Here are 95 books that The Roots of Heaven fans have personally recommended if you like
The Roots of Heaven.
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I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This is the story of Jack Crabbe. Jack was reared by both white and Cheyenne folks.
His story is a masterpiece and describes the destruction of Native Americans along with their way of life (including the bison they relied on). According to Jack, he even participated in the Battle of Little Big Horn and was the only white man who survived.
I recommend this book to anyone who is interested in American history and who wants to read about it in an entertaining way. There’s no way to disguise the hateful way European settlers wiped out native tribes and/or enslaved Natives and Blacks, but at least this is an engaging account thereof.
'I am a white man and never forget it, but I was brought up by the Cheyenne Indians from the age of ten.' So starts the story of Jack Crabb, the 111-year old narrator of Thomas Berger's masterpiece of American fiction. As a "human being", as the Cheyenne called their own, he won the name Little Big Man. He dressed in skins, feasted on dog, loved four wives and saw his people butchered by the horse soldiers of General Custer, the man he had sworn to kill.
As a white man, Crabb hunted buffalo, tangled with Wyatt Earp, cheated Wild…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book taught me to love reading when I was in the third grade. Jane, Mark, Katharine, and Martha are suffering the summertime-boredom blues when they find a grimy old coin.
By accident they discover the coin is magic; however, it’s so old it only works part-way. The adventures they have while trying to figure out what’s going on are charming and hysterical. I always laugh when the cat tries to halfway express itself because the children forgot to double the wish they wished.
Anyone with a sense of humor, adventure, and who misses (or missed) the delights of childhood should read this book. It was published in the 1950s, is set in the 1920s, and is still in print! That’s the hallmark of an excellent book.
Book one in the series called "truly magic in a reader's hands" by Jack Gantos, Newbery Medal winner for Dead End in Norvelt.
It all begins with a strange coin on a sun-warmed sidewalk. Jane finds the coin, and because she and her siblings are having the worst, most dreadfully boring summer ever, she idly wishes something exciting would happen.
And something does: Her wish is granted. Or not quite. Only half of her wish comes true. It turns out the coin grants wishes—but only by half, so that you must wish for twice as much as you want.
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book made me fall in love with the mystery genre.
It’s set on an unnamed Canadian island after WWII, and features two children, Barnaby and Christie, who at first hate each other, and then become pals and schemers in the murder of Barnaby’s uncle before the uncle can kill Barnaby in order to gain Barnaby’s inheritance.
Enhanced by wonderful characters, including an RCMP sergeant (the only survivor of all the islanders’ sons who fought in WWII and feels guilty about it), a one-eared cougar, a vicious bull, and a village idiot, I fell in love with everything about this book.
It was published in 1963, and still holds up today in all its eccentricity, wit, and a little (or a lot of) darkness.
When recently-orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except for one small problem: his uncle is trying to kill him. Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Christie, who concludes that there is only one way to stop his demonic uncle: Barnaby will just have to kill…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
Los Angeles’s Bunker Hill was once a beautiful residential area of Victorian homes of wealthy Angelenos.
In the early 1960s, most of the homes had fallen into disrepair and were being demolished (LA isn’t renowned for his love of history). Leo Politi, prolific artist and writer, documented the area in words and pictures so people could still see what it looked like.
I’m a native of the LA area (Pasadena, to be precise) and a historian at heart. I love this book and Leo Politi, whom I met several times when I worked in the Pasadena Public Library. The almost vertical funicular railroad, Angels Flight, connects Bunker Hill to downtown LA. It also features in some of my books.
The president of the Angels Flight Society said they relied heavily on Mr. Politi’s Bunker Hill when they were refurbishing the railroad. You can still ride on Angels Flight today! Pay…
This stunning work constitutes Caldecott Award-winning illustrator Leo Politi’s love letter to Bunker Hill. In the 1960s, during a period of urban renewal, Los Angeles chose to demolish the 30 blocks of 19th-century homes that Politi had called home for several decades of his life. Here, in strikingly colored line drawings and readable prose, Politi shares his remembrances of his neighborhood and neighbors, bringing the Hill back to life.
I am a Scottish writer who discovered at the age of 49 that my grandfather was an SS officer involved in the Holocaust. I wrote my book, A Nazi in the Family, to understand how a dark family secret could remain hidden for so long and I have spent the years since publication talking about my grandfather as an example of an ordinary man who turned to doing extraordinary evil.
The author, a keen observer of behaviour under appalling conditions, has an astonishingly wise and humane attitude that bears him through both internment and concentration camps. I have a personal interest in this book, and the writer, because I am the speaking partner of his daughter Noemie Lopian, and we talk at synagogues, schools, universities, and public events to ask for kindness, toleration, and understanding.
The Night lasted five years and eight days. Before the Night began, Ernst Bornstein was a precocious eighteen-year-old¬ who had an ordinary family with three siblings, two parents, and a large circle of friends and relatives. But in the autumn of 1939, decades of anti-Semitic propaganda turned into full-fledged violence. Bornstein's family was subsequently sent to Auschwitz where his parents and siblings were gassed to death. The Long Night is Bornstein's firsthand account of what he witnessed in seven concentration camps. Written with remarkable insight and raw emotion, The Long Night paints a portrait of human psychology in the darkest…
Jeffrey H. Jackson is a prolific author and award-winning Professor of History at Rhodes College. He has written several books about the history of Europe including Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis, Paris Under Water: How the City of Light Survived the Great Flood of 1910, and Making Jazz French: Music and Modern Life in Interwar Paris. His writing has appeared in the Washington Post, CNN.com, TheHill.com, HistoryNewsNetwork.com, and in numerous other publications.
Hitler had ambivalent feelings about gay men, but Heinrich Himmler did not. The SS leader spearheaded the Nazi persecution of homosexuality in an effort to root out a perceived corruption that he believed was incompatible with the hyper-masculine doctrine of Nazism. A direct response to a flourishing gay culture in the 1920s and the medical study of “sexology,” gay men were rounded up and forced to wear the pink triangle as a sign of what the Nazis called their “degeneracy.”
This is the first comprehensive book in English on the fate of the homosexuals in Nazi Germany. The author, a German refugee, examines the climate and conditions that gave rise to a vicious campaign against Germany's gays, as directed by Himmler and his SS--persecution that resulted in tens of thousands of arrests and thousands of deaths.
In this Nazi crusade, homosexual prisoners were confined to death camps where, forced to wear pink triangles, they constituted the lowest rung in the camp hierarchy. The horror of camp life is described through diaries, previously untranslated documents, and interviews with and letters from…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
Though becoming a prisoner in Auschwitz is unfathomable to me, I became attached to the Alma and her daily sorrows and struggles to endure her life in a concentration camp.
I believe that we are given two tasks in our lives: one, to figure out why we are distinctly ourselves (our gifts), and two, to use that gift to help others however we can. I was inspired by Alma, who used her gift in an extraordinary way to make the lives of many others better. And when presented with few choices, she chose the one that would benefit others.
I was hooked from the beginning of this heartbreaking story.
I am a historian, and I am fascinated by the interplay and tensions between our moral and material lives. In my books, I try to recover how people in earlier periods thought about good and bad and why they acted the way they did. I try to understand how norms and customs change over time and how we came to think of our own as “normal,” which was all but normal not so long ago. I do not believe historians should play being prophets, but I do believe history can help us make better sense of the present.
This historical novel is about a young Romanian German who is deported to a Soviet labour camp by Stalin after the Second World War. Herta Müller herself grew up as a member of the Romanian German minority, and the novel is inspired by her conversations with survivors of the camps.
What made this book truly spellbinding for me–in addition to the story–was the playful melody of the language. It is a reminder of how rich and diverse the German language and culture were with the various communities in Central and Eastern Europe until the Second World War and the deportations and expulsions.
'I know you'll return'. These are his grandmother's last words to him. He has them in his head as he boards the truck at 3am on a freezing mid-January morning in 1945. They keep him company during the long journey to Russia. They keep him alive - through hunger, pain, and despair - during his time in the brutal Soviet labour camps. And, eventually, they bring him back home. But when he does return, he finds that an embarrassed, traumatised silence hangs over his harrowing experiences. Even with his two friends, fellow Romanian-Germans who survived the camps with him, the…
I am an author, physician, mother of three, and an advocate for social justice in education. I came to Canada as a refugee from the Vietnam war when I was a young child. I love to write children's stories that convey the humanity in our lives. My books have been shortlisted for the Alberta Literary Award, Red Maple Award, and Blue Spruce Award.
For many who have lived through war and conflict, traumatic memories are often kept buried to bury the painful memories. In Fania’s Heart, there are secrets of the tattooed number on Sorale’s mother’s arm. And there are secrets of why her mother had no sisters, brothers, cousins, aunts, uncles, or grandparents. This book tells the true story of the crafting of a wonderful gift, created against all odds, within the confines of a prison camp. Curiosity about this secretive gift will spark conversations that are difficult, but necessary to remind younger generations of the courage it takes to survive atrocities.
Ten-year-old Sorale discovers a tiny heart-shaped book among her mother’s belongings. Its pages are shaped like four-petaled flowers, upon which are written words in languages Sorale does not understand. Who wrote these words? Where did the heart come from? And why has her mother never mentioned this tiny book before?
Fania’s Heart reveals the true story of the crafting of this heart-shaped birthday card, against all odds, within the confines of Auschwitz, and of the women of immeasurable resilience, courage, and loyalty who risked their lives to create this gift for Sorale’s mother, their friend.
I love reading stories that are a good mix of reality and fantasy, just as much as I like to write them myself. And I guess that comes from my background as a journalist. But perhaps not so, as the first stories I wrote in my teens that were published in a Dutch women’s magazine were retellings of Biblical stories. I recounted those from the point of view of women: the (future) wives of Joseph (with the ten brothers) and of Moses. I was a writer long before I became a journalist, a profession I needed to gather the knowledge I could then use to write my books, so it seems.
The book is so much better than the movie! Amis writes about a community living next to a German concentration camp, and I really liked how he focussed on the differences between the camp commander and an advisor who keeps a critical mind through it all.
I liked to see how people adapt again and again to the most gruesome situations, but also how there are rebels who never will. For me this is one of the best books about the humans behind a war, where reality and fantasy have been mixed very masterfully.
Amidst the horrors of Auschwitz, German officer, Angelus Thomsen, has found love.
But unfortunately for Thomsen, the object of his affection is already married to his camp commandant, Paul Doll.
As Thomsen and Doll's wife pursue their passion - the gears of Nazi Germany's Final Solution grinding around them - Doll is riven by suspicion. With his dignity in disrepute and his reputation on the line, Doll must take matters into his own hands and bring order back to the chaos that reigns around him.
'It is exceptionally brave.... Shakespearean.... It's exciting; it's alive; it's more than slightly mad. As…
