72 books like Phoenix

First, this is in most respects the beginning (in internal chronology) of a wonderful SF series, the Vorkosigan Saga. Each book can be read in isolation but adds to the depth and richness of the series as a whole.

Second, the reader is introduced to Cordelia Naismith and Aral Vorkosigan, two strong and unique characters who meet under daunting circumstances that become even more challenging. The title aptly (if cryptically) describes the crisis with which Aral must cope, with a competence that conceals its almost unbearable effect on him.

Speaking of competence, it’s remarkable how Bujold conveys so much of the essence of two very different societies so efficiently.

How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.

I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.

Marketed as historical novels, this series, besides being accurate, full of action and brilliant characterizations, and a roller coaster emotionally, is a deep immersion into the era of the tall ships.

It’s also subtly fantasy, though not marketed as fantasy. There are psychic elements, and later in the series O’Brian admitted that he’s writing in a sort of endless 1812. It’s really less of a series than one long story divided into volumes.

This is my favorite type of space opera: bigger-than-life characters, tons of action, with great sense of wonder and a world full of surprises. The women characters are excellent, as well.

There is a touch of fantasy in this series that I found sparked a hint of the numinous.

Delivering an outstanding customer experience isn't just about tweaking minor details; it's about continuously reinventing oneself to align with evolving customer expectations.

I found this book unputdownable because it presents a wide array of cases from large companies that have undergone transformative reinventions, akin to a phoenix rising from the ashes.

Peter's skill as a storyteller is exceptional, and his deep, personal involvement in these narratives elevates this book to my all-time favorite on the topic of business reinvention to remain valuable to customers.

In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.

Don’t be scared off by this 1646 book. It’s essential for anyone who follows mythical beasts through time. One of the best-known parts of Browne’s influential book is Book III: “Of divers popular and received Tenets concerning Animals, which examined, prove either false or dubious.” By discrediting the classical and medieval authorities that perpetuated them, he considers the griffin, basilisk, unicorn, amphisbaena, and phoenix to be “fabulous,” thus separating them from the actual animal kingdom after centuries of general belief.

The now obscure Alexander Ross, “Champion of the Ancients,” refuted Browne’s book virtually point for point in his 1652 Arcana Microcosmi. Ross lost that Battle of the Books between the ancients and the moderns. Mythical animals rarely appeared in eighteenth-century literature, but they rose again a century later.

A thoughtfully built world that includes people who ride into battle on the backs of phoenixes? Yes. Everyone needs this in their life. Sister queens, found family, and bonds with magical creatures -- Crown of Feathers is brimming with details that make this world feel real and lived in. 

Perhaps our greatest writer for children and young adult fiction, two-time Carnegie Medal winner Margaret Mahy, this book won the 2005 Phoenix Award from the Children's Literature Association. Essentially it’s a love story, but not as you’ve ever experienced it before. It’s brainy, surprising, endearing, and really, really worth a read!  

If this book only contained Erasmus’ virtuoso display and structural analysis of how the sentence ‘Your letter pleased me greatly’ can be expressed in over 150 ways, it would be well worth getting. The book, however, contains far more – including examples of descriptive writing that Erasmus admired. If you want ideas on how you might describe a shipwreck, a storm, or a whirlwind, you’ll find them here. It also has ideas on how to describe games, processions, and battles. It features interesting descriptions of living creatures, ranging from porcupines to bees to mythical creatures like the phoenix. Not many writing manuals offer an appreciative evaluation of classical texts easily accessible on line. I’ve enjoyed engaging with the work of the authors quoted – and would recommend it for anyone seeking to drink deep from the fountain of historic practices, to refresh and reinvigorate their own writing style.