100 books like The Volga

This early 20th-century courtroom drama, set in late imperial Kiev, is a truly satisfying read: suspenseful and riveting, yet also persuasive as a scholarly work.

I have rarely come across an academic book on the Russian Empire so difficult to put down, with virtually every chapter ending on a cliffhanger.

Telling the true story of a ritual murder charge against a Jewish factory clerk in 1911, his sufferings, and ultimate acquittal, the book is a meticulously researched and deeply captivating story of desperation and hope.

I might disagree with some of its claims about the judiciary, and yet, with its multitude of Jewish, Russian, and Ukrainian actors and ever more unexpected twists, the story told is as multilayered and diverse as the late imperial court system as a whole. 

This book was a milestone in the study of tsarist Russia as a multiethnic and multireligious empire, especially its large Muslim population.

By the 2000s, we had become used to thinking that the Russian Empire had suppressed or ignored its religious minorities who, in turn, had avoided state institutions as much as possible. Crews’ book shattered that idea.

Exploring court cases and other disputes across time and space, he boldly argued that Muslims turned to the state as protector of their faith and that Islam became a pillar of Russian imperial policy. Many scholars have attacked his argument since then, partly for good reasons.

And yet, his contribution has proven to be more important and long-lived than those of most of his critics. On top, it’s a wonderful read. 

Why read a book on the early modern frontier?

You may think that all you need to know about Russia in the 1500s is Ivan the Terrible, but this gripping book will teach you otherwise.

It’ll ring familiar bells for those fascinated by the American West: it’s about an expanding state struggling to secure an unruly frontier. It features plenty of competition, even conflict, between local governors and distant lawmakers, between secular and church figures.

It also shows the suppression, but also systematic cooptation (nearly absent in the American case!), of an indigenous population.

As the title suggests, though, the Russian colonial system remained “elusive” – more rhetorical than real – as accommodation became the key form of interaction across many frontier regions.

This is bold, but argued pretty convincingly.          

Recommending a two-volume tome may seem odd at first sight.

But this is a truly majestic work (no pun intended). Ingeniously, Richard Wortman attributes a distinctive “scenario of power” to every Russian emperor from the 1700s to the downfall of the Romanovs in 1917, with some rulers promoting a national myth and others framing their reign as a bond of love with their subjects.

The account is deeply captivating and honest, showing every emperor and empress with all their quirks and human weaknesses, but also helping us understand their enigmatic appeal.

While the other books I recommend explore the Russian Empire “from below”, through the eyes of the people, this one is top down, focusing on how the empire and its rulers saw themselves.

The read is worth every page.        

This is a comprehensive account of what happened to Nicholas, Alexandra, and their family from the fall of the monarchy to their last days in Ekaterinburg. It covers fully all the details of their confinement, their brutal murder, the discovery of the Romanov grave outside Ekaterinburg in 1989, and the controversy over the bones, using many previously unpublished Russian archival documents. If you think you know what happened, then read this because there are some surprising revelations.

This is a remarkable book that defies categorization. Establishing a concept of property that existed between private property and the property of the state, Pravilova imaginatively unites a seemingly unrelated collection of topics: forests, rivers, icons, copyright, archaeological treasures, and much more besides. She offers a profoundly new way of thinking about property and about Russians’ attitudes towards ownership. Deeply rooted in the particularities of Russia, the book also raises issues of universal significance.

Empress Catherine the Great immediately comes to mind when referring to women who ruled Russia. In Tsarina, however, author Alpsten focuses on Catherine Alexeyevna, the wife of Peter the Great, who rose to power in the early 18th century. Born into devastating poverty, Catherine is a woman who holds her cards close and plays them judiciously. She seduces Peter, revels in the riches and debauchery of the Russian court, and emerges not only as his wife, but a linchpin to Russia's future when Peter dies. This is an extraordinary tale of a powerful and intelligent woman often ignored in history.

This is an updated version of William Clarke’s Lost Fortune of the Tsars with additional information added since first publication. It gives a detailed, comprehensive account of the immense wealth of the Imperial family before the revolution and what happened to the money, jewels, palaces, and other riches in the chaos that followed. Faced with bank confidentiality and reluctance to talk, it reads like a detective story as the author investigates bank accounts, vaults, and jewels spirited away. The result is a fascinating account of what belonged to the Tsar’s family and what belonged to the state.

Published in 1999, David Wolff’s To the Harbin Station was a pioneering work that paved the path for many historical studies that followed, and which remains an unparalleled analysis of Russia’s only colony and its imperial expansion into China in the two decades leading up to the 1917 revolution. The monograph is more than an urban history of Harbin. It is the history of a region, a railroad, and the nature of late tsarist imperialism.

To understand Imperial Russia, you have to understand its culture. From the early days of conversion to Christianity in 987, through to Diaghilev and the Ballets Russes, Suzanne Massie takes us on a wonderful journey through the customs and culture of this enigmatic land. We see the colourful markets and fairs, the carnival season and the traditions of Easter and Christmas, as well as the great artists, composers, writers, and dancers that Russia has produced. This is one of the most beautiful (and useful) books I have ever bought.