Here are 100 books that The Sirens of Titan fans have personally recommended if you like
The Sirens of Titan.
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I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart. Shortly after watching the movie The Song of Bernadettein Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.”
I absolutely love Flannery O’Connor’s short stories; they are like shining gems of literary perfection. She sees through all the meaningless masks and artifices that people put up to mislead and distract, and she describes the motivations at the heart of the conflict.
No two of her characters are the same, and she brings a clarity of thought and vision like few other authors can. Often, the characters within her short stories make jaw-dropping pronouncements about either themselves or issues of faith or morality. For example, in A Good Man is Hard to Find, the sudden turn of events can be shocking, but there is always a great value to every word she painstakingly wrote in her short life.
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction.
There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.
O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death―is a…
I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.
While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.
**ESCAPE FROM SPIDERHEAD NOW STREAMING ON NETFLIX - STARRING CHRIS HEMSWORTH AND MILES TELLER**
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo
'The best book you'll read this year' New York Times
'Dazzlingly surreal stories about a failing America' Sunday Times
WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013
George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations.
A family member recollects a backyard pole dressed for…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.
Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
I can’t remember a time I haven’t been drawn to and fascinated by the link between absurdity/humor and horror. Both genres involve setups and payoffs. The tension built up needs to be released in either a gasp or a laugh. In my own writing, I try to make myself giggle in joy at the ridiculousness of a situation and then recoil at the underlying horror that anchors it to the real world. It’s a balance I constantly try to reach and that I personally find is a joy to read.
I read somewhere that Franz Kafka would laugh so loud when writing his stories that he woke up his neighbors. I’m not sure if that’s true, but I get it. It’s not what is commonly thought of when someone talks about Kafka’s stories. I mean, his name has come to mean a certain style. “Kafkaesque” is used to describe stories that are absurd, nightmarish, offensive, and heavy with bureaucratic pretentiousness and deceit.
Where is the humor? Oh, it’s there. I think sometimes readers get caught up in the horror and bizarreness of it all that they miss the subtle, absurdist, dark, and very dry humor dripping in all these stories in this collection.
THE TRIAL; THE CASTLE; AMERICA- Both Joseph K in THE TRIAL and K in THE CASTLE are victims of anonymous governing forces beyond their control. Both are atomised, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle and so belong somewhere. Together these novels may be read as powerful allegories of totalitarian government in whatever guise it appears today. In AMERICA Karl Rossmann is 'packed off to America by his parents' to experience Oedipal and cultural isolation. Here, ordinary immigrants are…
UK-born CY Croc started her career in the health industry, but later changed professions after obtaining a postgraduate degree in teaching. It was while teaching she discovered her dream profession. An author was invited to the school to showcase her latest book. Inspired, CY wrote over 30 books in the next 3 years in contemporary, sci-fi, and paranormal romance. She loves to include positive subliminal messages in her stories about body image, prejudice, and love from a higher realm and always practices inclusion in her writing. Her main characters practice autonomy and come from all races. CY believes everyone should experience love, and that's why some of her protagonists are not of this world.
This story follows the blossoming romance of a half-blood siren Adelle and a nine-hundred-year-old dragon, who is commissioned with the task of protecting her while he helps her to tease out and control her siren song. This enemy-to-lover romance has fantastic world building that continues throughout the series with Adelle’s sister’s stories.
She refuses to give into her nature. He’s built tough walls around desire. Will they survive the heat of a scorching affair?
Adelle Constance buries her feelings for good reason. Despite needing her sister to rescue her from her vampire ex, the half-blood siren doesn’t dare risk unleashing her own terrifying powers. But she hates being saddled with a cranky fire-breathing guardian to teach her the art of control.
Jack swore to stay away from heartbreak. So when he’s tricked into a vow of protection over his ex-girlfriend’s imperiled cousin, the nine-hundred-year-old dragon can’t wait to get her trained and…
I’ve always loved magic and pirates. As I kid, I made up games incorporating the two. As a teenager, I wanted to read about them. But at the time, I couldn’t find anything that had both pirates and magic, so I decided to write one myself. As the years blurred past and the young adult book scene exploded, more and more books with pirates and magic have been published and of course, I try to read them all! I read them not only to study books similar to my own, but because I love them and I can’t get enough.
Imagine The Little Mermaid but the mermaid is actually a killer siren and the prince is actually a siren hunter/pirate, and you’ve got To Kill A Kingdom.
If you’re not sold by that alone (because I certainly was) well, this standalone fantasy also has seafaring action, a variety of vibrant kingdoms, strong character arcs, morally grey characters, dashing pirates, siren magic, and of course, a slow burn enemies to lovers romance (you may have noticed I’m a sucker for those.)
I only wish this was a series and not a standalone.
An unforgettable dark romantic YA fantasy about the siren with a taste for royal blood and the prince who has sworn to destroy her.
"Stellar world building and nonstop action will keep readers hooked on this twisted reimagining of 'The Little Mermaid'." Booklist Online
Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing…
There’s a saying in England: It’s grim up north! Largely used pejoratively (by the south), it’s true to say it is generally colder and wetter, the landscape more unforgiving, the people – friendlier in my opinion – are more outspoken and candid. The cities of Liverpool, Manchester, Newcastle, with their declining industries and rising unemployment, provide fertile ground for crime writers. So when I started my own series following the investigations of DS Adam Tyler and his cold case team it didn’t take long to settle on my adopted home of Sheffield as the setting. Be warned: we’re a long way from the sleepy villages of Agatha Christie here.
The first in Knox’s Manchester-set Detective Aidan Waits series, Sirens sees disgraced cop Waits looking to redeem himself by rescuing the teenage daughter of a prominent politician. Waits finds himself forced into an undercover operation to infiltrate the shady world of Zain Carver, an enigmatic figure who lures young women into his world only for them to disappear. Dark, gritty, and gruesome, this is Northern Noir at its best.
'Brooding, blistering. Sirens is a remarkable literary thriller, perfect for fans of Ian Rankin and James Lee Burke' AJ Finn, author of The Woman in the Window
WATERSTONES THRILLER OF THE MONTH
I stopped going to work. I went missing. We still live in a world where you can disappear if you want to. Or even if you don't.
Detective Aidan Waits is in trouble
After a career-ending mistake, he's forced into a nightmare undercover operation that his superiors don't expect him to survive.
Isabelle Rossiter has run away again
When the teenage daughter of a prominent MP joins Zain…
I’ve been obsessed with fantasy since my grandmother bought me the entire Dorothy and the Land of Oz series as a kid. I love discovering new types of fantasy characters, spins on characters, new lore in genres, and mythology woven in creative ways. For my fantasy group, I’ve researched many interpretations of fae, witches, elves, vampires, and shapeshifters. I’m always looking to add to my list, and I love finding Indie authors new to their niche. I feel so privileged to interview many authors like these and Jennifer L. Armentrout (squeal) for my podcast, The Finding the Magic Book Podcast. I hope you love these books as much as I did.
This book spins two genres I love together: mythology and urban fantasy. Characters must be likable, even lovable, for me to get into a book, and Korrina definitely is that!
I haven’t read many Siren books, but Korrina's story and plight drew me in. I became endeared to her and her band of friends quickly. I loved how the author hides secrets within layers of the story and twists of the plot. These discoveries kept me turning pages.
My voice kills. His touch silences my song. Together we'll either save the world...
Or destroy it.
I once believed sirens had mermaid tails, crustacean companions, and you know...weren’t real.
How wrong I was.
Turns out sirens have wings, a talking owl spirit guide, and are very, very real.
Not only that, they’re cursed with wings to soar the skies, searching for the lost goddess Persephone, because it was their fault she was kidnapped by Hades.
My family’s fault.
Centuries later, only a few sirens remain. And apparently I’m the one destined to break the curse to save them all.…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
When Cornelius Vanderbilt died in 1877, he was the richest man in America. Two generations later, the family parlayed their wealth into social status in the city's newly defined class structure.
Anderson Cooper, CNN news anchor, and his co-author trace the city's social history, beginning with Anderson's ancestor who emigrated to the small Dutch colony at the tip of Manhattan as an indentured servant. The story ends with Anderson's mother Gloria, the last Vanderbilt to have known the family at the peak of its wealth and social clout before lavish spending took its toll.
Most affecting are Anderson’s memories of his mother that have nothing to do with money and everything to do with sharing life with someone we love.
New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty-his mother's family, the Vanderbilts.
One of the Washington Post's Notable Works of Nonfiction of 2021
When eleven-year-old Cornelius Vanderbilt began to work on his father's small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires-one in shipping and another in railroads-that would…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
This series is actually set in Newport, Rhode Island but New York’s elite had to have somewhere to go when the summer heat settled on the city. Reporting on all the Newport society news is Emma Cross, second cousin to Cornelius Vanderbilt. I have to admit that I’m fascinated by the lives of these uber-wealthy characters. Their homes, wardrobes, and entertainments are almost shocking in their opulence. I love that many of the characters are real people. In this book, Alva Vanderbilt loses any hope of winning the Mother-of-the-Year award as she browbeats her daughter Consuelo into marrying heir to the Duke of Marlborough. If money can’t buy happiness, maybe a title will.
At the dawn of the twentieth century, the fortunes of the Vanderbilts still shine brightly in glittering Newport, Rhode Island. But when a potential scandal strikes, the Vanderbilts turn to cousin and society page reporter Emma Cross to solve a murder and a disappearance . . .
Responding to a frantic call on her newfangled telephone from her cousin, Consuelo Vanderbilt, Emma Cross arrives at the Marble House mansion and learns the cause of her distress—Consuelo’s mother, Alva, is forcing her into marriage with the Duke of Marlborough. Her mother has even called in a fortune teller to assure Consuelo…
