I have always been shy and overthink new experiences, so I typically just don’t do whatever it is. I hate that about myself, but I struggle to overcome it. That’s why the werewolf has always fascinated me. The wolf knows no fear, either of people or experiences. The wolf is freedom from all the constraints of human society, and to be able to call up the wolf, transform, and leave all the expectations of humanity behind and live free, relying on your instincts, is very appealing to someone who doesn’t like crowds or cities or answering to a boss at work.
As research, I read a lot of books about werewolves. Some were bad, some were decent, and some were too academic. This one was, in the words of Goldilocks, just right. I loved that it was written in a language anyone could understand and that it wasn’t focused on just one geographic location or culture.
Douglas presents everything from Greek mythology to Norse, Japanese, American Indian, and others. He keeps his personal commentary to a minimum and presents the reader with much information. I see this book as a primer for understanding just about everything about the shapeshifter in legend and literature. If the fiction author has done his/her job well, the shapeshifter will have roots in something Douglas has told us about.
Most people know about werewolves only from the fevered imagination of some Hollywood scriptwriter. But where did the image of a mild human transformed into a snarling animal come from? Why is the terrible change supposed to take place at the full moon? And why should silver bullets be supposed to lift the curse brought on by a dreadful midnight encounter? This book is about the history of one of our most potent symbols. It ranges from early Palaeolithic animal cults to modern psychiatric wards. It examines lycanthropy in Classical Greece and Ancient Egypt, in Celtic, Norse and even Christian…
Little Red Riding Hood may have been a prostitute who chose the wolf. I love how thorough Zipes is in his collection of (nearly) all things related to Red. The story is much older than the Brothers Grimm and as new as…well, this was published in 1993 and featured pretty new cartoons.
Unlike so many modern stories where the werewolf is simply a monster “out there” hunting and killing people, the story of Little Red Riding Hood is full of symbolism and metaphor and has been endlessly retold and reinterpreted across all mediums. Was she an innocent girl tricked and eaten by the wolf? Was she a curious young woman lured into the world of prostitution? Was she saved by a woodcutter? Did Grandma escape, or was she also a prostitute? The answer is almost always yes in some form of the story, and Zipes includes it here. This was a book that really helped me develop the mythology for my werewolf books.
Jack Zipes presents the many faces of Little Red Riding Hood. Bringing together 35 of the best versions of the tale, from the Brothers Grimm to Anne Sexton, Zipes uses the tales to explore questions of Western culture, sexism and politics.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
Whenever I’m asked to recommend a werewolf novel, I kick myself again for waiting so long to get around to McCammon’s take on the lycanthrope. This book isn’t just my favorite werewolf novel; it’s one of my favorite novels. Holy cow! It’s got everything! If you could fuse James Bond and Indiana Jones together, then turn that into a werewolf with roots in the Russian royalty, you’d have our hero, Michael Gallatin.
McCammon has always kind of lived in the shadow of Stephen King, but honestly, he’s ten times the writer, and his endings don’t suck. This book pulled me in, and I could not wait to return to it when silly things like the day job pulled me away. I really liked that McCammon gave us Gallitan’s back story and made the pack that turned him into a sympathetic group.
There were some loose ends, but those were resolved in a sequel of sorts (a collection of shorter stories), and the ending here was perfectly satisfying despite those. If I could only suggest one werewolf novel I didn’t write, it would be this one.
Master spy, Nazi hunter—and werewolf on the prowl—in occupied Paris: A classic of dark fantasy from a Bram Stoker Award—winning author.
Allied Intelligence has been warned: A Nazi strategy designed to thwart the D-Day invasion is underway. A Russian émigré turned operative for the British Secret Service, Michael Gallatin has been brought out of retirement as a personal courier. His mission: Parachute into Nazi-occupied France, search out the informant under close watch by the Gestapo, and recover the vital information necessary to subvert the mysterious Nazi plan called Iron Fist.
Fearlessly devoted to the challenge, Gallatin is the one agent…
This is one of my favorite werewolf movies, and it’s based on a really good short novel. In the book, Karyn is a housewife who is attacked by the apartment caretaker rather than a semi-famous TV news reporter, like in the movie. While not as exciting and lacking some of the suspense of the cat-and-mouse opening of the movie, this seems more realistic to me. There’s no warning. It’s just an average day, and suddenly, this innocent woman is brutally attacked and left traumatized in a way that redefines the rest of her life.
Less believable is how she randomly ends up in the village of werewolves when she flees the city, but I can forgive that. Brandner could have spent more time on character development, but the bare bones of the story here greatly influenced my writing. The story is tight, gripping, and over quickly, but fortunately, there are two sequels.
This is it! Gary Brandner's famous book, "THE HOWLING." A must read!
"If you haven't read Gary Brandner you're missing a treat." STEPHEN KING.
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Karyn and her husband Roy had come to the peaceful California village of Drago to escape the savagery of the city. On the surface Drago appeared to be like most small rural towns. But it was not. The village had a most unsavory history. Unexplained disappearances, sudden deaths. People just vanished, never to be found.
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Don't forget to check out: THE HOWLING II & THE HOWLING III
Ordinarily, a werewolf novel with a strong emphasis on the romance angle wouldn’t rate so highly with me, but Kelley Armstrong’s book was the right one at the right time. Elana, our heroine, is the world’s only female werewolf; her job has been killing rogue shapeshifters. She gets tired of that and tries to retire and live as a normal human, but that doesn’t work out.
What I liked about this was that it was my first exposure to a werewolf novel that really dealt with the political and social dynamics of a worldwide werewolf pack. Fortunately, Armstrong is a great storyteller, so there is more here than politics or romance. Her worldbuilding is fantastic, as evidenced by the fact this became the first in a long series of Otherworld novels.
THE FIRST NOVEL IN THE #1 NEW YORK TIMES BESTSELLING OTHERWORLD SERIES.
"Frisky...Tells a rather sweet love story, and suggests that being a wolf may be more comfortable for a strong, smart woman than being human."-The New York Times Book Review
Elena Michaels is the world's only female werewolf. And she's tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her-her temper, her violence-but requires it. Worst of all, she realizes she's growing content with…
Shy, repressed, and victimized, Shara Wellington was scared of her shadow until she met Professor Josef Ulrik. He offered her a gift of confidence, but it came with fangs, fur, and a whole new set of complications.
The only werewolf in history able to give birth, Shara finds herself hunted by the Pack, some wanting to kill her, others wanting to breed with her. All she wants is to be left alone with her husband and child. But she’ll have to kill for that freedom.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to…
The Festival of Sin is a three-story light sci-fi arc about a young boy rescued in 6000 BCE and taken to the home planet of the Hudra. Parts two and three are exploratory excursions. It's a fish-out-of-water series. More than fish-out-of-water. Fish-on-another-planet.
