100 books like Anarchy and Authority

I picked up this book while I was on maternity leave and had it finished by the end of the day. I just couldn’t put it down–and luckily, my baby slept a lot that day! It’s definitely one of my all-time favorite novels.

It is an incredibly absorbing fictional love story. It focuses on a young Catholic woman, Cushla, who works as a teacher and her relationship with a Protestant married man named Michael, set against the backdrop of the Troubles in Northern Ireland in the 1970s.

I live in Northern Ireland now although I didn’t grow up there, so I found this a really insightful read by an author who did spend some of her childhood in Northern Ireland. I’ve loved seeing this book feature on prize lists because I think the attention it has received to date is really well deserved.

I love how we can catch glimpses of Irish women’s lived experiences because sources from particular moments in their lives have survived the decades. Although this social history of letters written to the archbishop of Dublin is not specifically a women’s history book, many of those who wrote for help were women and so the book offers a glimpse of their often-difficult lives.

I love how Earner-Byrne privileges the ‘voices’ of letter writers in her book, exploring what they put in writing, as well as what they implied and their silences. I found this a very thought-provoking analysis, pushing me to think about the ways that people frame their narratives and how what they choose to include or exclude about their lives informs historians. 

I don’t know how much I knew of nineteenth-century Ireland when I first read this book as a child, but I certainly wanted to know a whole lot more after reading it. And after years of researching and teaching nineteenth-century Irish history, I still love this book!

This is a wonderfully written and extremely moving account of Irish emigration to the US in the nineteenth century, as told by (fictional) teenager Peggy O’Driscoll. It is the second in a trilogy, which includes the more well-known Under the Hawthorn Tree about the Great Irish Famine. I love them all, but this one was always my favorite, following the challenges and adventures that Peggy had in the ‘new world.’

Maria Luddy is one of the pioneers of Irish women’s history. I love this book because it was one of the first to focus in such a specific way on women and crime/deviancy in the Irish past, paving the way for subsequent research in this field over the past two decades.

The author uses sources found in archives and libraries to offer glimpses of the experiences of women who sold sex in nineteenth- and twentieth-century Ireland and the world in which they lived. The historical context is very well developed, with assessments of annual statistical returns, reports of hospitals and other institutions, and analysis of contemporary attitudes. It is an impressively detailed book, but is also very readable and is a go-to for those of us researching Irish women and crime.

This is a comprehensive account of what happened to Nicholas, Alexandra, and their family from the fall of the monarchy to their last days in Ekaterinburg. It covers fully all the details of their confinement, their brutal murder, the discovery of the Romanov grave outside Ekaterinburg in 1989, and the controversy over the bones, using many previously unpublished Russian archival documents. If you think you know what happened, then read this because there are some surprising revelations.

Gogol is one of the weirdest and most fascinating of Russian writers, whose eccentric comic masterpieces continue to entertain and puzzle us. His identity as a Ukrainian who became a Russian classic and the way this is or isn’t reflected in his works has long been debated.

Nikolai Gogol: Performing Hybrid Identity makes sense of these two contending national components of Gogol’s writing and career. Ilchuk demonstrates the remarkable ways his “hybrid” national identity played out: in his often bizarre language, an uncanny Russian pervaded by Ukrainianisms (made more or less evident in successive, ideologically-motivated editings); in his works’ narrative structure, plot, and theme; and in the author’s odd behavior in society as a colonial “other.”

The book helped me understand the ins and outs of post-colonial theory, which the author presents in a clear and effective way.  It also unexpectedly illuminated for me aspects of Russian imperial identity that… show more.

Empress Catherine the Great immediately comes to mind when referring to women who ruled Russia. In Tsarina, however, author Alpsten focuses on Catherine Alexeyevna, the wife of Peter the Great, who rose to power in the early 18th century. Born into devastating poverty, Catherine is a woman who holds her cards close and plays them judiciously. She seduces Peter, revels in the riches and debauchery of the Russian court, and emerges not only as his wife, but a linchpin to Russia's future when Peter dies. This is an extraordinary tale of a powerful and intelligent woman often ignored in history.

This is a remarkable book that defies categorization. Establishing a concept of property that existed between private property and the property of the state, Pravilova imaginatively unites a seemingly unrelated collection of topics: forests, rivers, icons, copyright, archaeological treasures, and much more besides. She offers a profoundly new way of thinking about property and about Russians’ attitudes towards ownership. Deeply rooted in the particularities of Russia, the book also raises issues of universal significance.

The Volga is key to understanding Russian history.

The river helped the empire to spread and rule, it carried dangers and diseases, protected and divided people. As a frequent site of battle, it also helped to shape collective memory. Janet Hartley’s history of the Volga captures these dimensions beautifully.

Containing a wealth of detail and written in elegant and accessible language, her book delivers new insights on a broad range of topics, from religious policy and piracy to the Volga in poetry and painting.

It is a great introduction to Russian empire-building, while, at the same time, offers even historians of Russia new insights in almost every chapter.

Take a long river cruise – down the Danube or Mississippi – and enjoy.

This is an updated version of William Clarke’s Lost Fortune of the Tsars with additional information added since first publication. It gives a detailed, comprehensive account of the immense wealth of the Imperial family before the revolution and what happened to the money, jewels, palaces, and other riches in the chaos that followed. Faced with bank confidentiality and reluctance to talk, it reads like a detective story as the author investigates bank accounts, vaults, and jewels spirited away. The result is a fascinating account of what belonged to the Tsar’s family and what belonged to the state.