100 books like Grimms' Fairy Tales

I love this book because A) the illustrations by Maurice Sendak are beautiful, and B) It's a story about a bat who stays up during the day, when the other bats are sleeping, and writes poems about what he sees. It's a book for anyone who has ever felt misunderstood, or didn't fit in, and created art out of that experience. I think all writers feel this way, and probably most people at some point no matter what they do or create in the world. It's also a book about friendship, with a bat, a chipmunk, and a mockingbird, and all of the characters are so vivid and distinct. There are also some actual poems, written by the bat, of course, and as you're reading and looking at the incredible line drawings by Maurice Sendak you can see the world the way the smaller animals around us experience the world… show more.

I hadn’t read this as a child, but upon reading it the first time, it made me feel like a child. The deep introspection, written with the imagination and voice of a young child, was calming, and I felt as if he knew how I thought as a child and adult.

I was living in France at the time, and the story had a foreign mood but was familiar. The book reached into personal childhood daydreams and fantasies. The prince’s way of thinking and expressing himself was definitely not from the modern day and it inspired me to write “up” to younger audiences. The immediacy and freshness of the illustrations motivated me to think less and feel more when creating.

This is a book I reach for if I wake up in the middle of the night, feeling worried or anxious, and I just want to go to another world. The lead character is a young girl who is brave and kind (but not perfect!) who enters a magical world by accident. This world turns out to be made up of many of the elements of our own world that we may not notice—ants, beetles, spiders, and other creatures (not all insects, but these insects are wonderful). They become part of a band of adventurers who face an epic hero's journey with a strong message about how to stand by each other, without being corny or predictable.

This is an older book, published in 1969 by a Native American author who draws on Navajo mythology. I recently re-read it myself, and it was one of those books that I couldn't… show more.

When I wake up in the middle of the night I want to re-read something that will make me feel safe, and the character of Stuart is so sweet and funny, and familiar, that I come back over and over and always find something new to love in this book. The pictures are also just right, with Stuart looking jaunty as he sails his boat in Central Park, or rides his mother's wedding ring up out of the bathroom sink drain. I'm a New Yorker, so I have a soft spot for stories that take place in New York, but it's also just a story about a wonderful little guy named Stuart. It's also a love story, and a coming-of-age story. It's not easy being a mouse born into a household of humans, no matter how much they love you. This is a book that is filled with hope, and… show more.

I adored listening to fairytales as a child, and the Twelve Dancing Princesses was a favorite of mine, loved by my children too. Parents will appreciate this child-friendly retelling of the Grimm’s classic fairytale, along with beautiful and colorful illustrations that will beguile young dancers. There’s lots of magic and mystery in the story of the princesses who mysteriously wear out their dancing slippers every night, and the humble cobbler who saves them. Budding ballerinas will have fun dressing up and dancing like the enchanted princesses!

I started reading pretty early and the Complete Fairy Tales has been one of my favorites ever since I was a little girl. This book has definitely led to widening my imagination and helped me write my own stories even when I was as little as 8. Many of my writings are inspired by different fairy tales, and this book is definitely one of those. 

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

Its… show more.

The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.

The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.

Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events. 

Scobie presents a concise exposition of the Nazis’ inferiority complex vis-à-vis imperial Rome.

Hitler, ever a fan of grotesque gigantomania, found a soulmate in Albert Speer. Their designs for rebuilding major cities on Roman principles became reality only to a small degree.

The apex was to have been Berlin, renamed Germania, as world capital. Its most stupendous building, modeled on but dwarfing the Pantheon in Rome, was the Great Hall (also People’s Hall, Hall of Glory). It was to accommodate 180,000 standing people. Above it a copper-plated dome sixteen times the size of St. Peter’s in Rome was to have risen.

Inside, the balcony from which Hitler was to deliver his addresses would have made him appear tiny. The contrast exemplifies the essence of Kitsch: unrestrained grandiosity turns ridiculous.