100 books like The Veil

We all know that the oppressive structures of patriarchy are all-pervasive. But can we see "oppression" in black and white? Certainly not! 

Unless we put things in context and see through their nuances, the vicious Islamophobic tendency (subtly or not) comes into play, caricaturing Islam as the sole source of gender-based oppression. No doubt, the condemnation of Islam flows from prejudice and half-baked Orientalist assumptions surrounding the religion.

Leila Ahmed, a pioneering figure of Islamic feminism, hits hard at the stereotypes surrounding Islam and challenges them. I learned from her that Islam is anything but monolithic, especially from the perspective of gender. She devotes chapters on Egypt to link the percepts of Islam with colonial modernisation.

For academics like me, this book adds a dynamic perspective and opens the big picture. However, for even those bearing the burden of prejudice, I am sure this book will be educative.

As a graduate student, I picked up this book on gender and international relations, and there was no turning back; I now knew my domain!

I realized where I stood in the male-dominated discipline of international relations, where concerns of "Man, State, and the War" dominate. The often-overlooked frivolousness of domesticity is also a matter of international relations. This book asks: "Where are women?" as it explores the gendered aspects of everyday life, as often we women tend to ask, navigating through the alleys of personal and professional spaces.

Making feminist sense of international politics requires genuine curiosity about multi-layered women's lives: air hostesses, base women, diplomatic wives, factory and domestic workers, and more. After all, power takes a myriad of avatars; power, taste, attraction, and desire are not mutually exclusive.

The author says it best when remapping the boundaries of international and political, "We are not just acted upon;… show more.

I really admire how this book traces two lines of a tumultuous family history through a series of short stories.

Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.

This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.

What may be construed as violence is a matter of the vantage point and the politics of language (the language of culture vs. the language of the state) surrounding human rights. Rogers paints a unique parallel between female circumcision and torture from a psychoanalytic perspective.

Both entail bodily "mutilation" or disfiguration of a certain kind, yet they are treated differently in the discourses of human rights. The cut flesh of the circumcised woman becomes the sole bearer of the truth surrounding the "violative" cultural practice.

But, the act of state-sponsored torture perpetrated on the purported terrorists, who are imprisoned without a trial (e.g., the prisoners of Abu Gharib), escapes the landscape of human rights (why would you care for the rights of the terrorists?). After all, "sacred" is such flesh that is rendered legitimate in the fantasy of the sovereign nation-state!

This book is an eye-opener to me. It implies… show more.

This book describes in detail with extreme clarity that knowing our true being is peace, happiness, and love. Our true self is always present consciousness which knows the mind, body, and the world. The belief in the existence of a separate inner self and an external world obscures our true nature. With the veiling of our true nature, an imaginary self that is limited and situated in the mind-body is seemingly created and the search for happiness in the outside world begins. Suffering is the veiling of one's true nature or happiness, not the lack of happiness. After the dissolution of the separate self that we think and feel to be, happiness and love shine forth. Peace and happiness are not the states of body and mind, but inherent to our real nature.

Fifth-century BC Athenian society was male-dominated, so most of our evidence comes from – and is about – men. Elegantly written, immaculately researched, and pleasingly illustrated, Aphrodite’s Tortoise goes a long way towards restoring the gender balance, uncovering the complex role that women played in Greek society, whether as wives, priestesses or slaves. At the heart of the book is the use of the veil, which not only protected women from the male gaze as they ventured outside (hence the title) but could convey a variety of visual signals depending on how it was worn. It’s a really stimulating book, the kind that makes you sit up and think about not just the ancient world but our own.

One of the first things people still ask me about living in Turkey is, do you have to wear a headscarf? Whether a woman covers or not and the manner in which she wears her scarf reflects much more than differing levels of religious conviction. Göle explores the extremely nuanced and conflicting relationships around the subject, combining sociological research with historical analysis and in-depth interviews. She examines the ways young women form their identities in relation to the issue of covering, how they adapt fundamental religious tenets in response to the pressures of modernity, what covering contributes to debates about politics, nationalism, and other issues. Anyone wanting to know more about the practice of veiling beyond the standard modern/backward, secular/religious divides should read The Forbidden Modern. By the way, if you’re still wondering, the answer is no.

Of all the histories, journals, diaries, novels, and memoirs I read while doing research for ITKOM, Ahmed Abodehman’s slim book has lodged itself deepest in my heart. Sometimes referred to as a memoir and at other times as an autobiographical novel, The Belt is less about the changes brought on by the petroleum industry in particular than it is about the dislocation brought on by modernization (much of it driven by the quest for control of the vast oil reserves). The story begins with a tribal elder “examining young Ahmed's knife to determine the boy's masculinity.” With the coming of a government school to the village, such ancient tribal customs are challenged by more urban ideologies and orthodox Islam as the speaker struggles to retain the tribal songs he carries inside himself “like an inexhaustive fire.” With a poet’s sense of image and language, Ahmed Abodehman weaves a gorgeous coming-of-age… show more.

This book was recommended to me by the first sound practitioner who facilitated a memorable sound healing session with me. Trusting my intuition, I decided to give it a chance. I found myself deeply engrossed in Inayat Khan’s soothing and logical approach to sound, so much so that it inspired me to embark on a similar journey of my own. Shortly after reading this book, I left my corporate life behind to write my first book and open my sound healing practice. 

This book is a true gem. Khan’s masterful presentation of abstract concepts like imagination, desire, mysticism, mortality, and immortality, and their connection to sound, has a profound, Rumi-like effect on the soul. I find myself returning to its wisdom every few months, continually reaping the rich bounty it offers. 

Saba Mahmood’s book is an intellectually stimulating and insightfully written study of a grassroots women’s mosque movement in Cairo, Egypt.

Speaking to a North American audience, Mahmood challenged secular-liberal theorizations of human agency and views that depicted Muslim women in patriarchal societies as without agency. Her nuanced and multi-dimensional study evidenced a considerably more complex picture of moral choice, agency, and Islamist politics that centered on the women’s own understandings and interpretation of a complex religious and political landscape.

It is Mahmood’s balanced and reflexive approach that makes this book a deeply educational study for students and scholars alike.