Here are 100 books that The Pillowman fans have personally recommended if you like
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I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
An incredible feat of literary criticism, Marina Warner takes fairytales very seriously and as such leads us on an incredible journey through storytelling from the Queen of Sheba to Charles Perrault to the Brothers Grimm. This is the essential nonfiction title if you’re interested in fairytales, and it has shaped my reading of them ever since.
In this landmark study of the history and meaning of fairy tales, the celebrated cultural critic Marina Warner looks at storytelling in art and legend-from the prophesying enchantress who lures men to a false paradise, to jolly Mother Goose with her masqueraders in the real world. Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
Jeanette Winterson is one of my all-time favorite authors, and I think her historical novels are absolutely dazzling—it’s hard to compare them to anything outside Virginia Woolf’s Orlando. This one is set in 17th Century London but also memorably incorporates the fairytale of The Twelve Dancing Princesses, using the princesses to challenge societal and gender norms.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
Madame D'Aulnoy is one of the key figures in my novel, and her own strange and beautiful fairytales deserve to be much better known. Many are proto-'Beauty and the Beast' narratives where enchantments turn men into rams or serpents, whilst in 'The White Cat' it is a woman who is the animal. In this sumptuous, giftable book, acclaimed artist Natalie Frank's surreal and feminist images bring an extra, adult dimension to these tales.
An enchanting selection of Madame d'Aulnoy's seventeenth-century French fairy tales, interpreted by contemporary visual artist Natalie Frank
Marie-Catherine Le Jumel de Barneville (1650-1705), also known as Madame d'Aulnoy, was a pioneer of the French literary fairy tale. Though d'Aulnoy's work now rarely appears outside of anthologies, her books were notably popular during her lifetime, and she was in fact the author who coined the term "fairy tales" (contes des fees). Presenting eight of d'Aulnoy's magical stories, The Island of Happiness juxtaposes poetic English translations with a wealth of original, contemporary drawings by Natalie Frank, one of today's most outstanding visual…
I have more than 20 years of experience in the field of leadership development and assessment. I am a trained theologian and English/German linguist, and I hold a passion for the more fundamental questions concerning the human condition. In my business consulting practice, I invite clients to become better versions of themselves and to transform their organizations as well as societies by consciously adhering to doing the right thing.
I recommend Arendt’s book for its guidance in helping readers interpret signs of totalitarianism—a growing concern in today’s civil society. Arendt is a pivotal thinker and an inspiring source of first-hand experience when it comes to fascist regimes.
This is an absolute must-read if we hope to prevent fascism from emerging once again.
Hannah Arendt's definitive work on totalitarianism—an essential component of any study of twentieth-century political history.
The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses…
I became fascinated by North Korea during a six-month fellowship in Tokyo in 2008. Japan was still dealing with the aftermath of the return of some of its abducted citizens in 2002. It turned out that North Korea had been abducting people—South Koreans, Japanese, and others—since the 1970s. I began interviewing some of the returnees and embarked on an eight-year journey that took me back to Japan and South Korea many times. Throughout my research and reporting, I became convinced that the truth of the abductions, much like the truth of the region, lay between Korea and Japan. I was drawn to books that tried to come to terms with the uncomfortable relationship between two cultures whose similarities are trumped by their mutual animosity.
Adam Johnson visited North Korea once as a tourist. Based on his keen observations during those weeks, he spins a fantastic tale about Pak Jun Do, an orphaned boy who uses treachery and deception to rise to a high position in the North Korean regime. Pak is part of a crew that kidnaps a little girl from Japan, and later marries North Korea’s most famous actress. The genius of the book is that Johnson imbues the characters with believable personalities, even as he moves them through a nightmarish reality most would find completely unbelievable. The book is so good that one need not have any interest in, or knowledge of, North Korea to enjoy it.
- WINNER OF THE PULITZER PRIZE FOR FICTION - NEW YORK TIMES BESTSELLER - NATIONAL BOOK AWARD FINALIST - 'You know you are in the hands of someone who can tell a story. Fantastic' ZADIE SMITH The award-winning and New York Times bestselling novel: a dark and witty story of the rise of a young orphan in the surreal and tyrannical regime of North Korea .
Young Pak Jun Do is convinced he is special. He knows he must be the unique son of the master of the orphanage, and definitely not some kid dumped by his parents. Surely it…
I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
This story and its questions of eugenics and our place in society really horrified me, not because it was unbelievable, but precisely because it was far too real. The genetic superiority/inferiority, coupled with social indoctrination into our “advanced” society, made me meditate a great deal on what it means to be human.
What are humans without societal pressures? The way Huxley looked at the costs of freedom was really compelling. And in so many ways, he accurately predicted the destructive side of the social microscope that we all live in today under social media.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
As a librarian, I loved how books were deemed a threat in this work. Through fear-mongering and keeping people distracted by technology, people are imprisoned by ignorance without access to books. I particularly enjoyed the symbolism in the robotic murder dog—it can hunt down anyone and can find you anywhere.
Living under that level of technological threat searches for what it means to be human that much harder—but vital. But my favorite idea is that the knowledge we carry collectively has the power to save our humanity.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
This masterpiece from one of the giants of mind-blowing SF is best known as a canonical example of alternate history: set in a world where the Axis powers won World War II, and the former U.S.A. is divided between occupying forces of Imperial Japan on the West Coast and Nazi Germany. As such, the conflict in the book is really about the underground resistance forces’ efforts against the occupiers.
Lots of writers have played with similar premises, but I love Dick’s the most because of its narrative daring, from using the I Ching as a device to generate plot to the Borgesian engine of the imaginary novel within the novel on which the story’s ultimate revelations turn.
'Dick's best work, and the most memorable alternative world tale...ever written' SCIENCE FICTION: THE 100 BEST NOVELS
It is 1962 and the Second World War has been over for seventeen years: people have now had a chance to adjust to the new order. But it's not been easy. The Mediterranean has been drained to make farmland, the population of Africa has virtually been wiped out and America has been divided between the Nazis and the Japanese. In the neutral buffer zone that divides the two superpowers lives the man in the high castle, the author of an underground bestseller, a…
