of Liam's…
I’m a fantasy author and mythologist who studies myth’s place in culture, history, and heritage conservation. To finish my doctorate, I moved from Seattle to Galway, Ireland and never left. Myth and folklore permeate the landscape around me as well as my day-to-day life. After grad school I returned to my first love, fiction, with all the knowledge and passion that came from the better part of a decade spent studying mythology. When I’m not writing, I spend my time exploring 5000-year-old tombs or practicing Fiore (14th century Italian sword fighting) with my husband. The Serpent and the Swan is the debut fairy tale in a much larger series.
This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?… Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of…
I have seen Degas’ astonishing paintings in the Quai d’Orsy in Paris and his wonderful sculptures of ballerinas. So I was immediately drawn to this book. Like most people who admire his incredible work, I had no idea of the pain suffered by the girls who saw the ballet as a way to rise above their pitiful lives. Nor did I know the stories behind the abuse of Degas’ models. It is difficult when we have to try to separate the works of genius from the horrible things geniuses did.
As a student of history I am impressed with the research that underpins this series, and especially the life of ordinary people in Ireland following the Easter 1916 uprising. The whole Bess Crawford series tells the story of Bess, a strong-willed, independent woman who serves as a battlefield nurse in World War One. She needs all her courage and intelligence to survive then and in all of her ventures. Society’s expectations of women and how they should behave were dramatically changed during and following the Great War. How was it possible to expect a woman who had nursed on battlefields or driven an ambulance through enemy territory to return to a life of ‘proper’ behaviour, of tea and cucumber sandwiches, and absolute obedience to her husband?
An Irish Hostage finds Bess in Ireland at the wedding of a friend, only to become embroiled in the trouble and treachery following the…
"[Readers] are bound to be caught up in the adventures of Bess Crawford . . . While her sensibility is as crisp as her narrative voice, Bess is a compassionate nurse who responds with feeling."- The New York Times Book Review
In the uneasy peace following World War I, nurse Bess Crawford runs into trouble and treachery in Ireland-in this twelfth book in the New York Times bestselling mystery series.
The Great War is over-but in Ireland, in the wake of the bloody 1916 Easter Rising, anyone who served in France is now considered a traitor, including nurse Eileen Flynn…
Funny Folk Tales for Children
by
Allison Galbraith,
These are the funniest folktales in the world. You will be amazed at the intelligent animals and LOL at the ridiculous scrapes the humans get themselves into in these short stories. Discover why dogs are our best friends, learn how to change a cow into a zombie, and meet a…
For centuries, Ireland struggled to gain independence from Britain. Many Irish abroad, in the USA and elsewhere, helped to arm and fund that struggle. My Grandfather Kenny in Dublin was among those who helped Arthur Griffith, founder of the Sinn Féin liberation movement, to promote his ideas in the early twentieth century. Grandfather also sought support for the educational initiatives of Patrick Pearse before the British executed Pearse as a leading rebel in 1916. Between 1905 and 1923, a revolutionary movement in Ireland broke Britain’s resolve. The independent Irish state was founded, comprising all but six of the thirty-two counties of Ireland.
Collections of essays and subject encyclopedias are too often unwieldy and indigestible. But I like the fact that this book makes visible the actual role of women, too often neglected in accounts of revolution and war.
The book goes beyond 1917–1923 to consider the remembrance and forgetting of those who participated in “the Irish Revolution.” Ironically, one reviewer criticized it for itself overlooking the contribution of lesbians.
The narrative of the Irish revolution as a chronology of great men and male militarism, with women presumed to have either played a subsidiary role or no role at all, requires reconsideration. Women and feminists were extremely active in Irish revolutionary causes from 1912 onwards, but ultimately it was the men as revolutionary ‘leaders’ who took all the power, and indeed all the credit, after independence. Women from different backgrounds were activists in significant numbers and women across Ireland were profoundly impacted by the overall violence and tumult of the era, but they were then relegated to the private sphere,…