I have been studying Russia and its history for over 30 years and find that it continues to intrigue me. Having previously focused my attention on religion and its imperial dimensions (including The Tsar’s Foreign Faiths, with Oxford University Press in 2014), I have more recently sought to understand the importance of Russia’s nineteenth century and I am now exploring the history of Russia’s territory with a view to writing a history of the longest border in the world. I teach at the University of Nevada in Las Vegas.
Historians often think of Russia before the 1860s in terms of conservative stasis, when the "gendarme of Europe" secured order beyond the country's borders and entrenched the autocratic system at home. This book offers a profoundly different vision.
Drawing on an extensive array of sources, it reveals that many of modern Russia's most distinctive and outstanding features can be traced back to 1837, a seemingly inconspicuous but in fact exceptional year. From the romantic death of Russia's greatest poet Alexander Pushkin in January to a colossal fire at the Winter Palace in December, Russia experienced much that was astonishing in 1837. The cumulative effect was profound. The country's integration accelerated, and a Russian nation began to emerge, embodied in new institutions and practices, within the larger empire. The result was a quiet revolution, after which Russia would never be the same.
This is a remarkable book that defies categorization. Establishing a concept of property that existed between private property and the property of the state, Pravilova imaginatively unites a seemingly unrelated collection of topics: forests, rivers, icons, copyright, archaeological treasures, and much more besides. She offers a profoundly new way of thinking about property and about Russians’ attitudes towards ownership. Deeply rooted in the particularities of Russia, the book also raises issues of universal significance.
"Property rights" and "Russia" do not usually belong in the same sentence. Rather, our general image of the nation is of insecurity of private ownership and defenselessness in the face of the state. Many scholars have attributed Russia's long-term development problems to a failure to advance property rights for the modern age and blamed Russian intellectuals for their indifference to the issues of ownership. A Public Empire refutes this widely shared conventional wisdom and analyzes the emergence of Russian property regimes from the time of Catherine the Great through World War I and the revolutions of 1917. Most importantly, A…
This is a book of uncommon imagination and historical reconstruction. It focuses on the life of the eccentric Baron von Ungern-Shternberg and uses the Baltic German aristocrat’s adventures to reveal key characteristics of the late Russian Empire and the early Soviet years. Especially striking is the book’s geographical scope, which ranges from Austria to Mongolia and stops at many places in between. Written in engaging and fluid prose, the book is a truly original work of historical imagination that allows one to understand Russia and its place in the wider world—and in Asia, in particular.
Baron Roman Fedorovich von Ungern-Sternberg (1885-1921) was a Baltic German aristocrat and tsarist military officer who fought against the Bolsheviks in Eastern Siberia during the Russian Civil War. From there he established himself as the de facto warlord of Outer Mongolia, the base for a fantastical plan to restore the Russian and Chinese empires, which then ended with his capture and execution by the Red Army as the war drew to a close.
In The Baron's Cloak, Willard Sunderland tells the epic story of the Russian Empire's final decades through the arc of the Baron's life, which spanned the vast…
This very compelling book explores a critical topic in the history of the USSR. In clear and expressive prose, it tells a crucial story that reveals a great deal about the Soviet project, about the relationship between ideology and politics, and about the scope and limits of authoritarian state power. It ultimately shows the striking irony that the USSR’s atheistic establishment found itself trying to replicate the spiritual and emotional offerings of the religion(s) that it simultaneously sought to destroy.
When the Bolsheviks set out to build a new world in the wake of the Russian Revolution, they expected religion to die off. Soviet power used a variety of tools--from education to propaganda to terror-to turn its vision of a Communist world without religion into reality. Yet even with its monopoly on ideology and power, the Soviet Communist Party never succeeded in overcoming religion and creating an atheist society.
A Sacred Space Is Never Empty presents the first history of Soviet atheism from the 1917 revolution to the dissolution of the Soviet Union in 1991. Drawing on a wealth of…
The history of modern Russia is almost inconceivable without the millions of Jews who, restricted to the Pale of Settlement in the years of the tsarist empire, went on to become major producers and interpreters of Russian culture in the Soviet Union. This remarkable book tells their story but is about so much more besides. In witty and idiosyncratic prose, it ultimately describes the modern condition and what it means to inhabit it.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
This book—about the United States as well as Russia and the USSR—skilfully draws diverse peoples, territories, and animals into a single compelling narrative. Exposing different phases of humans’ exploitation of Arctic resources under both capitalist and socialist regimes, Demuth compels the reader to think about humans, energy, and the implication of nature in the historical process in new ways.
Along the Bering Strait, through the territories of the Inupiat and Yupik in Alaska, and the Yupik and Chukchi in Russia, Bathsheba Demuth explores an ecosystem that has long sustained human beings. Yet when Americans and Europeans arrived, the area became the site of an experiment and the modern ideologies of production and consumption, capitalism and communism were subject to the pressures of arctic scarcity.
Demuth draws a vivid portrait of the sweeping effects of turning ecological wealth into economic growth and state power over the past century and a half. More urgent in a warming climate and as we…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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