Here are 100 books that From the Beast to the Blonde fans have personally recommended if you like
From the Beast to the Blonde.
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I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
Jeanette Winterson is one of my all-time favorite authors, and I think her historical novels are absolutely dazzling—it’s hard to compare them to anything outside Virginia Woolf’s Orlando. This one is set in 17th Century London but also memorably incorporates the fairytale of The Twelve Dancing Princesses, using the princesses to challenge societal and gender norms.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
This is a play script, but I have to recommend it as the most adult and provocative exploration of fairytales I’ve ever read. A storyteller in a totalitarian state is interrogated about his tales after they have been linked to a series of child murders. It’s about the risks storytellers take and the dangers of stories being misinterpreted or misused. Martin McDonagh is best known as a screenwriter of films such as In Bruges or The Banshees of Inisherin, but this play is burned into my soul.
'The first duty of a storyteller is to tell a story.' Or was it 'The only duty of a storyteller is to tell a story'?
A writer in a totalitarian state is interrogated about the gruesome content of his short stories and their similarities to a number of child-murders that are happening in his town.
'Sometimes you don't even know what you've been craving until the real thing comes along.' New York Times
'McDonagh is more than just a very clever theatrical stylist. His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and…
In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
Madame D'Aulnoy is one of the key figures in my novel, and her own strange and beautiful fairytales deserve to be much better known. Many are proto-'Beauty and the Beast' narratives where enchantments turn men into rams or serpents, whilst in 'The White Cat' it is a woman who is the animal. In this sumptuous, giftable book, acclaimed artist Natalie Frank's surreal and feminist images bring an extra, adult dimension to these tales.
An enchanting selection of Madame d'Aulnoy's seventeenth-century French fairy tales, interpreted by contemporary visual artist Natalie Frank
Marie-Catherine Le Jumel de Barneville (1650-1705), also known as Madame d'Aulnoy, was a pioneer of the French literary fairy tale. Though d'Aulnoy's work now rarely appears outside of anthologies, her books were notably popular during her lifetime, and she was in fact the author who coined the term "fairy tales" (contes des fees). Presenting eight of d'Aulnoy's magical stories, The Island of Happiness juxtaposes poetic English translations with a wealth of original, contemporary drawings by Natalie Frank, one of today's most outstanding visual…
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.
Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog."
I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!
A phenomenal bestselling author meets the most magical stories ever told, now in a beautiful clothbound classics edition
In this stunningly designed book of classic fairy tales, award-winning author Philip Pullman has chosen his fifty favourite stories from the Brothers Grimm and presents them in a 'clear as water' retelling, in his unique and brilliant voice. These new versions show the adventures at their most lucid and engaging yet. Pullman's Grimm Tales of wicked wives, brave children and villainous kings will have you reading, reading aloud and rereading them for many years to come.
I write fairy tales and folklore, dark fantasy and horror. I have an academic background in history and archaeology. I am Australian (yes, lots of scary creatures here!) but inspired by this rich, multicultural country with First Nations tales for over 60,000 years. I am fascinated by how fairy tales, folklore and mythologies can be similar and yet so intriguingly different across time and space, written and oral telling. I love the enduring power of the fairytale and how, with each retelling, it transforms it into a new story, and as people travel, new tales are retold and transformed into a new version for a new place and generation.
I adored this book. I loved its clever fairy tale reimagining of Beauty and Beast set in 1940s Germany under the Third Reich. I enjoyed the transformation of this classic fairy tale into a historical novel that was rich in detail and unique characters and revealed much of the hidden voices of resistance within Germany during this time.
Forsyth is a fellow Australian fairytale, fantasy, and historical author who writes fantasy, history, fairy tale, and myth retellings reimagined into new settings that I find inspiring and the power of the fairy tale to be retold and made new and to endure.
Australian paperback edition of novel by acclaimed writer, Kate Forsyth. "Filled with danger, intrigue and romance, The Beast's Garden, a retelling of the Grimm brothers' Beauty and the Beast, is a beautiful, compelling love story set in a time [WWII Germany] when the world seemed on the brink of collapse.
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I'm a writer who has mostly written books for adults, as well as plays and screenplays, and June Sparrow and the Million Dollar Penny is my only book for children (so far). Though I read a lot of adult literature I have never stopped reading children's books. I always keep a "comfort" book on my bedside table for the middle of the night. I think that a really well-written, timeless children's book can teach us, comfort us, and take us on a journey. No matter what age you may be, I hope that you will read these books, or revisit them even if you think you are "too old" for children's books.
In the middle of the night, when I reach for a book to avoid a midnight worry-fest, I love to read fairy tales. The Grimms' Fairy Tales are wonderful because they are very short, and there is a huge variety of stories in these collections. I don't want to read for hours, I just want to read enough to go back to sleep and have some wonderful dreams. Now, many of the Grimms fairy tales are violent and deal with extreme situations, but for me, this is like cartoon violence—they make me think, sometimes they make me laugh, but they don't usually scare me. Also, these fairy tales have a lot of symbolism, transformations, and magic, and you will come across the original folk tales that have been re-told in a much flatter way by Disney, and it's always good to go to the source! Make sure to get one…
Like Sleeping Beauty awakening from her 100-year slumber, these childhood favorites arise fresh and blooming every time they're read. This new compilation of some of the world's greatest fairy tales abounds in timeless stories of the struggle of good against evil, bravery in the face of overwhelming danger, and virtue rewarded with everlasting love. Told to Jacob and Wilhelm Grimm almost two centuries ago by European storytellers, the tales possess all of the most engaging elements of folklore — from magic spells and enchanted frogs to a colorful cast of noble princes, lovely maidens, giants, witches, and other fantastic characters.…
I’ve never forgotten the thrill of my first ballet! My grandmother and I went to see The Nutcracker when I was five, and that first ballet experience inspired a lifelong love of dance. As a child, I adored dressing up and twirling around the house with my sisters, and I went on to study dance along with English Literature in college. Years later when my own daughters adored dressing up in pink tutus, I started writing about a determined little mouse who loves to dance, and so Angelina Ballerina was born. Children naturally love music and dance, and I hope the picture books I’ve chosen will inspire you and your family with the magic of dance!
I adored listening to fairytales as a child, and the Twelve Dancing Princesses was a favorite of mine, loved by my children too. Parents will appreciate this child-friendly retelling of the Grimm’s classic fairytale, along with beautiful and colorful illustrations that will beguile young dancers. There’s lots of magic and mystery in the story of the princesses who mysteriously wear out their dancing slippers every night, and the humble cobbler who saves them. Budding ballerinas will have fun dressing up and dancing like the enchanted princesses!
A beautiful, modernized version of the Grimms fairy tale 'The Twelve Dancing Princesses.' In this story, twelve princesses find that their shoes are worn out every morning-and they are totally exhausted! A handsome suitor discovers that they are enchanted, and each night, in their sleep, they are going to a magical world to dance in a ball. By helping to break the spell, he earns the love of the youngest princess. The story ends with a beautiful wedding ball.
I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
This is a must-read for me to understand the archetypes inherent to women. I have not only read it but also reread it and studied it with other women.
I love anything wild, and so does Dr. Estés. She believes that within every woman, there lives a powerful force filled with good instincts, passionate creativity, and ageless knowing. The wild is instinctual and endangered. Civilization demands women become rigid in roles contrary to the life-giving messages of our own souls. I have always believed this, and this book reinforces my beliefs.
Dr. Clarissa Pinkola Estés uses mythology, fairy tales, folk tales, and stories to assist the reconnection to our wild nature. Her interpretations are so rich, just reading the forward from time to time makes me weep with recognition of truth.
This has very strong and life-giving implications for me as a writer, but it truly is an astounding book…
First published three years before the print edition of Women Who Run With the Wolves made publishing history, this original audio edition quickly became an underground bestseller. For its insights into the inner life of women, it established Dr. Clarissa Pinkola Estes as one of the most important voices of our time in the fields of Jungian psychology, myth, and women's mysteries.
Drawing from her work as a psychoanalyst and cantadora ("keeper of the old stories"), Dr. Estes uses myths and folktales to illustrate how societies systematically strip away the feminine spirit. Through an exploration into the nature of the…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I have always been shy and overthink new experiences, so I typically just don’t do whatever it is. I hate that about myself, but I struggle to overcome it. That’s why the werewolf has always fascinated me. The wolf knows no fear, either of people or experiences. The wolf is freedom from all the constraints of human society, and to be able to call up the wolf, transform, and leave all the expectations of humanity behind and live free, relying on your instincts, is very appealing to someone who doesn’t like crowds or cities or answering to a boss at work.
Little Red Riding Hood may have been a prostitute who chose the wolf. I love how thorough Zipes is in his collection of (nearly) all things related to Red. The story is much older than the Brothers Grimm and as new as…well, this was published in 1993 and featured pretty new cartoons.
Unlike so many modern stories where the werewolf is simply a monster “out there” hunting and killing people, the story of Little Red Riding Hood is full of symbolism and metaphor and has been endlessly retold and reinterpreted across all mediums. Was she an innocent girl tricked and eaten by the wolf? Was she a curious young woman lured into the world of prostitution? Was she saved by a woodcutter? Did Grandma escape, or was she also a prostitute? The answer is almost always yes in some form of the story, and Zipes includes it here. This was…
Jack Zipes presents the many faces of Little Red Riding Hood. Bringing together 35 of the best versions of the tale, from the Brothers Grimm to Anne Sexton, Zipes uses the tales to explore questions of Western culture, sexism and politics.
