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I am a scholar of European history who spent the last twenty years studying how minorities relate to each other and how their efforts to communicate their silenced histories are entwined. I remain fascinated by the many ways we think we know—and so frequently fail—to grasp the suffering and ambitions of others. All of this makes me ultimately a historian of the hidden stories of marginalized people and of the struggle to document and understand them.
While other books use small subjects to make big points, Slezkine’s book is nothing if not ambitious in its breadth.
A provocative book that is not afraid to make sweeping claims, Slezkine manages to convey the story of twentieth-century Russian Jews as a transnational drama between the Soviet Union, Israel, and the United States on an epic scale. Hidden histories need not be small.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
I’m pretty certain Invisible Man is The Great American Novel. Some lines make me laugh aloud: “I would remain and become a well-disciplined optimist and help them to go merrily to hell.” But the moments that really sing for me are those that ring with humor, horror, tragedy, and beauty all at once.
Near the end, during a moment when the nameless narrator hides and listens to some men telling a story, he aches with the urge to laugh while realizing what’s been said isn’t only funny: “It was funny and dangerous and sad.” The book reminds me that all of those things can be held in my head at once.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.
I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional.
Described variously as the greatest poem of the European Middle Ages and, because of the author's evangelical purpose, the `fifth Gospel', the Divine Comedy is central to the culture of the west. The poem is a spiritual autobiography in the form of a journey - the poet travels from the dark circles of the Inferno, up the mountain of Purgatory, where Virgil, his guide leaves him to encounter Beatrice in the Earthly Paradise. Dante conceived the poem as the new epic of Christendom, and he creates a world in which reason and faith have transformed moral and social chaos into…
As a stranger in the land I grew up in, I’ve always considered myself a world citizen and have never sought a settled life. My first book,Insomnia: A Cultural History, detailed the often enriching experience of being estranged from those sleeping in the night-time. I researched and wrote Astrayout of a sense of frustration. Creative estrangement or the unfamiliar typically precedes—and sometimes helps create—norms, yet it is often judged by them, and humans, too, judge other humans this way. Yet, historically, wandering or being a stranger isthe human norm, and in the warming world we have made it will be key to all our futures.
I’ll read anything Steinberg writes for his stellar reporting and subtle reflections on transmitting outsiders’ stories.
Nineteenth-century Americans dreamed up Liberia in West Africa and sent freed and free-born African Americans there, only to receive many back in the late twentieth and early twenty-first centuries as a result of civil wars.
In Staten Island, many settled in Park Hill Avenue. Tracking two men who fled Liberia’s wars or diminished prospects, the book finds they brought Liberia with them. Rufus Arkoi had to leave secretly, while Jacob Massaquoi had to fake identity to survive.
The men’s American experience heartbreakingly replays their Liberian pasts which vitalize yet drive them into conflict.
As revealing about America as it is about Liberia, this book compels and troubles the reader in thought-provoking ways.
On Park Hill Avenue in New York City, almost everyone is Liberian. Most people know one another; if not by name, then by face. And yet neighbours do not ask one another what they did in Liberia, for the question is considered an accusation. Many people here fled Liberia's brutal civil war, a conflict that claimed the lives of one in fourteen Liberians. The question of who is responsible is a bitter one.
Jacob Massaquoi arrived on Park Hill Avenue in 2002 limping heavily. Before he had been there a week, a hundred stories abounded about his injury. By this…
I have penned more than 120 nonfiction books on a broad range of subjects for general audiences and middle-school readers, including five books about the true-life experiences of young people during the Holocaust. The most heartbreaking, yet inspiring, moments in my decades-long writing career have been my interviews with Holocaust survivors, who, as children, relied on their courage, their faith, their smarts—and sometimes their luck—to endure years of unbelievable terror.
Yes, it’s heartbreaking to know that these young people died in the Holocaust, but their words live on. The author, who is a Holocaust survivor, does an outstanding job of putting each diarist’s thoughts, dreams, and hopes—and fears—in context with his gifted commentary. Among the excerpted diaries featured in this book is the most famous of them all—Anne Frank’s.
The five diarists in this book did not survive the war. But their words did. Each diary reveals one voice, one teenager coping with the impossible. We see David Rubinowicz struggling against fear and terror. Yitzhak Rudashevski shows us how Jews clung to culture, to learning, and to hope, until there was no hope at all. Moshe Ze'ev Flinker is the voice of religion, constantly seeking answers from God for relentless tragedy. Eva Heyman demonstrates the unquenchable hunger for life that sustained her until the very last moment. And finally, Anne Frank reveals the largest truth they all left for…
When I was a young man reading my first books about the Second World War I was struck by the dimensions of Germany’s war in the East. Battles at El Alamein, Monte Cassino, and Normandy were familiar to me, but suddenly there emerged dozens of new battlefields in the East, most dwarfing the Anglo-American experience of the war, which I’d never heard of. My curiosity drove my reading and, as the saying goes, the more I knew, the more questions I had. Thirty years on, and ten books under my belt, has not yet satisfied that curiosity, but at least, thanks to Shepherd, I can share some of it.
If my first two listings are somewhat inaccessible to the average reader, fear not, Megargee’s concise study of Operation Barbarossa is a masterful summary of the campaign as well as the parallel German war of annihilation in the East. Richly illustrated with maps and photos, Megargee transforms a huge and complex war into a short (150 page), straightforward read. There is also a helpful bibliographic essay at the end and numerous sub-headings to guide the reading. It is the perfect introduction to the German invasion of the Soviet Union.
On June 22, 1941, Hitler began what would be the most important campaign of the European theater. The war against the Soviet Union would leave tens of millions of Soviet citizens dead and large parts of the country in ruins. The death and destruction would result not just from military operations but also from the systematic killing and abuse that the German army, police, and SS directed against Jews, Communists, and ordinary citizens.
In War of Annihilation, noted military historian Geoffrey P. Megargee provides a clear, concise history of the Germans' opening campaign of conquest and genocide in 1941. By…
When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
A big reason I love this book is that it’s so much fun to read over and over again—and then some more, finding joy in the cleverness of the text and more joy in the visual humor. (Taback won the Caldecott Medal for this book in 2000.) I also love stories with morals as long as they aren’t moralizing and this one, based on a Yiddish song, teaches “you can always make something of nothing” in the most delightful, warm-hearted manner.
Joseph has a striped overcoat and when it gets old he makes it into a jacket, and then a vest, and so on until it becomes a little button. Each page bursts with creativity. It is, quite simply, a perfect picture book!
Joseph had a little overcoat, but it was full of holes—just like this book! When Joseph's coat got too old and shabby, he made it into a jacket. But what did he make it into after that? And after that?
As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.
I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).
In How We Survived Communism and Even Laughed, Slavenka Drakulić details the everyday indignities of living under communist Yugoslavia, including thin toilet paper and no access to luxuries such as strawberries or fruit juice. Her essays show the impact of high politics on everyday living but also how communism failed – to produce washing machines, manufacture tampons, or meet the needs of its citizens.
This is an account of what life is like for women in communist Europe - from the lack of toys for their children to their own lack of privacy. This book charts the tentative strings of feminist movements from the Velvet Revolution of 1989. Slavenka Drakulic is the co-founder of the first feminist group in Yugoslavia and she holds teaching Fellowships in several European and American universities.
I am a child of Holocaust survivors. It wasn’t until I was an adult that I truly appreciated the horrendous circumstances that they lived through. But even more than their plight and will to survive, I was impressed with the heroism of the people willing to sacrifice their lives in order to help others. It is their story, above all else that I want to tell in my books.
I like this book because it shows in an exciting and engaging way, that a war is not over, just because it is declared to be over. For many survivors, such as Ruth Mendenberg, it is the beginning of a new war in which they fight to re-establish their identity and their right to a place to call home once again.
"Didn't the gas ovens finish you all off?" is the response that meets Ruth Mendenberg when she returns to her village in Poland after the liberation of Buchenwald at the end of World War II. Her entire family wiped out in the Holocaust, the fifteen-year-old girl has nowhere to go. Members of the underground organization Brichah find her, and she joins them in their dangerous quest to smuggle illegal immigrants to Palestine. Ruth risks her life to help lead a group of children on a daring journey over half a continent and across the sea to Eretz Israel, using secret…
If you’re curious about the world, you can find secret doors that open onto sudden vistas. For me, exploring the lives and origins of the caracaras unveiled an astonishing story about life on Earth—and though the books in my list are mostly nonfiction, they all explore real worlds as absorbing as any fantasy.
This book is the second in a trilogy about a long journey Fermor made—mostly on foot—from Holland to Istanbul in 1934, when he was nineteen years old. Fermor wrote the books from memory many years afterward, so their veracity is open to question, but his imagination and skill aren't: he might resent the comparison, but his books gave me the same thrills as an adult that I remember from my parents reading The Lord of the Rings to me as a child. Though all three are astounding, Between the Woods and the Water is my favorite— it begins as he crosses the Danube into Hungary from the west, follows him across Romania, and ends up in the Balkans, a region that would soon be transformed (and, in part, erased) by World War II. Fermor knows that too, but he doesn't mention it: he lets the places he walks through and…
The acclaimed travel writer's youthful journey - as an 18-year-old - across 1930s Europe by foot began in A Time of Gifts, which covered the author's exacting journey from the Lowlands as far as Hungary.
Picking up from the very spot on a bridge across the Danube where his readers last saw him, we travel on with him across the great Hungarian Plain on horseback, and over the Romanian border to Transylvania.
The trip was an exploration of a continent which was already showing signs of the holocaust which was to come. Although frequently praised for his lyrical writing, Fermor's…
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