Here are 100 books that Enchantress from the Stars fans have personally recommended if you like
Enchantress from the Stars.
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One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
Echo North combined several familiar-to-me folk tales, and introduced me to the tale of Tam Lin. I loved the blending of known and original—especially the mirror room, where stories layered upon stories and acquaintances took on completely new qualities. The sewing together of a fracturing magical house also fascinated me. I was never sure about the intentions of certain people until the end, and despite guessing wrong, I was delighted by what really was happening.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf's enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
I have two favorite retellings of Goose Girl and it was difficult to pick one for my list (the other is by Shannon Hale). The lyrical language combined with a young woman who grows from passive acceptance to taking a stand is beautiful. I especially love the ending and her unique solution to saving the man she loves. It is a story of abuse and healing, learning to trust and to find family. It is also on justice and mercy, at many levels.
'A dark, Middle-Eastern influenced retelling [...] dangerous secrets, false identities, delicious court intrigue and justice.' Culture Fly
Between her family's cruelty and the court's contempt, Princess Alyrra has spent her life in the shadows. Forced to marry a powerful foreign prince, Alyrra embarks on a journey to meet her betrothed with little hope for a better future. But powerful men have powerful enemies - and now so does Alyrra.
When Alyrra is betrayed and her identity is switched with another woman's, Alyrra is faced with the first choice she's ever had: to start a new life for herself or fight…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
I literally guffawed as I read this—enough times that my kids begged me to read it to them (which I did). This retelling of Beowulf played with expectations, twisting and turning in unexpected ways. The characters were fully fleshed out, with plenty of faults and quirks. No one was who I thought they were. Intrigue, magic, and stubborn independence mixed to make this delightful tale.
Plagued by misfortune, Ingrid Norling treks into the woods to clear her head. She emerges a monster-slayer, the shaken executioner of a creature so ferocious that even the king's strongest warriors could not destroy it. In a land that reveres swords and worships strength, this accidental heroism earns Inge an audience at court and an ill-fated prize: King Halvard impulsively adopts her and names her as his heir.
Under constant guard to prevent her escape, Inge confronts the ignoble underbelly of the royal court: a despotic king, a clueless princess, a proud warrior, and a dangerous intrigue. As secrets unravel…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
This was one of my first introductions to novel-length fairy tales. Shadow Spinner influenced the first stories I made up as bedtime tales for my little sisters. Like Marjan, I love playing with the many threads of traditional tales, weaving them together with my own threads of imagination. I still have folders with my first attempts at writing the thousand-and-second tale of Arabian Nights.
Every night, Shahrazad begins a story. And every morning, the Sultan lets her live another day -- providing the story is interesting enough to capture his attention. After almost one thousand nights, Shahrazad is running out of tales. And that is how Marjan's story begins.... It falls to Marjan to help Shahrazad find new stories -- ones the Sultan has never heard before. To do that, the girl is forced to undertake a dangerous and forbidden mission: sneak from the harem and travel the city, pulling tales from strangers and bringing them back to Shahrazad. But as she searches the…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
This book by Jane Langton, which inspired me to write my own books, is another one of my all-time favorite magical middle-grade books. Written in the 1960s and set in Concord, Massachusetts, it drew me in right away when siblings Eleanor and Eddie discover a magic attic room with a roadmap to treasure that might just save their remarkable old home.
My favorite chapters deal with the self-acceptance that helps Eleanor choose wisely for her future (The Gift of the Mirror) and Eddie’s discovery of the importance of helping others (The Chambered Nautilus).
The Halls' house stood out like an exotic plant amidst all the neat, square houses in Concord. It had porches, domes and towers and a tiny window in the attic whose raised center pane shone out like a brilliant diamond.
There had been jewels once in the house, the gift of an Indian prince to two children, Ned and Nora. The prince had devised ingenious games so that the hidden jewels could be found. And then, suddenly, mysteriously the children and then Prince Krishna disappeared...
Years later, Eleanor and Eddy, niece and nephew of the lost…
I’m an artist and writer who works with food and eating. I find inspiration for my practice in my own body processes and in caring for and advocating for my friends and family. When my grandfather lost the ability to swallow, I began to understand the fragility and vulnerability of our gastrointestinal systems. After many years of teaching, making, and writing about food art, I started to wonder about what happens after eating. The books on this list join me in arguing for digestion, metabolism, and defecation as vital cultural processes. These authors have changed how I relate to food, guts, and my body.
I was enthralled by this book. I didn’t want to leave its strange but familiar world. Lai slipstreams between a near-future dystopia and ancient origin stories.
This book made me question the common assumption that eating and reproduction are unrelated processes. I started wondering if I carried the smells of my mother’s diet on my skin like Lai’s protagonist, who smells like durian fruit.
When I finished this book, I knew I would read it several more times, and I have!
Salt Fish Girl is the mesmerizing tale of an ageless female character who shifts shape and form through time and place. Told in the beguiling voice of a narrator who is fish, snake, girl, and woman - all of whom must struggle against adversity for survival - the novel is set alternately in nineteenth-century China and in a futuristic Pacific Northwest.
At turns whimsical and wry, Salt Fish Girl intertwines the story of Nu Wa, the shape-shifter, and that of Miranda, a troubled young girl living in the walled city of Serendipity circa 2044. Miranda is haunted by traces of…
As a journalist and author and a young father, I’ve come to seek more vigorously things that make me smile, things I can cherish and appreciate. My most recent book is dedicated to “the troubled, in trouble, and once troubled.” In promoting the book, I’ve often said I still feel fairly troubled—which is true. Demons never die, we just live to learn with them. So while reading the below books I’ve discovered hallowed moments which fill a person to the brim. After each of these reads I felt that I could surmount most anything.
I’ve owned a number of homes. Most were small, one or two were fairly large. When I set about building my own writing shed I had a clue where to begin, but most frequently—when bashing a nail, jigsawing a piece of wood—I knew very little about why I was making one decision over another much beyond practical considerations. A window could only fit here, and the door must swing this way, lest it hit that support beam. Having a companion to that process, letting not my hammer but the Earth fine-tune my space gave that writing shed life far beyond its function.
A captivating personal inquiry into the art of architecture, the craft of building, and the meaning of modern work
“A room of one’s own: Is there anybody who hasn’t at one time or another wished for such a place, hasn’t turned those soft words over until they’d assumed a habitable shape?”
When Michael Pollan decided to plant a garden, the result was the acclaimed bestseller Second Nature. In A Place of My Own, he turns his sharp insight to the craft of building, as he recounts the process of designing and constructing a small one-room structure on his rural Connecticut…
I grew up in farm country of central Indiana. But spent my summers on an island in northern Ontario with my grandparents. My grandfather was a self-taught naturalist and shared his love and fascination of the world around us with me. I went on to become a geologist and traveled the globe exploring for natural resources. My love of nature and science is the foundation for the science fiction I write. Whether a proven theory, a fantastical hypothesis, or true science fiction, it’s all based on science fact. It allows everyone to learn about a world built in science fiction which one day may exist in science fact.
In February 2016, astronomers announced the discovery of gravitational waves, the last remaining prediction of Einstein’s General Theory of Relativity. Gravitational waves are produced by the collision of gigantic bodies—neutron stars, blackholes—and from exploding stars. This book details the trials and tribulations as scientists attempt to build the most accurate measuring devices known to humankind. The result of their success is the LIGO observatories in Washington and Louisiana.
Since the first discovery, we now have listened to a multitude of gravitational waves—our universe sings with these songs as the waves flow across the universe. Waves that may allow us to hear the sounds of the Big Bang. The intragalactic ships in my own books utilize these gravitational waves to travel at faster-than-light speeds. I was awed by the scientific determination and rooted for the scientists as they overcame one hurdle after another.
An updated classic that recounts the long hunt for Einstein's predicted gravitational waves-and celebrates their recent discovery
In February 2016, astronomers announced that they had verified the last remaining prediction of Einstein's general theory of relativity-vibrations in space-time, called gravitational waves. Humanity can now tune in to a cosmic orchestra. We have heard the chirp of two black holes dancing toward a violent union. We will hear the cymbal crashes from exploding stars, the periodic drumbeats from swiftly rotating pulsars, and maybe even the echoes from the Big Bang itself.
Marcia Bartusiak was one of the first to report on…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
Even now, I can’t read this without getting goosebumps. No other writer matches L. M. Boston for creating an enchanting, intriguing atmosphere that leads the reader, along with the story’s main character, 7-year-old Tolly, to feel the ghost children long before they appear. When they do, the combination they bring of joy, playful behaviour, and wistfulness – there is a reason, after all, that they are all ghosts together – goes straight to the heart.
L. M. Boston's thrilling and chilling tales of Green Knowe, a haunted manor deep in an overgrown garden in the English countryside, have been entertaining readers for half a century. Now the children of Green Knowe--both alive and ghostly--are back in appealing new editions. The spooky original illustrations have been retained, but dramatic new cover art by Brett Helquist (illustrator of A Series of Unfortunate Events) gives the books a fresh, timeless appeal for today's readers.
