Here are 100 books that Enchantress from the Stars fans have personally recommended if you like
Enchantress from the Stars.
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One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
Echo North combined several familiar-to-me folk tales, and introduced me to the tale of Tam Lin. I loved the blending of known and original—especially the mirror room, where stories layered upon stories and acquaintances took on completely new qualities. The sewing together of a fracturing magical house also fascinated me. I was never sure about the intentions of certain people until the end, and despite guessing wrong, I was delighted by what really was happening.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf's enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
I have two favorite retellings of Goose Girl and it was difficult to pick one for my list (the other is by Shannon Hale). The lyrical language combined with a young woman who grows from passive acceptance to taking a stand is beautiful. I especially love the ending and her unique solution to saving the man she loves. It is a story of abuse and healing, learning to trust and to find family. It is also on justice and mercy, at many levels.
'A dark, Middle-Eastern influenced retelling [...] dangerous secrets, false identities, delicious court intrigue and justice.' Culture Fly
Between her family's cruelty and the court's contempt, Princess Alyrra has spent her life in the shadows. Forced to marry a powerful foreign prince, Alyrra embarks on a journey to meet her betrothed with little hope for a better future. But powerful men have powerful enemies - and now so does Alyrra.
When Alyrra is betrayed and her identity is switched with another woman's, Alyrra is faced with the first choice she's ever had: to start a new life for herself or fight…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
I literally guffawed as I read this—enough times that my kids begged me to read it to them (which I did). This retelling of Beowulf played with expectations, twisting and turning in unexpected ways. The characters were fully fleshed out, with plenty of faults and quirks. No one was who I thought they were. Intrigue, magic, and stubborn independence mixed to make this delightful tale.
Plagued by misfortune, Ingrid Norling treks into the woods to clear her head. She emerges a monster-slayer, the shaken executioner of a creature so ferocious that even the king's strongest warriors could not destroy it. In a land that reveres swords and worships strength, this accidental heroism earns Inge an audience at court and an ill-fated prize: King Halvard impulsively adopts her and names her as his heir.
Under constant guard to prevent her escape, Inge confronts the ignoble underbelly of the royal court: a despotic king, a clueless princess, a proud warrior, and a dangerous intrigue. As secrets unravel…
Eleven-year-old Mira wishes everything could go back to the way it was. Before she changed schools and had to quit gymnastics. Especially before Papa died. Now she spends her days cooking and cleaning for her stepsisters and Val—who she still won’t call mom and still won’t forgive for the terrible…
One of my favorite sections in the library is the collections of folk and fairy tales. Especially the lesser-known tales. My novel, Vasilisa, is inspired by the Russian folktale Vasilisaand Staver, plus my question of “how did Vasilisa get so strong?” I love combining folk tales with extensive research of the culture and history of their settings, as well as delving into characters who have vastly different experiences than mine. And I love reading character and detail-rich novelizations of traditional tales. It was difficult to pick only five novels based on lesser-known fairy tales. Enjoy, then go find some others!
This was one of my first introductions to novel-length fairy tales. Shadow Spinner influenced the first stories I made up as bedtime tales for my little sisters. Like Marjan, I love playing with the many threads of traditional tales, weaving them together with my own threads of imagination. I still have folders with my first attempts at writing the thousand-and-second tale of Arabian Nights.
Every night, Shahrazad begins a story. And every morning, the Sultan lets her live another day -- providing the story is interesting enough to capture his attention. After almost one thousand nights, Shahrazad is running out of tales. And that is how Marjan's story begins.... It falls to Marjan to help Shahrazad find new stories -- ones the Sultan has never heard before. To do that, the girl is forced to undertake a dangerous and forbidden mission: sneak from the harem and travel the city, pulling tales from strangers and bringing them back to Shahrazad. But as she searches the…
I’m Rashin Kheiriyeh, born in Iran to a mother who was an artist. From a young age, I adored picture books and spent hours doodling and crafting stories for my paintings. This early passion for art and storytelling drives me to explore themes of nature, change, and emotional connections in my work. With around 100 children’s books published globally, I draw on personal experiences and cultural heritage to create engaging, meaningful stories. My expertise in illustrating and writing allows me to connect with readers through vivid imagery and heartfelt narratives, making me especially attuned to themes of hope and transformation in literature.
This book is great because it turns a familiar and often tedious experience—road trips—into a whimsical and engaging adventure. Santat's dynamic illustrations and clever storytelling capture the excitement and restlessness of a long journey while also offering a fun, imaginative twist.
The book transforms the mundane into something magical, showcasing the joy of the journey itself rather than just the destination. Its vibrant artwork and playful narrative make it a delightful read that resonates with both children and adults, reminding us that the journey can be as rewarding as the destination.
Join Little Bear and Daddy Bear for a walk on the wild side, as they set off on their amazing journey to the sea. It,s a long way for a little bear, but with his dad there to guide him and so many exciting things to see and explore on their travels, it,s sure to be the journey of a lifetime.
I am a professor of philosophy at Wake Forest University, with a Ph.D. in philosophy from the University of Massachusetts at Amherst. I teach courses in the philosophy of space and time, the history of philosophy, and the philosophy of science. In addition to several authored and edited books on the philosophy of time, I have published many scholarly articles on time, perception, knowledge, and the history of the philosophy of time. I have always been attracted to the philosophy of time because time is quite simply at the root of everything: through the study of time we confront and illuminate the deepest possible questions both as to the nature of the physical world and as to the nature of human existence.
Our best physical understanding of the universe has no place for the passage of time as a distinct dynamical process. What time it is ‘now’ is no more a fundamental aspect of the universe than what place is ‘here’. This strikes many as counter-intuitive or impossible. Philosopher Craig Callender takes the reader on a very thorough examination of modern physical theories of time in search of an explanation as to why the time of physics seems to diverge from the time of human experience. He argues that, due to the way the laws of physics are constituted, time is just the dimension that allows for the most informative explanations for physical phenomena.
As we navigate through life we instinctively model time as having a flowing present that divides a fixed past from open future. This model develops in childhood and is deeply saturated within our language, thought and behavior, affecting our conceptions of the universe, freedom and the self. Yet as central as it is to our lives, physics seems to have no room for this flowing present. What Makes Time Special? demonstrates this claim in detail and then turns to two novel positive tasks. First, by looking at the world "sideways" - in the spatial directions - it shows that physics…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.
Like with my first recommendation, I feel that this book appeals to a desire for adventure that we all had as kids. Who didn’t dream of Time Travel adventures as a kid? And again, as an adult, I have of course come to realize that I’d not last a day if I were to fall into this sort of adventure – and although time travel is supposedly possible, albeit only as a one-way journey due to the nature of time-dilation, the undertaking of such a journey, and the physical aspects of what is involved, I’d never want to do it now. Of course, in Playing Beatie Bow, Abigail’s time travel method is very simple (and impossible), but the trouble she gets into in the past is complicated, complex, and dangerous. The book’s dual settings might not appeal to young readers of today, but its lessons about learning to live…
Disturbed that her mother could welcome back her unfaithful father, Abigail Kirk undergoes a mysterious voyage to nineteenth-century Australia, where her experiences help her to understand the power of love and to accept her father
I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.
This book features Princess Ying Yue, a character who defies numerous conventions, including traditional gender norms and the expectation that royalty must prioritize duty over love. I adored the complex dynamic between Ying and her two princes; I really couldn’t predict which direction the love triangle would go from the outset. There were so many twists and turns, but everything came together in a satisfying end.
This book was so creepy, eerie, and unsettling, yet beautifully written and carefully crafted with a rare elegance. The worldbuilding completely enamored me, and the creepy Mirror World is something that I’ll be thinking about for a long time.
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
I’ve tried to explain this book to people for years, with varying degrees of success. It’s odd considering I’ve read it ten times. Bachelard was a philosopher but this is a work of deeply-rooted poetry. It’s not really philosophy or analysis, this book. It’s more of a seductive, lyrical invitation inside Bachelard’s dreamy, passionate imagination.
It explores the concept of “home” and the distinctions of inside and outside. It has nothing to do with cities or urbanism at first glance, but the second time I read it I tried to superimpose it onto the urban context. The idea of a city as a home - a notion that the Nobel Prize laureate for literature, Johannes V. Jensen, planted in my head in his 1934 novel Gudrun. I still have trouble explaining how, but this book is the seed for many of my thoughts and philosophies about space and cities.
Beloved and contemplated by philosophers, architects, writers, and literary theorists alike, Bachelard's lyrical, landmark work examines the places in which we place our conscious and unconscious thoughts and guides us through a stream of cerebral meditations on poetry, art, and the blooming of consciousness itself.
Houses and rooms; cellars and attics; drawers, chests and wardrobes; nests and shells; nooks and corners: no space is too vast or too small to be filled by our thoughts and our reveries.
With an introduction by acclaimed philosopher Richard Kearney and a foreword by author Mark Z. Danielewski.
