Here are 91 books that Half Magic fans have personally recommended if you like
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I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This is the story of Jack Crabbe. Jack was reared by both white and Cheyenne folks.
His story is a masterpiece and describes the destruction of Native Americans along with their way of life (including the bison they relied on). According to Jack, he even participated in the Battle of Little Big Horn and was the only white man who survived.
I recommend this book to anyone who is interested in American history and who wants to read about it in an entertaining way. There’s no way to disguise the hateful way European settlers wiped out native tribes and/or enslaved Natives and Blacks, but at least this is an engaging account thereof.
'I am a white man and never forget it, but I was brought up by the Cheyenne Indians from the age of ten.' So starts the story of Jack Crabb, the 111-year old narrator of Thomas Berger's masterpiece of American fiction. As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.
As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
“Doors are very powerful things. Things are different on either side of them”’
I love this quote. There’s nothing like the threshold of a door when it comes to story magic! It’s steeped in tradition since long before Roman times. And Diana Wynne Jones is the underrated Queen of this whimsical genre. Her words flow so beautifully, and not only that, her characters are the cutest. I fell in love with Calcifer, the little fire demon, and the headstrong Sophie.
Now an animated movie from Studio Ghibli and Hayao Miyazaki, the oscar-winning director of Spirited Away
In this beloved modern classic, young Sophie Hatter from the land of Ingary catches the unwelcome attention of the Witch of the Waste and is put under a spell...
Deciding she has nothing more to lose, Sophie makes her way to the moving castle that hovers on the hills above her town, Market Chipping. But the castle belongs to the dreaded Wizard Howl, whose appetite, they say, is satisfied only by the souls of young girls...
There Sophie meets Michael, Howl's apprentice, and Calcifer…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
This book by Jane Langton, which inspired me to write my own books, is another one of my all-time favorite magical middle-grade books. Written in the 1960s and set in Concord, Massachusetts, it drew me in right away when siblings Eleanor and Eddie discover a magic attic room with a roadmap to treasure that might just save their remarkable old home.
My favorite chapters deal with the self-acceptance that helps Eleanor choose wisely for her future (The Gift of the Mirror) and Eddie’s discovery of the importance of helping others (The Chambered Nautilus).
The Halls' house stood out like an exotic plant amidst all the neat, square houses in Concord. It had porches, domes and towers and a tiny window in the attic whose raised center pane shone out like a brilliant diamond.
There had been jewels once in the house, the gift of an Indian prince to two children, Ned and Nora. The prince had devised ingenious games so that the hidden jewels could be found. And then, suddenly, mysteriously the children and then Prince Krishna disappeared...
Years later, Eleanor and Eddy, niece and nephew of the lost…
Alien invasion is just another form of apocalypse. The terrible truth is, our civilization and our world can end in many different ways. I think of myself as being on a life-long quest to read as many variations as possible. No matter how things end, I’m always interested in how authors portray human survival. Even when we inflict harm on ourselves, humanity always seems to be capable of bouncing back. It’s a form of optimism that I just can’t resist. I try to include some of that hope in everything I write.
This is the first book in a series. It was my grade school introduction to the concept of young adult post-apocalyptic themes. The fact that one of the central characters is a visually impaired young man who finds a pair of life-changing eyeglasses was a big deal to me. This might be the book that solidified my interest in post-apocalyptic literature. The fact that this apocalypse is the result of an alien invasion is just icing on the cake.
Monstrous machines rule the Earth, but a few humans are fighting for freedom in this repackaged start to a classic alien trilogy ideal for fans of Rick Yancey’s The 5th Wave.
Will Parker never dreamed he would be the one to rebel against the Tripods. With the approach of his thirteenth birthday, he expected to attend his Capping ceremony as planned and to become connected to the Tripods—huge three-legged machines—that now control all of Earth. But after an encounter with a strange homeless man called Beanpole, Will sets out for the White Mountains, where people are said to be free…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
When I was a kid, I read aLife Magazine article about elephants. Specifically, it shared how the elephants tried to keep an old, beloved family member alive and mourned his passing. It touched my heart.
Set in French Equatorial Africa, The Roots of Heaven is about Morrel, who attempts to stop the extinction of elephants. It’s an uphill fight for Morrel and those few who work with him and is basically a metaphor for humanity’s struggle to survive.
I loved this book for a number of reasons, not the least of which was how hopeless Morrel’s task seems, and how he keeps fighting anyway. I feel hopeless and helpless much of the time as I watch humans kill not merely each other but the earth itself. The Roots of Heaven shows that light can still shine in the murk of destruction.
The Roots of Heaven takes as its subject the deliberate and relentless hunting and killing of elephants for their ivory. Morel, a former dentist whose survival in a Nazi concentration camp he attributes to his fixation on the freedom and companionability of elephants, travels to Africa intent on stopping the slaughter. He circulates a petition demanding their killing be made illegal. It attracts two signers: a disgraced American from the Korean War and a call girl described as "just another animal who needed protection." From here things get really interesting―politically, socially and culturally. Morel realizes that action is necessary; a…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book made me fall in love with the mystery genre.
It’s set on an unnamed Canadian island after WWII, and features two children, Barnaby and Christie, who at first hate each other, and then become pals and schemers in the murder of Barnaby’s uncle before the uncle can kill Barnaby in order to gain Barnaby’s inheritance.
Enhanced by wonderful characters, including an RCMP sergeant (the only survivor of all the islanders’ sons who fought in WWII and feels guilty about it), a one-eared cougar, a vicious bull, and a village idiot, I fell in love with everything about this book.
It was published in 1963, and still holds up today in all its eccentricity, wit, and a little (or a lot of) darkness.
When recently-orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except for one small problem: his uncle is trying to kill him. Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Christie, who concludes that there is only one way to stop his demonic uncle: Barnaby will just have to kill…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
Los Angeles’s Bunker Hill was once a beautiful residential area of Victorian homes of wealthy Angelenos.
In the early 1960s, most of the homes had fallen into disrepair and were being demolished (LA isn’t renowned for his love of history). Leo Politi, prolific artist and writer, documented the area in words and pictures so people could still see what it looked like.
I’m a native of the LA area (Pasadena, to be precise) and a historian at heart. I love this book and Leo Politi, whom I met several times when I worked in the Pasadena Public Library. The almost vertical funicular railroad, Angels Flight, connects Bunker Hill to downtown LA. It also features in some of my books.
The president of the Angels Flight Society said they relied heavily on Mr. Politi’s Bunker Hill when they were refurbishing the railroad. You can still ride on Angels Flight today! Pay…
This stunning work constitutes Caldecott Award-winning illustrator Leo Politi’s love letter to Bunker Hill. In the 1960s, during a period of urban renewal, Los Angeles chose to demolish the 30 blocks of 19th-century homes that Politi had called home for several decades of his life. Here, in strikingly colored line drawings and readable prose, Politi shares his remembrances of his neighborhood and neighbors, bringing the Hill back to life.
I am a former journalist, currently a freelance writer and editor, book blogger, and author. I’ve spent my entire life voraciously reading. I majored in history in college and spent many years covering Congress and politics in Washington, D.C., before turning to writing books.
Edward Eager’s books were my inspiration when I started writing the President and Me series. I picked The Time Garden here because it specifically deals with the concept of time, but most of Eager’s books would fit the bill, including Half Magic. Eager’s books, published in the 1950s and ‘60s, feature kids who have magic adventures, often through time travel but are also grounded in their own present-day reality, with issues they have to cope with in between their escapades.
Book four in the series called "truly magic in a reader's hands" by Jack Gantos, Newbery Medal winner for Dead End in Norvelt.
Time and again, the children from Knight’s Castle have longed for another magic adventure.
But you can’t find magic just anywhere. It doesn’t grow like grass. It requires the right place and the right time . . . Or thyme, as the case may be. At Mrs. Whiton’s house, magic grows as wild as the banks of thyme in the garden. Growing there is olden time, future time, and common time. Or so says the Natterjack, the…
I’m a professor of philosophy because when I got to college, philosophy sounded like what Gandalf would study—the closest thing we have to the study of magic. It turns out, I wasn’t far from the mark. Philosophy shows you entire dimensions to the world that you never noticed because they exist at weird angles, and you have to change your way of thinking to see them. Entering them and seeing the world from those perspectives transforms everything. A great work of philosophy is like having the lights turn on in an annex of your mind you didn’t know was there, like an out-of-mind experience—or perhaps, an in-your-mind-for-the-first-time experience.
If aliens land and ask me what it’s like to be a human, I’ll give them Heidegger’s first book, Being and Time. Of course, that might prompt them to destroy all humans out of frustration at the difficulty of his writing, but if they persevere, they will find the best description of what it’s like to live out your time on this planet (One Hundred Years of Solitude comes in second).
A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing…
